Mannerist paintings had dramatic perspective.
Humanism focused on the ideals of being human and how to achieve them. Their answer on how to do this was to reflect the ancient Greeks and Romans. Therefore, the art of the humanistic time reflect the art of the ancients. The humans in the pieces of work were nude, they were more realistic, and there was more perspective. All of these had not been seen at the time since the times of ancient cultures such as those of Greece and Rome. Another characteristic of humanism was the idea of individualism. Individualism was represented in the artwork of the time by displaying one powerful and ideal-looking human as the central attention of the piece.
The early art of the Philippines can be seen in most art museums. The art of Zobel can be seen in the Ayala museum.
they made the Nazca lines (big symbols only seen from the air)
the answer is Impressionism
Many paintings offer an illustration of both atmospheric and linear perspective, I would recommend Looking at Claude Lorrain's 1648 oil painting "Embarkation of the Queen of Sheba". Linear perspective can be seen by the straight lines which angle in towards the sun on the horizon. Atmospheric perspective can be seen by the way the closest building is detailed and the farther buildings have less detail.
Two possibilities: The line is linear over some of its length and then goes non-linear (or the other way round: Think of a mass, at the end of a string, being swung in a circle. Then the string is cut. The motion of the mass would have been circular (lon-linear) until the instant the string was cut and then linear, as it flies off into a tangent. Or The line is linear from one perspective but not from another: Think of the trajectory of a ball that is thrown up at an angle to the horizon. If seen from above, the ball travels in a straight line (linear) but if seen from the side it follows a parabola (non-linear). Hope that helps.
Brunelleschi did that in Florence about 1415. ----- Linear perspective was introduced over a time that lasted from the 13th to 15th centuries, as the mathematical understanding of it was developed. Early important work can be seen in the artwork of Giotto di Bondone, done about the year 1300 or soon after. Giotto's work does not show the full development of the mathematics underlying linear perspective, which was continued by subsequent artists. Brunelleschi's work was instrumental in this further development, bringing the system of perspective to a more mature level.
Contextual perspective is a specific view of human development. In contextual perspective, a person is seen as one and the same as the social context.
Of or pertaining to the science of vision; optical., Pertaining to the art, or in accordance with the laws, of perspective., A glass through which objects are viewed., That which is seen through an opening; a view; a vista., The effect of distance upon the appearance of objects, by means of which the eye recognized them as being at a more or less measurable distance. Hence, aerial perspective, the assumed greater vagueness or uncertainty of outline in distant objects., The art and the science of so delineating objects that they shall seem to grow smaller as they recede from the eye; -- called also linear perspective., A drawing in linear perspective.
The use of perspective, linear and atmospheric, create the illusion of depth. As objects recede into the background they appear 'more blue' and have less detail. This technique can be seen in the background of the 'Mona Lisa'.
fox
Traditionally it is seen as symbol of respect towards the Divine.
A necessary expense.
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(For apex) The goal of art was to spread a religious message, not to create mathematically correct canvases. The appeal of linear perspective to medieval artists was partly that it made their art appear more realistic, an partly that it made their art appear more like art of Roman antiquity. There are different types of perspective drawing. Linear perspective, which is the type commonly used today, was developed during ancient times and lost in the beginning of the Middle Ages. Starting in the last years of the High Middle Ages, artists began to investigate this technique once more, as they could see it in ancient works of art. Giotto di Bondone, who lived from about 1267 to 1337, was one of the early investigators of perspective. The other types of perspective include reverse perspective, which can be seen in medieval icons and makes objects appear bigger as they are farther away, reversing the convergence of lines. Another type of perspective mererly makes more important things or people bigger, and this can also be seen in medieval art, where Jesus is larger than saints, who are larger than kings, and so on. Atmospheric perspective, which makes farther objects grayer, as though obscured by mist, was used in China, but I have not seen it in European art.
Bushbabies have traditionally been seen as solitary, so there is no name for a group of them.