Invertible counterpoint The contrapuntal design of two or more voices in a polyphonic texture so that any of them may serve as an upper voice or as the bass. Invertible counterpoint involving two (three, four) voices is called double (triple, quadruple) counterpoint. http://www.answers.com/topic/invertible-counterpoint-music
Imitative Counterpoint
Mozart Beethoven and the other famous musicians you can think of.
Contrapuntal music uses counterpoint; the music consists of two or more melodic strands heard simultaneously. Homo-phonic music only has a single melodic line with accompaniment.
Both the terms 'counterpoint' and 'polyphony' refer to music where there is more than one musical line being played simultaneously. The term 'counterpoint' comes from the use of the word 'point' to describe a melody. A second melody played alongside a 'point' would therefore be running 'counter' to it, thus, the term 'counterpoint'. Polyphony means 'many' (poly) 'sounds' (phony). Again, it refers to music where there are a number of melodies sounding simultaneously. Therefore, the two terms can mean the same thing. In everyday use, musicians tend to use the term 'counterpoint' for styles of composition where there is a strict working of a certain number of voices in a 17th or 18th century style. Of course, modern music can use counterpoint as well. Please note that the word 'voices' doesn't necessarily mean 'singers'. It refers to any melody. Polyphony is a more general term. Therefore, music written in strict counterpoint is polyphonic and polyphonic music will be a form of counterpoint (contrapuntal) but not all polyphonic music is 'strict' counterpoint. Good, easily accessible examples are J.S. Bach's two-part inventions (two-part counterpoint) and His Fugues from 'The Well Tempered Clavier'.
cadence
Counterpoint is a study to learn how to combine more than two melodic lines so that they are harmonic (sound good together) as well as maintaining their own individuality. Counterpoint is a necessary knowledge in order to compose music.
Alan Dudley Bush has written: 'Strict counterpoint in Palestrina style' -- subject(s): Counterpoint 'Music in the Soviet Union' -- subject(s): Music
Invertible counterpoint The contrapuntal design of two or more voices in a polyphonic texture so that any of them may serve as an upper voice or as the bass. Invertible counterpoint involving two (three, four) voices is called double (triple, quadruple) counterpoint. http://www.answers.com/topic/invertible-counterpoint-music
Contrapuntal sound occurs when music and visual elements play against each other. Simply put, when they are in contrast of each other.
A. Tillman Merritt has written: 'Sixteenth-century polyphony' -- subject(s): Counterpoint, History, Music, Music theory, Theory 'Sixteenth-century polyphony' -- subject(s): Counterpoint, Polyphony
Imitative Counterpoint
Percy Goetschius has written: 'Lessons in Music Form (A Manual of Analysis of All the Structural Factors and Designs Employed in Musical Composition)' 'The homophonic forms of musical composition' -- subject(s): Composition (Music), Musical form 'Counterpoint applied in the invention, fugue, canon and other polyphonic forms' -- subject(s): Counterpoint 'The material used in musical composition' -- subject(s): Harmony 'Exercises in Elementary Counterpoint' -- subject(s): Counterpoint, Harmony
Contrapuntal, or counterpoint is used in music to provide an additional lyrical sound to a composition.
Mozart Beethoven and the other famous musicians you can think of.
Douglass M. Green has written: 'The principles and practice of modal counterpoint' -- subject(s): Counterpoint 'Form in tonal music' -- subject(s): Musical analysis, Musical form
Polyponic is counterpoint or contrapuntal music. If one independent melody is occuring at the same time.That is called polyponic or polypony.