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double exposition
Theme and variation was an entire form of classical music, consisting of its own movements.
Last movements from concertos were usually having a fast tempo as in baroque period. A rondo finale was popular in classical period. The next popular form for final movement was sonata form.
Beethoven wrote the piece in 1801, which was during the late Classical period.
The first movement of the following multi-movement genres in the classical and romantic periods is almost always cast in sonata form: Symphonies Concertos String quartets and other serious chamber music genres Solo sonatas (e.g. piano)
double exposition
Classical sonatas use "sonata form" at least in their first movement. Baroque sonatas do not.
Piano Sonata No. 21 first movement
The sonata have 4 classical period.
Theme and variation was an entire form of classical music, consisting of its own movements.
Last movements from concertos were usually having a fast tempo as in baroque period. A rondo finale was popular in classical period. The next popular form for final movement was sonata form.
The first movement of a classical concerto is played in double-exposition sonata form at a moderate to fast tempo and has a cadenza near the end
Beethoven wrote the piece in 1801, which was during the late Classical period.
The first movement of the following multi-movement genres in the classical and romantic periods is almost always cast in sonata form: Symphonies Concertos String quartets and other serious chamber music genres Solo sonatas (e.g. piano)
Classical
The order of movement in a symphony was broken down into four or five parts. The first part was usually a slow introduction, followed by a slow movement, then a minuet, and finally a rondo or sonata-allegro.
They are all different things, but interlinked. Sonata form can be thought of as more like a building block in the sense that it would generally be used as the structure for one single movement within a larger work - for example, a movement from a concerto or a symphony (this is something concertos and symphonies have in common). Every standard symphony from the classical era onwards will have a first movement written in sonata form, and often the finale (final movement) will also be in sonata form. Concertos from the classical era onwards will also generally have a first movement based on sonata form, although the structure is somewhat different due to the movement obviously being scored for a soloist as well as an orchestra (that is basically the definition of concerto - a work featuring a soloist and orchestra of some description), which means a there will be a double exposition, usually with first the orchestra (tutti) playing at the beginning of the exposition, then the solo instrument.Of course, I have assumed you mean 'sonata form', rather than the 'sonata' as in a work for one or two instrumentalists, generally with several movements, out of which at least one (but not all) is a sonata form movement, usually the first movement. If you are talking about this meaning of sonata, then it has something in common with the concerto, as both feature a soloist, but a concerto will also feature an orchestra, whereas in a sonata the soloist would perhaps be accompanied by a piano, harpsichord, etc., but certainly not by an orchestra. It also has something in common with the symphony, since they both use sonata form for at least one movement; however, the sonata is quite a different thing to the symphony.To sum up, it depends which way you look at it. Concertos and symphonies are both multi-movement works which use sonata form for at least one movement, so they have that in common. However, the orchestra in a symphony would generally be quite a bit larger than a concerto, particularly a classical era concerto, as otherwise the soloist would be overpowered. Sonata form ties everything together, but it is different to concertos and symphonies as it is the structure of a single movement, not a multi-movement work, and a sonata has some similarities to the concerto, as outlined above, but few to the symphony.