Conjunct - it is within scalar movement.
Stationary ascending descending conjunct disjunct
Disjunct Melody: is a type of melodic motion. Disjunct motion proceeds by leap from one scale degree to the next by intervals larger than a second. Opposite of that, conjunct motion proceeds by step from one scale degree to the next by intervals of a second.
Simply put... yes. Otherwise you have a melody of just one note, or a never ending scale (in the most simplistic terms). All (good) melodies need some form of balance in the direction of the melody to keep it interesting and to keep it in the range of the instrument. [or am I over-analyzing this?]
-a cappella -relatively constant dynamics -most likely imitative polyphony with contrasting parts of homophony -consonant chords with mild dissonances at times -most likely conjunct melody
Conjunct - it is within scalar movement.
Stationary ascending descending conjunct disjunct
Disjunct ( Has many wide leaps)
Stationary ascending descending conjunct disjunct
Stationary ascending descending conjunct disjunct
WHAT?!?!?
Disjunct Melody: is a type of melodic motion. Disjunct motion proceeds by leap from one scale degree to the next by intervals larger than a second. Opposite of that, conjunct motion proceeds by step from one scale degree to the next by intervals of a second.
No, disjunct motion refers to melodies that move in larger intervals, while conjunct motion describes melodies that move in stepwise motion. Disjunct motion can include skips and leaps between notes, but it is not limited to disjointed intervals.
"Ode to Joy" has a conjunct melody because all the notes move in steps without jumps. "Twinkle Twinkle Little Star" has both conjunct and disjunct melodies. The first part, where the lyrics say, "Twinkle twinkle, little star" is disjunct because it jumps a fifth. The melody with the lyrics, "How I wonder what you are" is conjunct.
Disjunct Melody: is a type of melodic motion. Disjunct motion proceeds by leap from one scale degree to the next by intervals larger than a second. Opposite of that, conjunct motion proceeds by step from one scale degree to the next by intervals of a second.
A disjunct tone is a musical pitch that is not adjacent to the previous pitch. It involves a leap or skip rather than a stepwise movement. Disjunct tones can create tension or excitement in a musical composition.
Simply put... yes. Otherwise you have a melody of just one note, or a never ending scale (in the most simplistic terms). All (good) melodies need some form of balance in the direction of the melody to keep it interesting and to keep it in the range of the instrument. [or am I over-analyzing this?]