To learn if your poem is in iambic pentameter, an understanding of iambic and pentameter is required.
Iambic:
To achieve the " iambic " you need a word that you choose not to emphasize followed immediately by a word that you choose to emphasize.
For example: the boy
To make ' the boy ' iambic, the word ' the ' must be spoken lightly [unemphasized] and the word ' boy ' must be spoken firmly [emphasized].
That is: the boy
Other examples: a lamb; my pie; yan-kee
Pentameter:
Place five iambics consecutively and you have pentameter.
Example of iambic pentameter from modified Shakespeare:
to be or not to be that is to see
to be / or not / to be / that is / to see
1 / 2 / 3 / 4 / 5
It creates a musical quality in a poem or drama.
Pentameter is a noun.
Helena has 239 lines of iambic pentameter but Titania has only 141. Titania has that really long speech, though.
its iambic pentameter imabic, i don't remember what the last part is imabic, i don't remember what the last part is
its iambic pentameter imabic, i don't remember what the last part is imabic, i don't remember what the last part is
The use of blank verse, iambic pentameter, and the portrayal of morally ambiguous characters were elements of Elizabethan tragedy that were not typically found in Greek tragedy.
In English sonnets are most usually written in Iambic Pentameter: each line having ten syllables, with a stress on the even-number syllables: earth HATH not ANyTHING to SHOW more FAIR dull WOULD he BE of SOUL who COULD pass BY There are other possibilities. Many sonnets are written as Iambic Hexameter (twelve syllable lines - Sidney's 'Loving in truth, and fain in verse my love to show') and some in Iambic Tetrameter (Catherine Chandler's Oneironaut - "My shrink said lucid dreaming tames / Recurring nightmares! What the bleep .."). There are even trochaic sonnets. But Iambic Pentameter is by far the commonest metre in an English sonnet. (Different rhythms are the default option in other languages).
Stressed is a verb (past tense of stress) and an adjective (stressed syllable).
In 1573, as part of his new religious reforms (because he had just become Pope in 1572) Pope Gregory XIII instituted the Catholic practice that all secular poetry was required to be written in iambic pentameter in order to encourage primarily religious work. By the time William Shakespeare was of age to begin seriously writing poetry, it had become common practice to use primarily iambic pentameter in any work worthy of reading. Because of this, he adopted the practice of writing in iambic pentameter. Interestingly, the pattern of stressed and unstressed syllables in iambic pentameter mirrors the way most people naturally speak. This writing pattern, embraced by Shakespeare, makes the Old English verse sound more conversational, and more familiar to modern listeners.
The stressed part is 'voy'
The part of speech for this particular word is a noun.
part of speech