D E F G A Bb C D equivalent minor to F-Major in its natural form. These of course are the notes as written, the notes as sounded must be transposed up a tone, as follows: E F# G A B C D E, but that's not really relevant if it's for an exam. In harmonic form the seventh (leading note) in raised a semi-tone D E F G A Bb C# D and in melodic, the sixth and seventh (Submediant and Leading note)are raised a semi-tone ascending D E F G A B(natural) C# D and descending, it takes the natural form: D C Bb A G F E D
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A C# major scale has seven sharps; i.e., every note is raised one half step from the C major scale -- all notes sharped.
This is true for all instruments. However, since a Clarinet is a transposing instrument, when a C# major scale is played on a Bb clarinet it sounds one whole step lower, exactly the sounds of notes in a B major scale played on the piano. Bottom line -- a clarinet player is always reading notes which are one whole step higher than the actual sound that comes out of the instrument.
for clarinet on all objectives is-
C...D...E...F...G...A...B...C#...THEN UP...BACK DOWN...C#...A...G...F...E...D...C
The Bb Clarinet is the most common type of clarinet. The Bb shows that the clarinet is tuned to that note, just like an Eb clarinet is tuned to an Eb. If a Bb clarinet and a flute both play an "A" the notes will sound different, because they are tuned to different notes. In order to make the notes sound the same, the Bb Clarinet must play a semitone up, which is a "Bb".
There is no relationship between eighth notes and a concert scale.
I don't know I was asking you
For the Bb clarinet it's G B flat A D. All of course the high notes, but not super high
Haha, it's a chromatic scale, so: Bb, B, C, C#, D, Eb, E, F, F#, G, G#, A