There are a number of things people use for traditional Chinese brush painting, however you can start out with a few basics.
A stack of rice paper, you do not need the top quality while you are practicing, but you will need quite a bit.
A couple of brushes, in a couple of sizes. Bigger is not always better, find a size you are comfortable with.
Ink (paint) start with black, you can expand into other colours as you perfect the techniques. Real ink usually comes in block form and you grind it down and add water to it. A dish for the ink and a reservoir of water will get you started.
Peace and quite. One of the more difficult things to find, this is not a "learn it all in an afternoon" kind of art, you can work at it a lifetime and always improve a bit each day.
A good instructor, there are some excellent books or maybe you could enroll in a class.
Practice. That's up to you.
with a brush
A chip brush is used to paint in tight or awkward spaces, it is typically smaller than a regular paint brush and can assist in keeping the painting looking clean and professional.
The Return of the Prodigal Son is an oil painting by Rembrandt. Being an oil painting, a slightly raised texture showing brush marks is expected.
When painting with watercolor, acrylic or oil paints, if using a 'brush' it is called a Paintbrush. A paintbrush is either comprised of natural fibers or synthetic.
Well, darling, that process is called painting. You take your fancy brush or your grubby finger, dip it in some colorful goop, and then smear it all over a surface to create a masterpiece. It's like finger-painting for grown-ups, but hopefully with a bit more finesse.
Lucy Wang has written: 'The art of Chinese brush painting' -- subject(s): Technique, Chinese Ink painting 'The art of Chinese brush painting' -- subject(s): Technique, Chinese Ink painting
The cast of Chinese Brush Painting - 1987 includes: Ning Yeh as himself
Chinese Brush Painting - 1987 was released on: USA: September 1987 (Los Angeles, California)
Chinese brush painting is widely regarded as one of the oldest forms of art that continue to be in use to this day. Chinese brush painting has its roots in an artistic tradition that spans several thousand years, but is most prominently associated with Chinese culture beginning around what is known as the Warring States period, circa 475-221 BC. Chinese brush painting began to truly flourish during the Jin Dynasty (265-420 AD).
ure.
It changes over time with new materials.
Yongwen Guo has written: 'Shui mo hua ying' -- subject(s): Brush drawing, Chinese Ink painting, Eagles in art, Ink painting, Chinese, Technique
China painting involves the same techniques as calligraphy and is done with a brush dipped in black or colored ink; oils not used.
Chinese Painting in the traditional style is known today in Chinese as guó huà (国画 = Chinese Painting), meaning 'national' or 'native painting', as opposed to Western styles of art which became popular in China in the 20th century. Traditional painting involves essentially the same techniques as calligraphy and is done with a brush dipped in black or colored ink; oils are not used. As with calligraphy, the most popular materials on which Chinese painting are made of are paper and silk. The finished work can be mounted on scrolls, such as hanging scrolls. Traditional painting can also be done on album sheets, walls, lacquerware, folding screens, and other media.The two main techniques in Chinese painting are:Chinese Painting: Meticulous - Gong-bi (工筆) often referred to as "court-style" paintingChinese Painting: Freehand - Shui-mo (水墨) loosely termed watercolour or brush painting. The Chinese character "mo" means ink and "shui" means water. This style is also referred to as "xie yi" (寫意) or freehand style.
Faster with sray painting and even coat, no brush lines. The paint goes on thinner and after a couple of coates you will have a smooth surface verses the brush application.
Traditional Chinese paintings started around 4000 BC. They use expressions of shade and texture, are on Chinese paper or silk, are mainly black having traces of color, and have a seal or calligraphy.
Shen Zhou used many colors of ink to emphasize the variety he saw in nature.