An aviso is a piece of information or advice, or an advice boat - a boat used to carry such messages.

The cast of Aviso oportuno - 1988 includes: Javier Estrada Lilian Lara

AVISO! Mau Humor!

The cast of Aviso de bomba - 2000 includes: Bruto Pomeroy as Jefe Jaime Rodrigo as David

An aviso (formerly also an adviso), a kind of dispatch boat or advice boat, survives particularly in the French navy. http://en.wikipedia.org/wiki/Aviso

An Aviso

Aviso

Es un aviso.

Vecinos - 2005 Aviso de desalojo 1-46 is rated/received certificates of:

Mexico:B

USA:TV-PG

The cast of Aviso oportuno - 1997 includes: Silvia Eugenia Derbez as Lucy Antonio Gozat as Hugo Naydine Lule as Sandra Alfredo Solares as Bernardo Lara

Maria Quiban's birth name is Maria T. Aviso.

AVISO; PERRO DE VIGILANCIA ESTA TRABAJANDO AQUI.

Claro, a qualquer momento sem aviso prévio, por isso comporte-se.

From the time a bull enters the ring until it is dragged out dead is usually about 20 minutes. Once a matador begins his faena - the artistic cape work preparng for the kill - the matador has 10 minutes tp complete the job. At 10 minutes a trumpet blast - aviso - is sounded as a warning. A second trumpet followed by a third at 15 minutes signals the matador to leave the ring and the bull is then led out of the ring and killed in the pens. This is an ultimate disgrace for a matador. Even a single aviso is a mark against the matador.

The cast of Aviso aos Navegantes - 1950 includes: Pijuca Oscarito as Frederico Emilinha Borba Cuquita Carballo Francisco Carlos Adelaide Chiozzo as Adelaide Rubem Dourado Anselmo Duarte as Alberto Jayme Ferreira Jorge Goulart Yara Isabel as Old Woman Walter Jardim Ina Malagutti as Rosa Bene Nunes Evenor Pontes de Medeiros Ruy Rey Glauce Rocha as Passenger Grijo Sobrinho Juliana Yanakiewa

The cast of El aviso inoportuno - 1969 includes: Armando Acosta Eduardo Alcaraz Manuel Alvarado Marco Antonio Campos Alfonso Arau Amadee Chabot Yolanda Ciani Enrique Cuenca Jorge del Rosal Alberto Gavira Patricia Herrera Queta Lavat Jorge Lavat Eduardo Manzano Rosa Maria Pineiro Alejandra Meyer Gina Morett Salvador Pulido Roberto Resendiz Carlos Riquelme Carlos Rotzinger Celia Viveros

El Presidente is the government official who judges and controls what goes on in the ring. He is the person who times the various parts of the fight and has a trumpeter signal an aviso if the matador exceeds the limit. He is also awards the 'trophies' - ears, tail, etc. - for exceptional performances.

Yara Isabel has: Performed in "E o Mundo se Diverte" in 1948. Performed in "O Noivo de Minha Mulher" in 1950. Played Old Woman in "Aviso aos Navegantes" in 1950. Performed in "Mulher do Diabo" in 1952. Performed in "Pecadora Imaculada" in 1952.

According to SOWPODS (the combination of Scrabble dictionaries used around the world) there are 1 words with the pattern AV--O. That is, five letter words with 1st letter A and 2nd letter V and 5th letter O. In alphabetical order, they are:

aviso

Antonio Gozat has: Played Mesero in "Esta noche entierro a Pancho" in 1995. Performed in "Ataque salvaje" in 1995. Performed in "Juventud en drogas" in 1996. Played Arquitecto in "Danik, el viajero del tiempo" in 1996. Played Hugo in "Aviso oportuno" in 1997. Played Joaquin Escalona in "Venganza contra el reloj" in 1999. Performed in "El Judas" in 2003.

Francisco Carlos has: Performed in "A Escrava Isaura" in 1949. Performed in "Carnaval no Fogo" in 1949. Performed in "Aviso aos Navegantes" in 1950. Performed in "Vamos com Calma" in 1956. Performed in "Guerra ao Samba" in 1956. Performed in "Garotas e Samba" in 1957. Performed in "De Vento em Popa" in 1957. Performed in "Tudo Legal" in 1960. Performed in "Briga, Mulher e Samba" in 1960.

Ruy Rey has: Performed in "E o Mundo se Diverte" in 1948. Performed in "Folias Cariocas" in 1948. Performed in "Carnaval no Fogo" in 1949. Performed in "Aviso aos Navegantes" in 1950. Performed in "Era uma Vez um Vagabundo" in 1952. Performed in "Trabalhou Bem, Genival" in 1955. Performed in "Carnaval em Marte" in 1955. Performed in "Vamos com Calma" in 1956. Performed in "Garotas e Samba" in 1957.

Bene Nunes has: Performed in "Carnaval no Fogo" in 1949. Performed in "Aviso aos Navegantes" in 1950. Performed in "Um Beijo Roubado" in 1950. Performed in "O Rei do Samba" in 1952. Performed in "Carnaval em Caxias" in 1954. Performed in "Guerra ao Samba" in 1956. Performed in "No Mundo da Lua" in 1958. Performed in "Garota de Ipanema" in 1967. Performed in "Ciranda, Cirandinha" in 1978. Played Police chief in "As Sete Vampiras" in 1986.

Are you a victim of cone men ? Tell your story about this bank you asking because there's A lot of scams using this particular bank name.

Juan de Timoneda has written:

'El Sobremesa y Alivio de caminantes de Joan Timoneda, 1569'

'Buen aviso y portacuentos ; El sobremesa y alivio de caminantes'

'Las tres comedias de Juan Timoneda'

'L'esglesia militant'

'Villete de Amor'

'The Aucto del castillo de Emaus and the Aucto de la Iglesia of Juan Timoneda'

'Cancioneros Ilamados Enredo de amor, Guisadillo de amor y El truhanesco, 1573'

Un examen extemporáneo es una evaluación escrita u oral que se administra de manera inmediata, sin aviso previo sobre el tema a tratar. Los estudiantes deben demostrar sus conocimientos sobre un tema específico sin haber tenido la oportunidad de prepararse con anterioridad. Este tipo de examen pone a prueba la capacidad de improvisación y entendimiento del estudiante sobre la materia.

Adelaide Chiozzo has: Performed in "Segura Esta Mulher" in 1946. Performed in "E o Mundo se Diverte" in 1948. Performed in "Carnaval no Fogo" in 1949. Played Adelaide in "Aviso aos Navegantes" in 1950. Performed in "Guerra ao Samba" in 1956. Performed in "Sai de Baixo" in 1956. Played Didi in "Garotas e Samba" in 1957. Played Jucelina in "Deus Nos Acuda" in 1992. Played herself in "Retratos Brasileiros - Eliana Macedo" in 2000. Played herself in "Som Brasil" in 2007.

Q1: "I'm waiting for you baby I'm going to take some pictures in a while to helmet" "to a friend"

Q2: "maybe we can bump into a helmet "maybe" nothing is safe."

Q1: "ha I warn you where I am"?

Nicholas Thomas has written:

'Marquesan societies' -- subject(s): Marquesans, Politics and government, Social life and customs, Culture conflict, Social conditions, French Polynesia, History

'Discoveries' -- subject(s): Voyages around the world, Discoveries in geography, Travel, Explorers, Biography, History

'Out of time' -- subject(s): Ethnology, History, Philosophy, Social evolution

'In Oceania' -- subject(s): Material culture, Ethnology, History, Antiquities, Social life and customs

Erika Bleher has: Performed in "La cuchufleta" in 1995. Performed in "Abuso en el rancho" in 1997. Played Virginia del Hoyo (1998-2002) in "Cero en conducta" in 1998. Played Brenda in "Secuestro: Aviso de muerte" in 1998. Played Carmen Estrada in "Venganza contra el reloj" in 1999. Performed in "Duelo de razas" in 1999. Played Roberta in "La otra" in 2002. Played Various in "La casa de la risa" in 2003. Played Nuria in "Como dice el dicho" in 2011.

Os países que fazem fronteira terrestre com a Inglaterra são Escócia e País de Gales, ambos pertencentes ao Reino Unido. Além disso, a Inglaterra possui fronteiras marítimas com a Irlanda do Norte, que também é parte do Reino Unido, e com a França através do Canal da Mancha.

Michel Bos has: Played Kanzler in "Secuestro: Aviso de muerte" in 1998. Played Head ok KKK in "Halcones de la frontera 3" in 1998. Played Marine Gringo in "El tesoro del Pilar" in 2000. Played Dr. of Clinic in "Seres humanos" in 2001. Played Mr. Freeman in "Mi barrio es Tepito" in 2001. Played Exec in "Amar otra vez" in 2003. Played Exec Gringo in "Velo de novia" in 2003. Played CIA Agent in "Bandido" in 2004. Played Amigo Origel in "Incognito" in 2005. Played Mr. Inigo in "Pablo y Andrea" in 2005. Played Executive Transamerican Trust Fund in "Mientras haya vida" in 2007.

Alberto Gavira has: Performed in "El dinero no es la vida" in 1952. Performed in "Los dos cuatreros" in 1965. Played Narrator (Spanish Version) in "Teotihuacan - La ciudad de los dioses" in 1968. Performed in "El aviso inoportuno" in 1969. Performed in "Los miserables" in 1974. Played Rey Gaspar in "Los 3 reyes magos" in 1976. Played Juez (1978) in "Gotita de gente" in 1978. Played Old man at velatory in "La pachanga" in 1981. Performed in "Dos de abajo" in 1983. Played Juancho in "Amalia Batista" in 1983. Played Castillo in "Te amo" in 1984. Played Graciano in "La gloria y el infierno" in 1986. Played Don Lupe in "Senda de gloria" in 1987.

Jorge Goulart has: Performed in "Carnaval no Fogo" in 1949. Performed in "Aviso aos Navegantes" in 1950. Performed in "Tudo Azul" in 1952. Performed in "Com o Diabo no Corpo" in 1952. Performed in "Luz Apagada" in 1953. Performed in "Carnaval em Caxias" in 1954. Performed in "Carnaval em Marte" in 1955. Performed in "Vamos com Calma" in 1956. Performed in "Guerra ao Samba" in 1956. Performed in "Garotas e Samba" in 1957. Performed in "O Barbeiro Que Se Vira" in 1958.

Silvia Eugenia Derbez has: Performed in "Mujer, casos de la vida real" in 1985. Performed in "Al derecho y al derbez" in 1992. Performed in "Perros de presa" in 1992. Performed in "Amor que mata" in 1994. Played Olga in "Lazos de amor" in 1995. Played Yolanda in "Tu y yo" in 1996. Played Lucy in "Aviso oportuno" in 1997. Played Magda in "Una luz en el camino" in 1998. Performed in "Sendero mortal II" in 1999. Performed in "Reclusorio III" in 1999. Played Chela in "La familia P. Luche" in 2002. Played Chela in "XHDRbZ" in 2002. Performed in "XHDRbZ" in 2002. Played Dana Valero in "Capadocia" in 2008. Played Berta in "Como dice el dicho" in 2011.

Enrique Cuenca has: Performed in "Tiempos y contrastes" in 1961. Performed in "Sonrisas colgate" in 1962. Performed in "La farmacia de Televicuento" in 1962. Performed in "Agarrando parejo" in 1964. Performed in "El aviso inoportuno" in 1969. Played Various in "El show de Enrique el Polivoz" in 1976. Performed in "Somos del otro Laredo" in 1977. Performed in "Tarjeta verde" in 1978. Performed in "...Y hacemos de... tocho morocho" in 1981. Performed in "Escuela de placer" in 1984. Performed in "Los Polivoces 88" in 1988. Performed in "Memorias de un mojado" in 1988. Performed in "Las novias del lechero" in 1989. Performed in "La vengadora 2" in 1991. Performed in "El gran reto - Lola la Trailera 3" in 1991. Performed in "Reclusorio III" in 1999.

Oscarito has: Played himself in "A Voz do Carnaval" in 1933. Performed in "Noites Cariocas" in 1936. Performed in "Bombonzinho" in 1937. Performed in "Banana-da-Terra" in 1939. Performed in "24 Horas de Sonho" in 1941. Played Risadinha in "Gente Honesta" in 1944. Performed in "Fantasma Por Acaso" in 1946. Performed in "E o Mundo se Diverte" in 1948. Played Serafim in "Carnaval no Fogo" in 1949. Played Frederico in "Aviso aos Navegantes" in 1950. Played Tinoco in "A Dupla do Barulho" in 1953. Played Kid Bolha in "Matar ou Correr" in 1954. Performed in "O Golpe" in 1956. Played Chico in "De Vento em Popa" in 1957. Performed in "O Cupim" in 1960. Played Catito in "Pintando o Sete" in 1960. Played Didu in "Os Apavorados" in 1962. Played Padre Olavo in "Jovens Pra Frente" in 1968. Played himself in "Mulheres de Cinema" in 1978.

Eduardo Manzano has: Performed in "Tiempos y contrastes" in 1961. Performed in "Sonrisas colgate" in 1962. Performed in "La farmacia de Televicuento" in 1962. Performed in "Agarrando parejo" in 1964. Performed in "El aviso inoportuno" in 1969. Performed in "Somos del otro Laredo" in 1977. Performed in "Los Polivoces 88" in 1988. Performed in "Escuela para brujas" in 1990. Performed in "Yo hice a Roque III" in 1993. Performed in "La vida en risa" in 1994. Played himself in "Gilberto Gless: El mejor imitador del mundo" in 2001. Played himself in "Aplausos" in 2005. Played Artemio in "Club eutanasia" in 2005. Played Adal in "La rosa de Guadalupe" in 2008. Performed in "Volverte a ver" in 2008. Played Tito in "La rosa de Guadalupe" in 2008. Played Enrique in "Amar" in 2009. Played Cardenal in "Pastorela" in 2011. Performed in "Un refugio para el amor" in 2012.

Grijo Sobrinho has: Played Fiscal in "Carioca Maravilhosa" in 1936. Performed in "Maridinho de Luxo" in 1938. Performed in "Samba em Berlim" in 1943. Performed in "Berlim na Batucada" in 1944. Played Juiz in "Pif-Paf" in 1945. Performed in "Terra Violenta" in 1948. Performed in "Aviso aos Navegantes" in 1950. Performed in "Um Beijo Roubado" in 1950. Performed in "Rei do Movimento" in 1954. Performed in "O Diamante" in 1956. Performed in "Garotas e Samba" in 1957. Performed in "De Vento em Popa" in 1957. Performed in "Um Pirata do Outro Mundo" in 1957. Performed in "Tem Boi na Linha" in 1957. Performed in "Treze Cadeiras" in 1957. Played Judge in "O Barbeiro Que Se Vira" in 1958. Performed in "Hoje o Galo Sou Eu" in 1958. Played Policeman in "Na Corda Bamba" in 1958. Performed in "Entrei de Gaiato" in 1959. Performed in "Eu Sou o Tal" in 1959. Performed in "O Homem do Sputnik" in 1959. Played Driver in "Cala a Boca, Etelvina" in 1960.

Glauce Rocha has: Played Passenger in "Aviso aos Navegantes" in 1950. Performed in "Grande Teatro Tupi" in 1951. Performed in "Com o Diabo no Corpo" in 1952. Played Marta in "Rua Sem Sol" in 1954. Played Rosa in "Rio 40 Graus" in 1955. Performed in "O Jovem Dr. Ricardo" in 1958. Played Inesita in "O Noivo da Girafa" in 1958. Performed in "Traficantes do Crime" in 1958. Played Berenice Bellington in "Homenaje a la hora de la siesta" in 1962. Performed in "Os Cafajestes" in 1962. Performed in "Sol Sobre a Lama" in 1963. Performed in "O Beijo" in 1965. Played Magricela in "Na Mira do Assassino" in 1967. Performed in "A Derrota" in 1967. Played Sara in "Terra em Transe" in 1967. Performed in "Roberto Carlos e o Diamante Cor-de-Rosa" in 1968. Performed in "Rosa Rebelde" in 1969. Performed in "Jardim de Guerra" in 1970. Played Helena in "Hospital" in 1971. Played Norma Suely in "A Navalha na Carne" in 1974. Performed in "O Dia Marcado" in 1977. Played herself in "Glauber o Filme, Labirinto do Brasil" in 2003.

Anselmo Duarte has: Performed in "Querida Susana" in 1947. Played Carlos in "Terra Violenta" in 1948. Played Ricardo in "Carnaval no Fogo" in 1949. Played Alberto in "Aviso aos Navegantes" in 1950. Performed in "A Sombra da Outra" in 1950. Played Pedro in "Appassionata" in 1952. Played Hugo in "Veneno" in 1952. Played Ricardo in "Sinfonia Carioca" in 1955. Played Ricardo in "Carnaval em Marte" in 1955. Performed in "O Diamante" in 1956. Performed in "Arara Vermelha" in 1957. Played himself in "Programa Silvio Santos" in 1960. Played Pablo in "Un rayo de luz" in 1960. Played Daniel in "As Pupilas do Senhor Reitor" in 1961. Performed in "O Marginal" in 1974. Played Jogador in "Noiva da Noite - o Desejo de 7 Homens" in 1974. Played Felipe in "Embalos Alucinantes" in 1978. Played Adm. Sampaio Barroso in "Brasa Adormecida" in 1987. Played himself in "Retratos Brasileiros - Eliana Macedo" in 2000. Played himself in "Adolfo Celi, un uomo per due culture" in 2006. Played himself in "O Homem que Engarrafava Nuvens" in 2009.

Bruto Pomeroy has: Performed in "Querido maestro" in 1997. Performed in "Manos a la obra" in 1997. Played Taxista in "Siempre hay un camino a la derecha" in 1997. Played Don Pedro in "La raya" in 1997. Played Gordo Bar in "Mensaka" in 1998. Played Mozo 1 in "Insomnio" in 1998. Performed in "Feliz navidad" in 1998. Played Padre en gasolinera in "El milagro de P. Tinto" in 1998. Played The Mayor in "Atilano, presidente" in 1998. Performed in "El comisario" in 1999. Played Camionero flotador in "Manolito Gafotas" in 1999. Played Benjamin in "Hospital Central" in 2000. Played Taxista in "Nueces para el amor" in 2000. Played Jefe in "Aviso de bomba" in 2000. Performed in "El horrible crimen ritual de la calle Tribulete" in 2004. Performed in "Lo bueno de llorar" in 2006. Played Guardia Residencia in "Arena en los bolsillos" in 2006. Performed in "Con dos tacones" in 2006. Performed in "Relatos" in 2009. Played Man in "Tropezones" in 2009. Played Bruto Pomeroy in "Vivir del aire" in 2010. Played Profesor Brofman in "Profesor Brofman" in 2011.

Emilinha Borba has: Performed in "Banana-da-Terra" in 1939. Performed in "Vamos Cantar" in 1941. Performed in "Astros em Desfile" in 1942. Performed in "Romance de um Mordedor" in 1944. Performed in "Fantasma Por Acaso" in 1946. Performed in "Segura Esta Mulher" in 1946. Performed in "Folias Cariocas" in 1948. Played Norma in "Poeira de Estrelas" in 1948. Performed in "Aviso aos Navegantes" in 1950. Performed in "Todos Por Um" in 1950. Performed in "Tudo Azul" in 1952. Performed in "Rei do Movimento" in 1954. Performed in "Carnaval em Marte" in 1955. Performed in "Trabalhou Bem, Genival" in 1955. Performed in "Vamos com Calma" in 1956. Performed in "De Pernas Pro Ar" in 1956. Performed in "Guerra ao Samba" in 1956. Performed in "Eva no Brasil" in 1956. Performed in "Garotas e Samba" in 1957. Performed in "Com Jeito Vai" in 1957. Performed in "Garota Enxuta" in 1959. Played herself in "Cala a Boca, Etelvina" in 1960. Performed in "Carnaval Barra Limpa" in 1967. Played herself in "Chiquinha Gonzaga" in 1999. Performed in "Retratos Brasileiros - Eliana Macedo" in 2000. Played herself in "Jovens Tardes" in 2002.

The bullfight opens with the paseo, or parade, of the participants. It is led by the mounted alguacil (marshal) who will ask the presidente for the symbolic keys to unlock the gate to the bull pen. All participants then clear the ring.

The first bull is let into the ring. The senior torero, the matador, watches as an assistant waves a bright yellow and magenta capote in front of the bull to make it charge. He watches this in order to determine the bull's qualities and mood, before taking over himself.

Then a trumpet is sounded and the mounted picadores weaken the bull's tossing muscle by stabbing it with a puya (lance).

After 5 minutes the trumpet sounds and the banderilleros enter and try to artfully place three pairs of decorated barbed sticks into the bull's tossing muscle. Sometimes the matador, himself, will do this.

Another trumpet is sounded and the Matador now removes his montera (hat) and dedicates the death of the bull to the presidente, the crowd or a particular individual before beginning his faena, the final act of the fight. Meanwhile the assistants keep the bull occupied on the opposite side of the ring.

The faena which is the most beautiful and skillful terceo (third) of the fight where the matador must prove his courage and artistry. During the faena the matador uses the smaller red cape, the muleta, which is mounted on a short rod and extended with the sword. The sword is always held in the right hand but the muleta can be held with either. Usually the muleta, in left or right hand, This is a show, basically a dance with death and with one wrong move and the matador could become impaled on the horns of the bull. It is the matador's job to make this dance dramatic and artistic for the audience.

The faena continues until the matador has demonstrated his superiority over the bull. Once this is achieved the bull is ready to be killed. The matador stands some ten feet from the bull, keeping the bull fixed on the muleta and aims the espada between the shoulder blades. The matador attacks pushing the espada over the horns and deep between the shoulder blades. If the sword goes in to the hilt it is an estocada but if it hits bone it is a pinchazo or media-estocada. An estocada usually results in the bull dropping immediately to its knees and dying, but if the bull fails to die the matador may take the descabello (a sword with a short cross piece at the end) which he stabs into the bull's shoulder severing the spinal cord. Once the faena begins, the matador has 10 minutes to complete it and kill the bull. If he fails, a trumpet warning sounds. A second and third trumpet may be required if the matador has been unsuccessful. After a third aviso (warning) the bull is returned to the bull pen and killed there. Any aviso is a black mark against the matador's performance and when a bull is returned to the corral alive, it is a real disgrace.

Once the bull is dead, the matador will take a victory lap around the ring and may be awarded a trophy ear, two ears or two ears and a tail. In the early days of bullfighting the matador received little pay and an ear meant he could claim the meat of the animal.

The dead bull is then dragged by a team of horses to the butchers while the mono sabios (workers) smooth the sand in preparation for the next bull.

People do not 'play' bullfights. It is not a sport but considered an artform.

The bullfight opens with the paseo, or parade, of the participants. It is led by the mounted alguacil (marshal) who will ask the presidente for the symbolic keys to unlock the gate to the bull pen. All participants then clear the ring.

The first bull is let into the ring. The senior torero, the matador, watches as an assistant waves a bright yellow and magenta capote in front of the bull to make it charge. He watches this in order to determine the bull's qualities and mood, before taking over himself.

Then a trumpet is sounded and the mounted picadores weaken the bull's tossing muscle by stabbing it with a puya (lance).

After 5 minutes the trumpet sounds and the banderilleros enter and try to artfully place three pairs of decorated barbed sticks into the bull's tossing muscle. Sometimes the matador, himself, will do this.

Another trumpet is sounded and the Matador now removes his montera (hat) and dedicates the death of the bull to the presidente, the crowd or a particular individual before beginning his faena, the final act of the fight. Meanwhile the assistants keep the bull occupied on the opposite side of the ring.

The faena which is the most beautiful and skillful terceo (third) of the fight where the matador must prove his courage and artistry. During the faena the matador uses the smaller red cape, the muleta, which is mounted on a short rod and extended with the sword. The sword is always held in the right hand but the muleta can be held with either. Usually the muleta, in left or right hand, This is a show, basically a dance with death and with one wrong move and the matador could become impaled on the horns of the bull. It is the matador's job to make this dance dramatic and artistic for the audience.

The faena continues until the matador has demonstrated his superiority over the bull. Once this is achieved the bull is ready to be killed. The matador stands some ten feet from the bull, keeping the bull fixed on the muleta and aims the espada between the shoulder blades. The matador attacks pushing the espada over the horns and deep between the shoulder blades. If the sword goes in to the hilt it is an estocada but if it hits bone it is a pinchazo or media-estocada. An estocada usually results in the bull dropping immediately to its knees and dying, but if the bull fails to die the matador may take the descabello (a sword with a short cross piece at the end) which he stabs into the bull's shoulder severing the spinal cord. Once the faena begins, the matador has 10 minutes to complete it and kill the bull. If he fails, a trumpet warning sounds. A second and third trumpet may be required if the matador has been unsuccessful. After a third aviso (warning) the bull is returned to the bull pen and killed there. Any aviso is a black mark against the matador's performance and when a bull is returned to the corral alive, it is a real disgrace.

Once the bull is dead, the matador will take a victory lap around the ring and may be awarded a trophy ear, two ears or two ears and a tail. In the early days of bullfighting the matador received little pay and an ear meant he could claim the meat of the animal.

The dead bull is then dragged by a team of horses to the butchers while the mono sabios (workers) smooth the sand in preparation for the next bull.

The bullfight opens with the paseo, or parade, of the participants. It is led by the mounted alguacil (marshal) who will ask the presidente for the symbolic keys to unlock the gate to the bull pen. All participants then clear the ring.

The first bull is let into the ring. The senior torero, the matador, watches as an assistant waves a bright yellow and magenta capote in front of the bull to make it charge. He watches this in order to determine the bull's qualities and mood, before taking over himself.

Then a trumpet is sounded and the mounted picadores weaken the bull's tossing muscle by stabbing it with a puya (lance).

After 5 minutes the trumpet sounds and the banderilleros enter and try to artfully place three pairs of decorated barbed sticks into the bull's tossing muscle. Sometimes the matador, himself, will do this.

Another trumpet is sounded and the Matador now removes his montera (hat) and dedicates the death of the bull to the presidente, the crowd or a particular individual before beginning his faena, the final act of the fight. Meanwhile the assistants keep the bull occupied on the opposite side of the ring.

The faena which is the most beautiful and skillful terceo (third) of the fight where the matador must prove his courage and artistry. During the faena the matador uses the smaller red cape, the muleta, which is mounted on a short rod and extended with the sword. The sword is always held in the right hand but the muleta can be held with either. Usually the muleta, in left or right hand, This is a show, basically a dance with death and with one wrong move and the matador could become impaled on the horns of the bull. It is the matador's job to make this dance dramatic and artistic for the audience.

The faena continues until the matador has demonstrated his superiority over the bull. Once this is achieved the bull is ready to be killed. The matador stands some ten feet from the bull, keeping the bull fixed on the muleta and aims the espada between the shoulder blades. The matador attacks pushing the espada over the horns and deep between the shoulder blades. If the sword goes in to the hilt it is an estocada but if it hits bone it is a pinchazo or media-estocada. An estocada usually results in the bull dropping immediately to its knees and dying, but if the bull fails to die the matador may take the descabello (a sword with a short cross piece at the end) which he stabs into the bull's shoulder severing the spinal cord. Once the faena begins, the matador has 10 minutes to complete it and kill the bull. If he fails, a trumpet warning sounds. A second and third trumpet may be required if the matador has been unsuccessful. After a third aviso (warning) the bull is returned to the bull pen and killed there. Any aviso is a black mark against the matador's performance and when a bull is returned to the corral alive, it is a real disgrace.

Once the bull is dead, the matador will take a victory lap around the ring and may be awarded a trophy ear, two ears or two ears and a tail. In the early days of bullfighting the matador received little pay and an ear meant he could claim the meat of the animal.

The dead bull is then dragged by a team of horses to the butchers while the mono sabios (workers) smooth the sand in preparation for the next bull.

A bullfight is a show, not a game. Maybe you're thinking of bull riding?

---there arer rules to bullFIGHTING however i do not know them

Amadee Chabot has: Played Bathing Beauty in "The Joey Bishop Show" in 1961. Played Announcer (in Bathing Suit) in "The Joey Bishop Show" in 1961. Played Girl Karen Crandall in "The Beverly Hillbillies" in 1962. Played Karen Crandall in "The Beverly Hillbillies" in 1962. Played Beach Girl in "For Those Who Think Young" in 1964. Played Flo - Muscle Girl in "Muscle Beach Party" in 1964. Played Call Girl in "A House Is Not a Home" in 1964. Played Girl in "The Silencers" in 1966. Played Married Gnome in "The Gnome-Mobile" in 1967. Played Estela Ruiz aka Flor de Loto in "El tesoro de Moctezuma" in 1968. Played Galena Pulido in "Autopsia de un fantasma" in 1968. Played Sara in "Los asesinos" in 1968. Performed in "Un Latin lover en Acapulco" in 1968. Performed in "Como perros y gatos" in 1969. Played Bernarda in "El criado malcriado" in 1969. Performed in "No se mande, profe" in 1969. Played Martha in "El mundo de los aviones" in 1969. Performed in "El aviso inoportuno" in 1969. Played Romina in "Las fieras" in 1969. Performed in "Una mujer para los sabados" in 1970. Performed in "Tres amigos" in 1970. Played Joan Carson in "La captura de Gabino Barrera" in 1970. Played Joan Carson in "La venganza de Gabino Barrera" in 1971. Performed in "Campeones del ring" in 1972.

Yes, there is chemistry involved in surfing. The material composition of the surfboard, wetsuit, and sunscreen, as well as the interaction of water with the ocean floor, all involve chemical principles. Additionally, the chemical reactions that occur in the ocean water can affect surfers and marine life.