Any note can sound horrible if it is not played in a progression of matching sounds or with different notes that "clash" or do not sound good together. But every note can sound good if played in an orderly manner. Personally, I play the trumpet and in the trumpet, the F sharp note is very important and is very common. So, any key or note can sound good or horrible depending on how you play it.
A concert F sharp (as played on a piano) is a C on an E flat alto sax.
Any note can sound horrible if it is not played in a progression of matching sounds or with different notes that "clash" or do not sound good together. But every note can sound good if played in an orderly manner. Personally, I play the trumpet and in the trumpet, the F sharp note is very important and is very common. So, any key or note can sound good or horrible depending on how you play it.
E sharp is F natural, so, 1st valve.
E to F-sharp is one whole step. F-sharp is a major 3rd above D, so it's part of the D major scale.
Any single note by itself shouldn't sound dissonant, because there's no other notes to clash against.
Pbrbrbrbrbrbrt.
Any note can sound horrible if it is not played in a progression of matching sounds or with different notes that "clash" or do not sound good together. But every note can sound good if played in an orderly manner. Personally, I play the trumpet and in the trumpet, the F sharp note is very important and is very common. So, any key or note can sound good or horrible depending on how you play it.
A concert F sharp (as played on a piano) is a C on an E flat alto sax.
Any note can sound horrible if it is not played in a progression of matching sounds or with different notes that "clash" or do not sound good together. But every note can sound good if played in an orderly manner. Personally, I play the trumpet and in the trumpet, the F sharp note is very important and is very common. So, any key or note can sound good or horrible depending on how you play it.
The mediant of any major scale is the note that is a third above the tonic (root) of the scale. In the key of F sharp major, the tonic is F sharp, so the mediant would be A sharp.
F sharp, A sharp, C sharp, E natural
E sharp is F natural, so, 1st valve.
E to F-sharp is one whole step. F-sharp is a major 3rd above D, so it's part of the D major scale.
F sharp.
F# major. f sharp, c sharp, g sharp, d sharp, a sharp, e sharp
Anything beyond a double sharp exists only in theory and not in practice. A quintuple sharp would raise a note by 5 half steps, so a C with 5 sharps would sound the same as F.