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ViviThe French man who stated that actors must play from thought was Francois Delsarte, a renowned 19th-century French actor and acting theorist. Delsarte emphasized the importance of expressing emotions and intentions through the body and gestures to convey believable performances on stage. His ideas and techniques influenced many acting and performance styles in the later years.
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What is the origin of thought?
The origin of thought is a complex topic that has been studied by philosophers, psychologists, and neuroscientists. It is believed that thought originates from the brain's neural networks and processes, which allow us to perceive, interpret, and respond to the world around us. The exact mechanisms of thought formation are still not fully understood, but it is clear that our experiences, memories, and cognitive abilities all play a role in shaping our thoughts.
What did Aristoe say must be true for a play to have a tragedy?
Aristotle stated that for a play to be a tragedy, it must have a protagonist of noble stature who experiences a downfall due to a tragic flaw in their character, such as hubris. Additionally, the play must evoke feelings of pity and fear in the audience through the protagonist's suffering.
What is in role thought?
Role thought, also known as role theory, is a sociological concept that explores how individuals define their own identity based on the roles they occupy in society. It suggests that people's behaviors, beliefs, and attitudes are shaped by the roles they play, such as parent, student, or employee. Role thought examines the interactions between individuals and the expectations associated with their roles.
Who said 'Hell is Other People'?
The phrase "Hell is other people" is attributed to French philosopher Jean-Paul Sartre. It comes from his play "No Exit" ("Huis Clos" in French) where it is a central theme exploring the dynamics of human relationships and existentialist philosophy.
Which did Aristotle say must be true for a play to be tragedy?
Aristotle believed that a tragedy must have a protagonist who experiences a reversal of fortune due to their own tragic flaw, leading to their downfall. This reversal of fortune must evoke pity and fear in the audience, resulting in a catharsis or purging of emotions.
