the Riace Warrior
Laocoon and sons
The Romans adopted Greek sculpture of the Hellenistic period.
Its art, arts, sculpture, buildings, language, philosophy and science, and of course its propensity for warfare.
Roman sculpture did not change much in the later empire. The major changed occurred in the early empire, when it shifted to the realistic portraiture sculpture (busts) to idealised full body sculptures modelled on the Hellenistic sculpture of the Greeks.
Alexander the Great contributed to Roman culture indirectly. His conquest of the Persian Empire (including Egypt) led to the formation of Hellenistic culture and the Hellenistic states. A series of wars between his generals followed his death. This led to the creation of Hellenistic states in the territories he conquered: the kingdom of Pergamon in Western Turkey, the Seleucid Empire in most of the Asian territories and the Ptolemaic kingdom in Egypt. There was also the spread of Hellenistic culture, which was the result of an interaction between Greek culture and the cultures of the conquered peoples. There was also the emergence of Hellenistic sculpture, a new development in Greek sculpture. When the Romans expanded into the western Mediterranean they were influenced by Hellenistic culture. They were also influenced by the two main schools of philosophy of the Hellenistic period: Stoicism and Epicureanism. With contact with Egypt during the civil wars, the Romans were also influenced by the Hellenistic states which had a personality cult of their kings, who were also deified. Julius Caesar pursued a personality cult, which was new in Rome. After is death he was deified, which was also new in Rome. Augustus created the period of rule by emperors which followed the fall of the Roman Republic. He created a personality cult around the figure of the emperor and used Hellenistic sculpture to legitimate and glorify his rule, a practice which was continued by the other emperors. Deifying emperors became a frequent practice.
The form of Greek art the Romans emulated the most was sculpture. This started in the first century BC when they made full bodied statues. Prior to that Roman sculpture was sculptural portraiture (busts) which they themselves had developed. The Romans made copies of full bodied statues of the important Hellenistic sculptors and based their statues on the Hellenistic style. Hellenistic art is the Greek art style from Alexander the Great's conquest of Persian Empire in the 330s and 320s BC on.
The expression of sentiments, the forcefulness of details and the violence of the movements are characteristics of Hellenistic sculpture.Classical sculpture sought perfect beauty, balance and harmony.
both aim to elicit viewer emotional response
both aim to elicit viewer emotional response
Gloria Merker has written: 'The Hellenistic sculpture of Rhodes' -- subject(s): Hellenistic Sculpture, Sculpture
The expression of sentiments, the forcefulness of details and the violence of the movements are characteristics of Hellenistic sculpture.Classical sculpture sought perfect beauty, balance and harmony.
Sally-Ann Ashton has written: 'Ptolemaic royal sculpture from Egypt' -- subject(s): Catalogs, Egyptian Portrait sculpture, Egyptian Sculpture, Egyptian influences, Greek influences, Hellenistic Portrait sculpture, Hellenistic Sculpture 'Roman Egyptomania' 'Petrie's Ptolemaic and Roman Memphis' -- subject(s): Egyptian Portrait sculpture, Egyptian Sculpture, Hellenistic Sculpture, Influences, Petrie Collection of Egyptian Antiquities
The Romans adopted Greek sculpture of the Hellenistic period.
The Hellenistic sculpture representing a muse is Nike of Samothrace also called Winged Victory of Samothrace (c. 200 BCE-190BCE).
Blanche R. Brown has written: 'Royal portraits in sculpture and coins' -- subject(s): Coins, Greek, Expertising, Greek Coins, Hellenistic Portrait sculpture, Ny Carlsberg glyptotek, Portrait sculpture, Portrait sculpture, Hellenistic, Portraits
Matteo Cadario has written: 'La corazza di Alessandro' -- subject(s): Cuirasses, Hellenistic Sculpture, Sculpture, Hellenistic, Themes, motives, Weapons in art
Irene Favaretto has written: 'Tesori di scultura greca a Venezia' -- subject(s): Greek Sculpture, Hellenistic Sculpture, Museo archeologico di Venezia, Sculpture, Sculpture, Greek, Sculpture, Hellenistic 'Il Museo del Liviano a Padova' -- subject(s): Museo del Liviano
Homer A. Thompson has written: 'A Golden Nike from the Athenian Agora' -- subject(s): Greek Sculpture, Nike, Sculpture, Greek 'Hellenistic pottery and terracottas' -- subject(s): Agora (Athens, Greece), Antiquities, Hellenistic Pottery, Pottery, Hellenistic, Terra-cotta figurines, Hellenistic