In relation to the castrophication of events in ones life, sad feelings are confined to congruent behaviour or behaviour which is considered to be socially acceptable. Typically, tragic suffering may lead to in-congruence in behaviour; for example, a person who catastrophises a situation where they have just been told they have been demoted in their employment may be start to shout loudly, throw a chair, just any behaviour which endangers themselves and/or others. The congruent behaviour would be defined as having socially acceptable standards of keeping ones emotions in check.
it's a tagedy but the story is pathetic
Himself, Creon is the tragic hero in this play and it is his actions that create his eventual suffering.
Both Antigone and Creon meet tragic ends, but Antigone's is more tragic in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, an end is tragic when the outcome of a human life leads to suffering or takes an unfortunate turn. The description fits both Theban Princess Antigone and King Creon. Antigone's end is tragic because she loses her life and therefore forfeits the opportunity to marry her beloved first cousin, Prince Haemon and to have children with him. Creon's end is a bit less tragic since he still lives at the play's end even though he loses everyone and everything that gives his life meaning.
The "Musee des Beaux Arts" communicates the tragic yet inevitable presence of suffering in the lives of humanity, and through the discussion of the painting "Icarus", encourages man to respond with empathy rather than indifference to the suffering of others.
Yes, it can be argued that Theban King Creon isn't an Aristotelian tragic hero. According to Aristotle [384 B.C.E.* - 322 B.C.E.], the tragic hero is a good person who does great things. But he loses everything due to his own tragic flaw. He also realizes his role in foredooming his own tragedy. It's true that Creon loses everything through his tragic flaw of pride. But he isn't a good person, and doesn't do great things. Instead, he's a selfishperson who does villainous things. For example, he refuses to honor the god given rights of his own citizens. Likewise does he remain unmoved by the suffering of his entire city. Creon ends his heartless, ruthless rule only when he sees that bad thingswill happen to him and his family. So he reverses his position only when he and his family are to be included in the suffering. He doesn't reverse his position because of his own self-awareness and self-knowledge. *Before the Christian Era
The tragic hero takes on a larger-than-life dimension because his or her struggle is waged against superhuman antagonists
it's a tagedy but the story is pathetic
the hero suffering
A tragic romance typically involves two lovers who are destined to be together but face insurmountable obstacles that ultimately lead to their downfall or separation. Themes of fate, sacrifice, and suffering are common, and the story often evokes feelings of sadness, loss, and longing in the audience.
I believe it was neither. I believe it was peace and suffering.
Willy Loman differs from a traditional tragic hero in that he is not a high-born or noble character with a fatal flaw that leads to his downfall. Instead, Willy is an ordinary, middle-class salesperson who struggles with feelings of inadequacy and delusions of grandeur. His downfall is a result of societal pressures and personal failings rather than a tragic flaw inherent to his character.
Tragic theater and madness were two traits he also represented in myth.
What role does the character play in his own suffering.
Tragedy. It typically involves a protagonist of high moral stature who experiences a downfall or suffering due to a tragic flaw in their character.
Himself, Creon is the tragic hero in this play and it is his actions that create his eventual suffering.
Tragic resolution refers to the outcome of a situation or story where events lead to a sad, unfortunate, or disastrous conclusion, often involving death, loss, or suffering for the characters involved. It typically involves a sense of inevitability and is a common element in tragic literature and drama.
All is well; hamartia leads to recognition; suffering ensues