A choir or chorus is a musical ensemble of singers. A vocal ensemble which sings in a church, or sings exclusively sacred music, is called a choir, whereas an ensemble which performs the non-soloist parts of an opera or musical theatre production (or sometimes an oratorio) is called a chorus. For most other ensembles those two words may be used interchangeably. Other equivalent terms, often used in the names of choirs to provide variety, include chorale. There are also terms for more specific types of choir, such as glee club, barbershop quartet, and Madrigal group. A choir usually has eight or more singers, typically with two or more singers on each part; a chorus is typically larger still, with many singers on each part. Smaller vocal ensembles are usually called trios, quartets, quintets, etc. (e.g., barbershop quartet), or a vocal group or singing group. and,,,,,,,,,,, In tragic plays of Ancient Greece, the chorus (choros) is believed to have grown out of the Greek dithyrambs and tragikon drama. The chorus offered background and summary information to help the audience follow the performance, commented on main themes, and showed how an ideal audience might react to the drama as it was presented. They also represent the general populace of any particular story. The chorus usually communicated in song form, but sometimes the message was spoken. It was the playwright's job to choreograph the chorus. In early tragedy, all parts were played by a single actor; because the actor left the stage often to change roles, the chorus was especially dominant. It is thought to have numbered approximately 50 singing and dancing members (choreutai) circa 508. Tragedy came to be composed of episodes separated by choral odes. In these odes, the chorus would chant rhythmically, so they could be viewed as one entity rather than individuals. In the second generation of Athenian tragedy the chorus often had a more substantial role in the narrative; in Euripedes's Bacchae, for example, the chorus, representing the frenzied female worshippers of Dionysus becomes a central character in itself. Although Aeschylus reduced the chorus to 12 members, it remained critical to his productions. Under Aeschylus, the chorus played such key roles as the protagonist in The Suppliants, and the antagonist in The Eumenides. Sophocles increased the chorus to 15 members, although the choral odes became only tenuously related to the dramatic action. The Sophoclean chorus was divided into two sub-choruses of 6 (hemichoria) and a leader (koryphaios); the number of actors increased from two to three. The leader of the chorus interacted with the characters in the play, and spoke for the general population (the play's public opinion). This change favoured the interaction between actors and thus brought ancient greek tragedy closer to the modern notion of dramatic plot. The size of the tragic chorus continued to waver, settling for a time at 3 members. Use of the chorus can be seen not only in Ancient Greek tragedies, but also in more recent works such as Shakespeare's Romeo and Juliet.a chorus is where someone is singing, dancing, or talking simultaneously
The chorus to the popular country music song On The Other Hand as sung by Randy Travis sings: But on the other hand, there's a golden band. To remind me of someone who would not understand. On one hand I could stay, and be your loving man. But the reason I must go, is on the other hand.
There is no character in the musical A Chorus Line who is costumed in a leotard that is too small. The character of Val, however, might wear a skimpier costume than the other dancers.
It could possibly be New Slang by The Shins.
"Tom's Diner" by Suzanne Vega featuring D.N.A. It's more like: Chorus: duht duth duh duh duht duth duh duh duht duth duh duh duh duh duht duh duh I am sitting In the morning At the diner On the corner Chorus I am waiting At the counter For the man To pour the coffee Chorus And he fills it Only halfway And before I even argue Chorus He is looking Out the window At somebody Coming in Chorus "It is always Nice to see you" Says the man Behind the counter Chorus To the woman Who has come in She is shaking Her umbrella Chorus And I look The other way As they are kissing Their hellos Chorus I'm pretending Not to see them And Instead I pour the milk Chorus I open Up the paper There's a story Of an actor Chorus Who had died While he was drinking He was no one I had heard of Chorus And I'm turning To the horoscope And looking For the funnies Chorus When I'm feeling Someone watching me And so I raise my head Chorus There's a woman On the outside Looking inside Does she see me? Chorus No she does not Really see me Cause she sees Her own reflection Chorus And I'm trying Not to notice That she's hitching Up her skirt Chorus And while she's Straightening her stockings Her hair Is getting wet Chorus Oh, this rain It will continue Through the morning As I'm listening Chorus To the bells Of the cathedral I am thinking Of your voice... Chorus And of the midnight picnic Once upon a time Before the rain began... I finish up my coffee It's time to catch the train
Interact directly with the main characters is what the chorus leader can do but that the other chorus members cannot in "Antigone" by Sophocles (495 B.C. - 405 B.C.E.).Specifically, the chorus entertains by dancing and singing back and forth across the stage. Its members also explain cultural and historical contexts and give insights into onstage and offstage events. But they cannot speak directly with any of the play's characters.
The roles of representative, intermediary, entertainer, and commentator are what the Choragus plays in 'Antigone'. The Choragus in fact is the Leader of the Chorus of Theban elders. He thereby represents the wise men of Thebes. He likewise is the intermediary between the audience and the characters, and between the characters and the chorus. As with the rest of the chorus, he's an entertainer through the dancing and singing that takes place in the choral odes. Throughout the play he also is responsible for a running, summary commentary for the benefit of the audience and the other characters.
Choragos or Choragus is the chorus leader. The individual in question is the character who speaks on behalf of the chorus of Theban elders. So he's the representative of the chorus in terms of the other characters in the play 'Oedipus Rex'.Specifically, Choragos represents the informational responsibility of the chorus. That responsibility involves keeping the audience current of what's happening in the play. The other responsibility of the chorus is one that all chorus members carry it. It's the entertaining responsibility of dancing and singing.
Interact directly with non-chorus characters is what the chorus leader can do that the other chorus members cannot do in ancient Greek theater.Specifically, the chorus is made up of respected, wise elders. Its members instruct the audience by explaining offstage and past events as well as onstage happenings. They entertain by dancing and singing across the stage. But they cannot interact directly with characters outside the chorus. Only the chorus leader can interact with both chorus and non-chorus members in the play.
No, the chorus is not the same as the Choragos in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus draws its membership from the Theban elders. They number twelve in all. One of them operates as the Choragos, or chorus leader. The chorus leader represents the other members in direct interactions with other characters.
Supportive of Creon is the chorus' attitude and the most accomplished, respected and senior members of Thebes is whom the chorus represents in "Oedipus Rex" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus draws its members from twelve (12) of the city's highest and most respected achievers among the city's senior citizens. One member functions as the leader. He gets to interact directly with the other characters.
Broken By Robert Pattison ---- Walking on Air by Kerli. The other members could each have a solo with the verses, and for the chorus and riff all sing in unison. For the chorus, somebody would sing in minor chord and somebody would sing in major chord. It would make beautiful melody's.
Yes, the chorus wears masks in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, all of the characters wear masks in the play if the staging is true to the rules of ancient Greek theater. The masks reflect the gender, personality and status of the character. But each member of the chorus dons a mask that is identical to those of the other members since the chorus of Theban elders holds one opinion and represents the Theban consensus.
The cast of The Stronger - 2012 includes: Sofia Beroy as The Child Oni Brown as Chorus Amber Coartney as Chorus McKenzie Frye as The Other Woman LeeAnne Hutchison as Chorus Tracy Johnson Jack as Chorus Unjin Kim as Chorus Paula McGonagle as The Wife Ayesha Ngaujah as Chorus Ophra Wolf as Chorus Ana Wu as Chorus
the critter chorus quest is in fawns hide out. you will have to do some other quest for her to get to it though.
To bury Polyneices and free Antigone is the chorus' advice by way of the leader in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus does not interact directly with the other characters. The their leader does speak for the chorus members. The chorus leader hears what Teiresias the blind prophet says about ending the mourning, pestilential environment and polluted wrath in Thebes. He states that Theban King Creon needs to do what Teiresias says is the way to end the above mentioned problems: Give a proper burial to Polyneices' body and release Princess Antigone from her live burial in a remote cave.
== == A group of actors who function as a unit, called a chorus, was a characteristic feature of the Greek tragedy. The members of the chorus shared a common identity, such as Asian Bacchantes or old men of Thebes. The choragos (leader of the chorus) sometimes spoke and acted separately. In some of the plays, the chorus participated directly in the action; in others they were restricted in observing the action and commenting on it. The chorus also separated the individual sins by singing and dancing choral odes, though just what the singing and dancing were like is uncertain. The odes were in strict metrical patterns; sometimes they were direct comments on the action and characters, and at other times they were more general statements and judgments. A chorus in Greek fashion is not common in later plays, although there are instances such as T.S. Eliot's Murder in the Cathedral, in which the Women of Canterbury serve as a chorus.