A piano peal stool, or pedal extender, is a platform that essentially raises up the pedals so that those who can't reach them can now do so. It is basically a platform with usually 2 pedals on it that gets placed over the real piaono pedals. When the piano player steps on the pedals that are on the platform, the real piano pedals are engaged by the platform pedals. To see how they work, visit the related link below.
A piano usually has 2 or 3 pedals, if it has two pedals, the one on the right prolongs the note and you'll still be able to hear the note even if you aren't pressing the note down. The one on the left is a soft pedal or a damper pedal. This softens the note or dampens it. If the piano has 3 pedals, the rightermost one prolongs the note and the ones in the middle and on the left dampen/soften the note. :)
The first pedal is to dampen the sound and the second pedal is to connect all the notes played together.
Many big church organs have several keyboards and a whole set of pedals. Some complex harpsichords are also that way. The piano has a few pedals for some effects.
Pedals for the piano began life as pedals for the harpsichord. Very few harpsichords were outfitted with pedals because the purpose of the pedals was to change registration quickly and easily on the harpsichord, without having to lift the hands from the keys to do the same thing. Mostly, it was the English who dabbled in applying pedals to the harpsichord. As a result, they were also the first to add pedals to pianos. Before that, the earliest pianos made had no pedals at all because they were considered to be harpsichords with loud and soft (in Italian, "Gravicembalo col Forte e Piano") When the addition of stops on the forte-pianos were created to change the sound, it involved manually shifting the keyboard or pulling or pushing a handstop to effect the change. Later, the Austrian and German fortepiano makers invented the knee lever to raise and lower the dampers. The English pianoforte makers were applying pedals to do the same thing about the same time. By 1815, pedals were standard equipment on almost every piano. In Vienna from 1828- 1845, piano makers would customarily have as many as 5 - 7 pedals on a piano. These pedals activated bells, drums, snare effects and muffled effects, as well as the usual damper lifting and keyboard moving actions. In England, piano makers limited themselves for the most part to only 2 or 3 pedals. These differences were largely dictated by the peculiar nature of the action designs for the pianos from these different areas of Europe.
A piano peal stool, or pedal extender, is a platform that essentially raises up the pedals so that those who can't reach them can now do so. It is basically a platform with usually 2 pedals on it that gets placed over the real piaono pedals. When the piano player steps on the pedals that are on the platform, the real piano pedals are engaged by the platform pedals. To see how they work, visit the related link below.
Because The pedals are used to change the sound of the instrument in different ways.
A piano usually has 2 or 3 pedals, if it has two pedals, the one on the right prolongs the note and you'll still be able to hear the note even if you aren't pressing the note down. The one on the left is a soft pedal or a damper pedal. This softens the note or dampens it. If the piano has 3 pedals, the rightermost one prolongs the note and the ones in the middle and on the left dampen/soften the note. :)
No. There are hundreds of piano that have different settings. Remember that the piano of today evolved from many different changes that occurred to the harpsichord piano.
The first pedal is to dampen the sound and the second pedal is to connect all the notes played together.
Many big church organs have several keyboards and a whole set of pedals. Some complex harpsichords are also that way. The piano has a few pedals for some effects.
The Emedia Piano Pack can have foot pedals attached as well as a microphone.
Pedals for the piano began life as pedals for the harpsichord. Very few harpsichords were outfitted with pedals because the purpose of the pedals was to change registration quickly and easily on the harpsichord, without having to lift the hands from the keys to do the same thing. Mostly, it was the English who dabbled in applying pedals to the harpsichord. As a result, they were also the first to add pedals to pianos. Before that, the earliest pianos made had no pedals at all because they were considered to be harpsichords with loud and soft (in Italian, "Gravicembalo col Forte e Piano") When the addition of stops on the forte-pianos were created to change the sound, it involved manually shifting the keyboard or pulling or pushing a handstop to effect the change. Later, the Austrian and German fortepiano makers invented the knee lever to raise and lower the dampers. The English pianoforte makers were applying pedals to do the same thing about the same time. By 1815, pedals were standard equipment on almost every piano. In Vienna from 1828- 1845, piano makers would customarily have as many as 5 - 7 pedals on a piano. These pedals activated bells, drums, snare effects and muffled effects, as well as the usual damper lifting and keyboard moving actions. In England, piano makers limited themselves for the most part to only 2 or 3 pedals. These differences were largely dictated by the peculiar nature of the action designs for the pianos from these different areas of Europe.
the piano or a pedal harp or concert harp
When you press the pedals on a piano, you control the damper on the strings.
The piano is an instrument that has keys, pedals and strings. The keys are strings vibrate when they are struck by hammers being triggered when the keys are pressed. The pedals are used to manipulate the sound in various ways.
As a piano technician, i recommmend having a piano mover move every piano. They have the correct equipment and know all the in's and out's of piano moving such as when to remove the legs or pedals.