He uses the Ibanez JS signature model that was made just for him.
Angus uses the overdrive on his amp.
I know a least on most songs Padge uses the Boss Metal Core
David Kilgour of seminal New Zealand band, The Clean, played an Ibanez 59er.
They can be run in tandem. One's ability to use them simultaneously would be dependent on their balance and coordination, as well as their weight and the ability of those two pedals to support their weight.
He uses the Ibanez JS signature model that was made just for him.
They usually use ' Distortion '.
Its either, Zombie nation - Kernkraft 400 or Crowd chant - Joe Satriani
Angus uses the overdrive on his amp.
Overdrive, Delay and a Compressor.
I know a least on most songs Padge uses the Boss Metal Core
Both Eddie and John don't use distortion pedals they use Big Bite pedals they are boost overdrive pedals. You can find them here, www.bigbitefx.com or www.facebook.com/bigbitefx
I read on a website that they actually backed up his car to the recording room and recorded the engine being revved.
Airplanes do not have gas pedals. Instead they use a throttle lever which is hand operated. Some planes come with pedals that are used to operate the rudder or brakes.
The Behringer PB 1000 can power multiple pedals, but it has a limited number of outputs. It may not be able to power all pedals simultaneously if you have a large pedalboard with many pedals. Review the power requirements of your pedals and ensure they are compatible with the PB 1000.
Separate effects pedals tend to give better tone because you can customize each one, and because some pedals have a unique signature sound that multi-effects pedals can't achieve (for example, the Ibanez Tube Screamer, the Boss CE-5 Chorus Ensemble, the Electro-Harmonix Big Muff, the MXR Phase 90, and the Vox V847A wah). However, if a guitarist isn't playing a large gig with a crew, managing too many single-effect pedals can be a pain. Plus, if the player likes to change sounds a lot, tweaking multiple single-effect units isn't practical. That's where multi-effects units like the Line 6 Floor Pod, Vox ToneLab or the DigiTech series come in handy, especially ones which can store user-defined presets for various combinations of effects and parameters. A guitarist can also use a pedalboard to hold all his/her single-effect pedals, keep them in place, and leave them connected to one another and to a power source. .
Guitar effect pedals were invented in the late 60's and more development into effects came in the 70's. The purpose of the effect pedal, namely the ever popular distortion, overdrive, feedback and delay pedals, was to eliminate the need to crack amplifier tubes and overdriving the feedback by proximity to the amplifier. Later, flanger, phaser and Hendrix's heavy use of the Wah-Wah effect became increasingly popular through sound shaping and dynamics. Most pedals are used do avoid amplifier and instrument abuse and damage. The sound dynamics from a pedal is designed to give the guitar the best effect based on varying conditions; loudness, regular amplifier distortion and feedback, the general acoustics of the venue, the amplifier cabinet type... the possibilities are limitless.