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Aesthetic over function is derived from the guiding maxim in design, that of, form or function. Form being the component relating to how something looks in appearance, something may be very beautiful to look at , however utterly useless in use, and vice versa. The optimum of this rule is to achieve a balance between the two with a bias to whichever is of more important in its application, Aesthetic or function
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What does function and aesthetic mean?
Function is a practical purpose an item serves in life. An item for aesthetics only is just for looks.
What does ACCESS FM mean?
A- Aesthetics C- Cost C- Customer E- Environment S- Size S- Safety F- Function M- Materials
What does aesthetics of a product mean?
Everything
What does kenesthetic mean?
Knowledge of or understanding aesthetics
What does aesthetics mean in woodwork?
THings at affect our senses
What does access fmm stand for?
ACCESS FMM stands for: Aesthetics Cost Customer Environment Safety Size Function Material Manufacturing
What does cafeQue mean?
CAFEQUE - - Cost - How much? - Aesthetics - What does it look like? - Function - What does it do? - Ergonomics - How easy to use? - Quality - What materials were used? - User - How suitable for the consumer? - Environment - What is the impact on the environment?
What does FEEDSCAMM stand for in design and technology?
Function, Ergonomics, Environment, Durability, Safety, Cost, Aesthetics, Materials, Manufacture.
Are toilet caps necessary?
If your talking about the caps that cover the floor flange bolts, NO they are not necessary for the toilet to function there are for aesthetics
What does the acronym BEAM mean?
BEAM=Biology Electronics Aesthetics And Mechanics
What is the F in mumsfaces?
Mums faces stands for manufacture .user. material. size. function. Aesthetics. colour. ergonomics. safety.
What has the author Francesco Pellizzi written?
Francesco Pellizzi has written: 'Res: Anthropology and Aesthetics, 16, Autumn 1988 (Res: Anthropology and Aesthetics)' 'Res: Anthropology and Aesthetics, 12, Autumn 1986 (Res: Anthropology and Aesthetics)' 'Res: Anthropology and Aesthetics, 34, Autumn 1998: Architecture (Res: Anthropology and Aesthetics)' 'Res: Anthropology and Aesthetics, 9, Spring 1985 (Res: Anthropology and Aesthetics)' 'Res: Anthropology and Aesthetics, 48, Autumn 2005: Permanent/Impermanent (Res: Anthropology and Aesthetics)' 'Res: Anthropology and Aesthetics, 44, Autumn 2003: Anthropology and Aesthetics (Res: Anthropology and Aesthetics)' 'Res: Anthropology and Aesthetics, 38, Autumn 2000 (Res: Anthropology and Aesthetics)' 'Res: Anthropology and Aesthetics, 39, Spring 2001: African Works (Res: Anthropology and Aesthetics)' 'Res: Anthropology and Aesthetics, 15, Spring 1988 (Res: Anthropology and Aesthetics)' 'Res: Anthropology and Aesthetics, 11, Spring 1986 (Res: Anthropology and Aesthetics)' 'Res: Anthropology and Aesthetics, 47, Spring 2005 (Res: Anthropology and Aesthetics)' 'Res: Anthropology and Aesthetics, 31, Spring 1997: The Abject (Res: Anthropology and Aesthetics)' 'Res: Anthropology and Aesthetics, 35, Spring 1999: Intercultural China (Res: Anthropology and Aesthetics)' 'RES'
