When actors delivered soliloquys on the Elizabethan stage, it is believed that they made eye contact with the audience and spoke directly to them, thus engaging the audience in the character's inner dialogues. The fourth wall convention was not as firm as it later came to be.
The theatre during Shakespeare's time was considered to be highly unmoral. It was believed that attending a performance at a theatre would keep people from attending church. Theatres were not quiets places like they are today. Many members of the audience would jeer the performers and crime was often an issue.
Poetic reason was a subject of great debate in ancient philosophy, less so today. Many ancients believed the only way to true knowledge or any furthering of existing knowledge could only be done by means of logical, formulaic, syllogistic reasoning. I believe it was Aristotle who suggested that "thinking outside the box" or poetic reasoning could be as or more effective in some situations. I believe most who valued poetic reasoning believed that the combination of creativity and emotions helped the mind to see farther than logic alone could. Hope this helps!
the audience know that Macbeth is goin to become the thane of cawdor however Macbeth does not know that he has given this title.
Heighten their interest, increase their appreciation and reinforce their beliefs are the effects that the superstitious nature of the audience at the time had on their appreciation of "Oedipus Rex" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, audiences during the ancient Greek dramatist's lifetime believed in a universe dominated by the gods and ruled by fate. They could feel themselves immediately being drawn into Theban King Oedipus' experiences with destiny. Additionally, they too knew what it was like to live in cities where important decisions were made by kings in consultation with oracles, prophets and sacrifices.
Catharsis is the emotional release and purification that Aristotle believed the audience experienced when watching a tragedy. By witnessing the downfall of the tragic hero, the audience is able to release emotions like pity and fear, leading to a sense of emotional cleansing and renewal.
Aristotle believed that people experienced an emotional release by sympathizing with the characters in a tragedy. This release is known as catharsis.
Aristotle believed that catharsis, or the emotional release and purification experienced by the audience, was essential in a tragedy because it allowed viewers to experience a purge of their own emotions of pity and fear. This cathartic experience, according to Aristotle, would leave the audience feeling cleansed and uplifted, providing them with a sense of relief and emotional renewal.
Aristotle believed that audiences experienced catharsis when watching a tragedy. Catharsis is the purging of strong emotions, such as pity and fear, which leads to a sense of emotional release or renewal.
Aristotle believed that literature, especially poetry, relied on both mimesis (imitation) and catharsis. Mimesis refers to the imitation of human emotions and actions in literary works, while catharsis refers to the purging or cleansing of these emotions in the audience through the experience of the literary work. Aristotle believed that poetry could evoke catharsis, leading to emotional release and purification in the audience.
Catharsis, according to Aristotle, is the purging of emotions such as pity and fear through the experience of witnessing tragedy in art. He believed that this experience can bring about a sense of emotional renewal and relief in the audience.
Aristotle describes catharsis as the purification or purgation of emotions, particularly fear and pity, through art, such as in tragedy. He believed that experiencing these emotions in a controlled manner could bring about a sense of relief and emotional balance in the audience.
Aristotle believed that a tragedy, as a form of art, should evoke fear and pity in the audience, leading to a purging or cleansing of these emotions. This process, known as catharsis, serves to provide a sense of emotional release and clarity, allowing the audience to experience a deeper understanding and connection with the human experience portrayed in the tragedy.
Aristotle believed that experiencing dangers and conflicts in a tragedy from an emotionally remote standpoint allowed the audience to gain a sense of catharsis, or emotional release. By distancing themselves from the intense emotions portrayed on stage, the audience could reflect on the themes and messages of the play more objectively.
Aristotle believed that a tragedy should inspire pity and fear in the audience. These emotions would lead to catharsis, a purging of those emotions through the experience of watching the tragic events unfold on stage.
Aristotle's theory of drama, outlined in his work "Poetics," emphasizes the concept of catharsis, or the purging of emotions through pity and fear experienced by the audience. He also discusses the importance of plot, character, and diction in creating a successful tragedy. Aristotle believed that a good tragedy should evoke feelings of pity and fear in the audience, leading to a sense of emotional release.
Aristotle believed that experiencing catharsis, or the release of emotions such as pity and fear, through watching a tragedy was beneficial for the audience. It allows the audience to cleanse these emotions in a safe environment, leading to emotional and psychological relief. This ultimately leads to a sense of inner purification and renewal.