Blank verse is poetry with a regular meter but no rhyme.
Unrhymed iambic pentameter is a specific type of blank verse. "Pentameter" means each line of poetry has 5 feet. In poetry, a "foot" is a small group of syllables. In English, "iambic" means each foot has two syllables, an unstressed syllable followed by a stressed syllable (different for Latin and other languages).
Another name for a base is Alkali.
Another name for the sweetbriar is eglantine.
Another name for categories is cat
Another name for plateau is tableland.
It is an oesophagus
Shakespeare wrote a lot of dialogue in his plays in blank verse, which is unrhymed iambic pentameter.
Iambic pentameter couplets are often called Heroic couplets. Unrimed Iambic Pentameter is called Blank Verse. But I do not know of a generic alternate term for Iambic Pentameter.
iambic Pentameter
Unrhymed verse.
Iambic Pentameter?
Shakespearian Sonnent
Start with Act 1 Scene 2. Such lines as "Say to the king the knowledge of the broil", "For brave Macbeth (well he deserves that name)" or "So well thy words become thee as thy wounds" are perfect iambic pentameter. Many lines are imperfect for some reason or other (too many or too few syllables, trochees changed for iambs, feminine endings etc.) but the rhythm as a whole is iambic. You can do the same with scene 3 or indeed scenes 4 to 7--they are full of iambic pentameter. Watch out for the witches, though, because they usually speak four feet to the line.
No, he usually uses ten syllables. The name of the verse line which Shakespeare uses in Romeo and Juliet, and in the rest of his plays, is iambic pentameter. "Iambic" because the dominant foot is an iamb, an unstressed syllable followed by a stressed syllable. "Pentameter" because there are five feet in every line. Here an example, with a vertical rule between each foot and the stressed syllables capitalized: "In fair Verona, where we lay our scene" in FAIR | verON | a WHERE | we LAY | our SCENE
No. It does not follow a strict rhythmic pattern. It tends toward anapests, especially in the first 15 lines, where the rhythm may suggest an echo of the typing. It's not pentameter; the shorter lines (the first and third in each stanza) tend to be trimeter. Sorry about all the "tend" answers, but while the poem is heavily rhythmic, it does not stick to a meter that has a name.
The official name for the line scheme in which sonnets are written is typically referred to as "sonnet form." Sonnets commonly follow a specific structure, such as the Shakespearean (or English) sonnet with three quatrains and a final couplet, or the Petrarchan (or Italian) sonnet with an octave and a sestet.
Iambic pentameter is a verse form, a rhythm of ten syllables where weak stresses alternate with strong ones, creating a sound like ta-DUM-ta-Dum-ta-DUM-ta-DUM-ta-DUM. Typical lines showing this rhythm are: "In sooth I know not why I am so sad." (Merchant of Venice) "Deny thy father and refuse thy name" (Romeo and Juliet) "O Hamlet thou hast cleft my heart in twain" (Hamlet) "Once more into the breach, dear friends, once more!" (Henry V) "I am a very foolish fond old man" (King Lear)
When William Shakespeare's verse begins to sound Ti-tum ti-tum ti-tum ti-tum ti-tum, This rhythm has a very special name: Pentameter iambic it is call'd Because an iamb is a weak-strong pair Of syllables which make a metric foot. And when you get a string of iambs five You use the word pentameter to say This line has neither more nor less than five Of metric feet. This is because the Greeks Said penta when they meant the number five. For English speakers verses in this style Are easy and quite natural to say, And any fool can think up lots of lines.