The Waste Land Crag
The Love Song of J. Alfred Prufrock The Waste Land The Hollow Men
The poet T.S. Eliot began publishing many of his best-known works between 1915 ("The Love Song of J. Alfred Prufrock") and 1922 ("The Waste Land"). His reputation grew throughout the 1920s, and by the 1930s, he had become one of the US and the British Empire's most popular poets.
He was arguably the most influential poet of the 20th century writing the masterpiece 'The Waste Land' and less significantly 'Four Quartets' and 'The Lovesong of J Alfred Prufrock'. He also wrote plays, essays and criticisms.
"Ezra Pound would be an important and pivotal person in Eliot's life. When Eliot arrived in London, Eliot was still not sure if his heart was in academics or poetry. Pound's role was pivotal to Eliot not only because he helped organize and edit Eliot's famous poem "The Waste Land," but he also "encouraged Eliot in his choice of career, country to live in, and wife to marry" (Sharpe 46). The meeting of these two literary figures was arranged through a friend of Eliot's (Sharpe 44). Eliot knew the importance of finding an outlet for his art and Eliot knew Pound was a good source for contacts and knowledge of London's literary scene. Eliot was sure that Pound and London would give him the best chance in allowing him to do what he wanted to do (Sharpe 44). On September 22, 1914 Eliot arrived on Pound's doorstep (Sharpe 44). Poems were given to Pound. Pound's response was instant and positive. In a letter to a friend, Pound wrote of Eliot's writing talents, "He has sent in the best poem I have yet had or seen from an American. PRAY GOD IT BE NOT A SINGLE AND UNIQUE SUCCESS" (Sharpe 44). A second person who would become influential in Eliot's life at this time was Bertrand Russell, a famous philosopher, who was a teacher of Eliot at Harvard. When Eliot came to Oxford, Russell bumped into him on the street and was surprised to see one of his former students (Sharpe 49). Like Pound, Russell quickly introduced Eliot to his intellectual circles; however, Russell's circles were not the same in which Pound was traveling in. Russell expanded Eliot's base of support and gave him access to people not known to Pound (Sharpe 55). The important role of Russell in Eliot's life during this time was offering financial help when the poet needed it the most. For a while Eliot and his new wife lived with Russell, whose help Eliot could not have been a poet without (Bush 54). The third influential person to enter Eliot's life during this time was Vivien Haigh-Wood (Bush 53). In 1915 Eliot got married to her with the encouragement of Pound (Sharpe 49). At the beginning of 1915, it is believed that Eliot was still a virgin at the age of twenty seven (Sharpe 50). It is believed that the "unorthodox" Vivien possibly offered Eliot a "sense of passion" and feelings in a time when he was feeling extreme dissatisfaction (Sharpe 50). Bertrand Russell, who provided the couple housing during this period, described Vivien as showing "[. . . ]impulses of [. . .] a Dostojevsky type of cruelty"-she "lives on a knife edge and will end as a criminal or a saint" (Bush 54). Intense passions provided by Vivien and feeling dissatisfaction with the world is believed to inspire many of the contradictions in his poetry, most notably in the "Waste Land." There was hardly a time in their marriage when Vivien was not a problem in Eliot's life (Bush 53)." Source; Reuben, Paul P. "Chapter 7: T. S. Eliot." PAL: Perspectives in American Literature- A Research and Reference Guide. URL:http://web.csustan.edu/english/reuben/pal/chap7/eliot.html
To cite "The Waste Land" by T.S. Eliot in MLA format, follow this example: Eliot, T.S. "The Waste Land." The Norton Anthology of English Literature, edited by Greenblatt, et al., 9th ed., vol. F, W.W. Norton, 2012, pp. 2156-2186.
T.S. Eliot is the British poet who authored "The Waste Land," a renowned modernist poem published in 1922. Eliot's work is known for its innovative style and themes of disillusionment and cultural decay in post-World War I society.
T.S. Eliot is the poet often associated with exemplifying modernism through his use of an eccentric and experimental style in works such as "The Waste Land." His fragmented, allusive, and non-linear approach to language mirrored the uncertainty and disillusionment felt in the aftermath of World War I.
The poem "The Waste Land" was written by T.S. Eliot.
The Waste Land Crag
The Wasteland Monogram is a symbol representing the poem "The Waste Land" by T.S. Eliot. It is made up of the letters A, T, S, O, S, H, M, and E – an anagram of "T. Eliot's poem The Waste Land."
Either The Waste Land by T.S. Eliot or Ulysses by James Joyce.
Denis Diderot
"The Wasteland" is a poem published by T.S. Eliot in 1922. Considered as being perhaps the foremost example of high-modernism, "The Wasteland" is a 443-line poem riddled with allusions to Christ, references to Greek mythology, French poetry, as wells as a litany of classical works. Though the tone of "The Wasteland" is considered somewhat somber, and full of despair, some interpret the ending to offer a glimmer of hope, foreshadowing Eliot's conversion to Anglicanism; Eliot was a devout member of the Anglican church at the time of his death.
The Love Song of J. Alfred Prufrock The Waste Land The Hollow Men
Some of T.S. Eliot's famous works include "The Waste Land," "The Love Song of J. Alfred Prufrock," "Four Quartets," and "Murder in the Cathedral." These works are considered significant contributions to modernist literature and poetry.
T.S. Eliot's "The Waste Land" explores themes of disillusionment, spiritual emptiness, and the breakdown of modern society. The poem incorporates myths from various cultures and religions to depict a world devoid of meaning and order. Eliot uses these myths to highlight the fragmentation and alienation of contemporary life.