The internal conflicts in "The House on Mango Street" revolve around the protagonist Esperanza's struggle with her cultural identity, her desire to break free from the constraints of her surroundings, and her yearning for independence and self-acceptance. These conflicts shape her journey towards self-discovery and empowerment throughout the novel.
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The House on Mango Street was created in 1991-04.
"The house on Mango Street isn't good. You don't want to know the rest." - Sandra Cisneros, "The House on Mango Street"
In the story of the House on Mango Street, the friends of Esperanza were Cathy and Sally.
In the novel "The House on Mango Street," the main character, Esperanza, moves to Mango Street with her parents, two younger siblings, and her brother. So a total of six family members moved to Mango Street.
No, The House on Mango Street is not the kind of house Esperanza always wanted. She dreams of a larger, more permanent home that is not associated with the poverty and limitations of Mango Street. The house on Mango Street represents the struggles and constraints she longs to break free from.
Sandra Cisneros, a Mexican-American writer from Chicago, wrote "The House on Mango Street."
Her previous homes were temporary and lacking in stability, while the house on Mango Street was meant to be permanent. The house on Mango Street was a symbolic representation of the family's aspirations for a better life, whereas her previous homes were a reminder of their struggles and limitations. The house on Mango Street offered Esperanza a sense of belonging and identity, which she did not find in her previous homes.
An example of hyperbole in "The House on Mango Street" is when Esperanza describes her new high-heeled shoes as "magic." This is an exaggerated statement meant to convey the idea that she feels transformed or special when wearing them.
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Poverty