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spiritual leader during ancient time

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Q: What is a babaylan?
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Ano ang katatagan?

isang babaylan


What country is Talim from soul calibur from?

She is from the Philippines. She is the last priestess of the winds or (babaylan).


What is babaylan?

Babaylan is a Visayan term identifying an indigenous Filipino religious leader, who functions as a healer, a shaman, a seer, and a community "miracle-worker", or some combination.The babaylan in Filipino indigenous tradition is a person who is gifted to heal the spirit and the body; a woman who serves the community through her role as a folk therapist, wisdom-keeper and philosopher; a woman who provides stability to the community's social structure; a woman who can access the spirit realm and other states of consciousness and traffic easily in and out of these worlds; a woman who has vast knowledge of healing therapies.In addition to this, a babaylan is someone who "intercedes for the community and individuals" and is also someone who "serves".


How are babaylanes chosen?

There were two ways to become a babaylan. First was through a mystical source and second was to inherit from a relative.(from wikipedia :] )


What do you call a female datu?

A female datu is called a babaylan in Filipino culture. Babaylans were traditional priestesses and healers in indigenous Philippine societies.


Did the early Filipinos have a government of their own before the Spaniards came?

yeah,definitely. That's why we have datus mentioned in Philippine History. Try to look for these keywords and you'll have at least an idea about Philippine government prior to the coming of the spaniards. Umalohokan (town-crier), datu/raha/rajah, alipin saguiguilid, alipin namamahay, babaylan...


Who are the heroes of bohol?

Some of the notable heroes from Bohol are Francisco Dagohoy, a rebel leader in the Philippine Revolution against Spanish colonial rule; and Tamblot, a babaylan or traditional healer who led a revolt against Spanish authorities in the 17th century. Both are remembered for their resistance against colonization and their contributions to the local history of Bohol.


What movie and television projects has Connie Chua been in?

Connie Chua has: Played Prostitute in "PX" in 1982. Played Pearlie in "Experience" in 1984. Played Cora in "Screen One" in 1985. Played Katulong 1 in "Bayan ko: Kapit sa patalim" in 1985. Played Refugee in "Orapronobis" in 1989. Performed in "Maalaala mo kaya" in 1991. Performed in "Bayani" in 1992. Played Lucing in "Closer to Home" in 1995. Played Kuala in "Esperanza" in 1997. Played Scavenger in "Curacha ang babaeng walang pahinga" in 1998. Played Caring in "Ibibigay ko ang lahat" in 1999. Played Kuala in "Esperanza: The Movie" in 1999. Played Tancing in "Angels" in 2001. Played Juanang Manghuhula in "La vida Rosa" in 2001. Played Molly (2002) in "Kay tagal kang hinintay" in 2002. Performed in "Au bout du rouleau" in 2002. Played Nanay ni Ina in "Ang tanging ina" in 2003. Played Babaylan in "Spirit Warriors: The Shortcut" in 2003.


What ias babaylan?

Babylon was an empire in the south of Iraq. It is known for magic, astrology, corruption of religion, idolatry and some other bad things. Abraham used to live in southern Iraq (Mesopotemia) and Nimrod is said to have tried to force him to worship some idol - any idol at all - but Abraham refused. Nimrod invited Abraham to worship fire as Nimrod used to do but Abraham refused saying that water quinches fire. Nimrod then asked his armies to increase the fire 7 times and throw Abraham in it but God saved Abraham. During these times they tried to build the notorious Tower of Babylon to fight God's angels in heavens (clouds). In the time of Nebuchadnezzar, they built the Hanging Gardens of Babylon. Nebuchadnezzar destroyed the Assyrian wicked empire in the Northern Iraq by burning it to ashes. His son, Belshezar claimed to be God and tried to insult the God of Israel. A hand wrote something on the wall and Beshezar feared but no one could understand the Jewish script so Daniel, the Prophet, interpreted the Writing on the Wall. It said "God measured you and found you lacking". On the same night, Babylonian Empire fell to Cyrus the Persian.


What movie and television projects has Lilia Cuntapay been in?

Lilia Cuntapay has: Played Albularyo in "Maalaala mo kaya" in 1991. Played Aling Iya in "Ali in Wonderland" in 1992. Played Old Aswang in "Aswang" in 1992. Played Naked Old Woman in "Once Upon a Time in Manila" in 1994. Played The Omen III in "Fatima Buen Story" in 1994. Played Lola Sepa in "Bala at lipistik" in 1994. Played Townspeople in "Magic Temple" in 1996. Played Old Woman in "Sanggano" in 1997. Played Komadrona in "Anak ng dilim" in 1997. Played Old woman in church in "Curacha ang babaeng walang pahinga" in 1998. Played Bangkay in "Babae sa bubungang lata" in 1998. Played Medicine Woman in "Dugo ng birhen: El kapitan" in 1999. Played Old Prisoner in "Brokedown Palace" in 1999. Played Lola in Bikini in "Isprikitik: Walastik kung pumitik" in 1999. Played Lola of Jose in "Pangarap ng puso" in 2000. Played Babaylan in "Lapu-Lapu" in 2002. Played Old Woman in "Bakat" in 2002. Played Serena in "Babae sa Breakwater" in 2003. Played Old Lady Ghost in "Bahay ni Lola 2" in 2005. Played Pacing in "Pasukob" in 2007. Performed in "Photo Shoot" in 2008. Played Tandang Luring in "Scaregivers" in 2008. Played Tandang Casimsiman Tioleko in "The Bud Brothers Series" in 2009. Played Belmont Village Resident in "Nobody Nobody But Juan" in 2009. Played Engkantadang Lola in "Wansapanataym" in 2010. Played Old Lady in "Wansapanataym" in 2010. Played Church Caretaker in "Segunda mano" in 2011. Played herself in "Six Degrees of Separation from Lilia Cuntapay" in 2011. Played Herself - Guest in "Wasak" in 2011. Played Maid in "Sa ngalan ng ina" in 2011. Played Faustina (2011) in "Captain Barbell" in 2011. Played White Lady in "Toda Max" in 2011. Played Old Lover in "Enteng ng Ina mo" in 2011. Played Upeng in "Sa ngalan ng ina" in 2011. Played Lulu in "Amorosa: The Revenge" in 2012. Played Madam Lucilla in "Felina: Prinsesa ng mga Pusa" in 2012. Played Ursula in "Third Eye" in 2012. Played Herself - Challenger in "Artista Academy" in 2012. Played Oracula (2012) in "Enchanted Garden" in 2012. Played Old Ms Casimsiman in "Luv U" in 2012. Played Lilia in "Boy Pick-Up: The Movie" in 2012. Played Aling Ursula in "Cassandra: Warrior Angel" in 2013. Performed in "Coming Soon" in 2013. Performed in "Kamandag ni Venus" in 2014.


Who is princess urduja?

Urduja (ca. 1350 - 1400 CE), is a legendary warrior princess who is recognized as a heroine inPangasinan, Philippines. The name Urduja appears to be Sanskrit in origin, and a variation of the name "Udaya," meaning "arise" or "rising sun," or the name "Urja," meaning "breath." A historical reference to Urduja can be found in the travel account of Ibn Battuta (1304 - possibly 1368 or 1377 C.E.), a Muslim traveler from Morocco.Contents[hide] 1 Ibn Battuta2 Research3 Urduja in popular culture4 See also5 References6 External linksIbn BattutaIbn Battuta described Urduja as the ruler of Kaylukari in the land of Tawalisi. After reaching Samudra in what is now Sumatra, Ibn Battuta passed by Tawalisi on his way to China. Princess Urduja was described as a daughter of a ruler named Tawalisi of a land that was also called Tawalisi. The ruler of Tawalisi, according to Ibn Battuta, possessed many ships and was a rival of China, which was then ruled by aMongol dynasty.[1] Ibn Battuta sailed for 17 days to reach China from the land of Tawalisi.[2] Ibn Battuta made a pilgrimage to Mecca and he traveled to many other parts of the Islamic world. From India and Sumatra, Ibn Battuta reached the land of Tawalisi. Ibn Battuta described Urduja as a warrior princess whose army was composed of men and women. Urduja was a woman warrior who personally took part in the fighting and engaged in duels with other warriors. She was quoted as saying that she will marry no one but him who defeats her in duel. Other warriors avoided fighting her for fear of being disgraced.[3]Urduja impressed Ibn Battuta with her military exploits and her ambition to lead an expedition to India, known to her as the "Pepper Country." She also showed her hospitality by preparing a banquet for Ibn Battuta and the crew of his ship. Urduja generously provided Ibn Battuta with gifts that included robes, rice, two buffaloes, and four large jars of ginger, pepper, lemons, and mangoes, all salted, in preparation for Ibn Battuta's sea-voyage to China.[4]ResearchModern research indicates Ibn Batutta's story of Urduja to be pure fiction and the land of Tawalisi to be similarly fictitious.[5] However, in the late 19th Century, Jose Rizal, national hero of the Philippines, who was also a respected scholar but who did not have access to the sources William Henry Scott accessed, speculated that the land of Tawalisi was in the area of the northern part of the Philippines, based on his calculation of the time and distance of travel Ibn Battuta took to sail to China from Tawalisi. In 1916, Austin Craig, a historian of the University of the Philippines, in "The Particulars of the Philippines Pre-Spanish Past," who also did not have access to the sources William Henry Scott accessed, traced the land of Tawalisi and Princess Urduja to Pangasinan. Philippine school textbooks used to include Princess Urduja in the list of great Filipinos. In the province of Pangasinan, the capitol building in Lingayen is named "Urduja Palace." A statue of Princess Urduja stands at the Hundred Islands National Park in Pangasinan.The description of Princess Urduja's gifts of rice, buffaloes, ginger, pepper, lemons, mangoes, and salt fits Pangasinan perfectly because of the abundance of those products in Pangasinan. The closely related Ibaloi people have an oral tradition of a woman named Udayan who ruled an ancient alliance of lowland and highland settlements in Pangasinan and the neighboring province of Benguet. Ibn Battuta also mentioned that Urduja had some knowledge of Turkish. During the time of Ibn Battuta period, the influence of the Turkish Ottoman Empire was on the rise.Ibn Batutta's travel account suggests that he also saw elephants in the land ruled by Urduja. Elephants can still be found in Borneo, and may have been gifts or traded in Pangasinan in earlier times. Ancient Malayo-Polynesian sailing vessels (such as the Balangay), like the ones used by the ancient Bugis and those depicted in the Borobudur bas-reliefs, were capable of transporting heavy cargoes, including elephants. There are depictions of such ancient ships in maritime Southeast Asia transporting several elephants for trade.In Pangasinan, Urduja has been depicted as the only daughter of a Rajah whose sons lost their lives defending their agricultural settlements in the Agno River valley and sea trade routes to their Srivijaya and Champa allies. Urduja was trained in the art of war since she was a child, and she became an expert with the kampilan and a skilled navigator. She commanded a fleet of proas to protect their maritime trade networks against pirates and threats from Mongol ruled China. With her beauty, she attracted many suitors.Urduja in popular culturePrincesa Urduja, a live-action adventure film based on the legend, was released in 1942.[6] Urduja, an animated feature based on the legendary princess,[7] was released on June 18, 2008. It stars Regine Velasquez (in the lead role of Princess Urduja), Cesar Montano, Eddie Garcia, Johnny Delgado, Michael V. and Allan K. as voice actors. Joey de Leon wrote the lyrics, and the music was composed by Ogie Alcasid.See alsoIbn BattutaPangasinanBenguetIbaloiReferences^ Ibn Battuta, The Travels of Ibn Baṭṭūṭa, A.D. 1325-1354, vol. 4, trans. H. A. R. Gibb and C. F. Beckingham (London: Hakluyt Society, 1994), pp. 884-5.^ Ibn Battuta, p. 888.^ Ibn Battuta, p. 887.^ Ibn Battuta, pp. 886-7.^ William Henry Scott, Prehispanic Source Materials for the Study of Philippine History, ISBN 9711002264, p.83^ "Princesa Urduja". IMDb. Retrieved 2009-10-07.^ Urduja. Accessed August 28, 2008.External links"In Search of a Princess" from Urduja.com[hide]v • d • e Philippine Mythology and Folklore GeneralReligion · Creation storiesSupreme deitiesBathala · Kan-Laon · MangindusaThe Pantheon and the DiwataAmihan · Daragang Magayon · Ibong Adarna · Kumakatok · Maria Cacao · Maria Makiling · Maria Sinukuan · Mayari · Bakunawa ·Sarimanok · TalaEpic heroesAma-ron · Bernardo Carpio · Datu Daya · Irong-Irong · Juan Tamad · Kalantiaw · Lam-ang · Malakas and Maganda ·Princess UrdujaHistorical peopleDios Buhawi · Francisco Dagohoy · Papa Isio · Pulajans · Nardong PutikHistorical eventsDagohoy Revolt · Massacre at Dolores · Negros RevolutionBelief systemsAnito · Code of Kalantiaw · Gabâ · Pamahiin · Pulajan religionSpiritual leadersAlbularyo · Babaylan · Datu · Hilot · Mambabarang · Mananambal · MangkukulamSacred placesMount Apo · Mount Arayat · Mount Banahaw · Mount Kanlaon · Mount Lantoy · Mount Makiling · Mount Mayon · Mount PinatuboLegendary objectsAgimat · Anito · Code of Kalantiaw · Gintong SalakotLegendary creaturesAgta · Alan · Amalanhig · Amomongo · Aswang · Bal-Bal · Batibat · Berbalang · Berberoka · Bungisngis · Busaw · Dalaketnon ·Diwata · Duwende · Ekek · Engkanto · Hantu Demon · Higante · Kapre · Kataw · Manananggal · Manaul · Minokawa ·Nuno sa punso · Pugot · Santelmo · Sarangay · Sarimanok · Sigbin · Sirena · Siyokoy · Tigmamanukan · Tikbalang · Tiyanak ·Anggitay · Sarangay · Minokawa · Wak WakLiterary worksBiag ni Lam-ang · Code of Kalantiaw · Hinilawod · Ibong Adarna · Juan Tamad · MaragtasPopular CultureAng Mundo ni Andong Agimat · Dyosa · Encantadia Saga · Atong Agimat · Mga Kuwento ni Lola Basyang · The Mythology ClassLiterary sourcesPhilippine literature · Philippine folk literature · Philippine epic poetry · Cebuano literature · Kapampangan Literature ·Hiligaynon literature · Ibanag literature · Ifugao literature · Ilokano literature · Mindanao literature · Pangasinan literature ·Tagalog literature · Tagbanua mythology · Waray literature


What is ancient in Philippine society?

COMMUNITY STRUCTUREThe early Filipinos established their communities along the bays, coasts and on the mouths of big rivers. Some communities were small with 50 people living together while others were big with a population of more than 2000.Areas for settlement were chosen on the basis of economic opportunities, use and strategic locations. Areas where sources of food was plentiful was one important factor considered by early Filipinos. Places along the bays, seacoasts and rivers were popular sites for residence because these places also provided a convenient means of transportation.Land use was another factor which affected the site of communities. Cultural beliefs also affected the building of one's house. When the occupants of the house sensed that they had offended the spirits, they quickly moved out of the house for fear of reprisal.The early Filipinos also took certain precautions to protect their homes and community from their enemies. They built wooden fences around their houses and fortified their communities with walls made of palm trees or with arigues, wooden posts filled with earth.DWELLINGSThe word balay is a Visayan word for house. There were three types of houses during the early period. Houses built of permanent wooden materials were called town houses. They were occupied by the datu. This was the largest house in the community. It was 30m long. This was not only the datu's abode, but also his workplace, storehouse and community center for civic and religious affairs. This center had a public lounging platform below or in the front. There were sepearate chambers for the datu, his wife, family, daughters, concubines and house slaves. Wooden partition carved with foliage in high relief separated these chambers.The second type of houses was called cottages. These cottages were occupied by ordinary people (non datus) in the community. They were made of light materials. This enabled the cottage dwellers to be always ready to move every few years to be near shifting swiddens. These cottages were built near the fields.The third type was called the tree houses. These houses were used only in times of war. There were also a variety of huts called balay-balay. They were used by hunters, farmers and travelers.The houses were elevated off the ground on posts and had steep roofs. This type was appropriate for a tropical environment characterized by heavy rainfall.Temporary shelters were also built near the fields where the people raised their crops. These were made of light materials and were often abandoned after harvest time.ECONOMIC ACTIVITIESEarly Filipinos primarily engaged in the following economic activities: farming, fishing, poultry and swine raising, gold mining and trade.Agricultural activities among early Filipinos had an early beginning. The people first used the slash-and-burn method of planting rice. Later, the adopted wet agriculture. The slash-and-burn method was common in the interior and high coastal areas while wet agriculture was practiced in the lowlands. During the planting season, the early Filipinos performed certain rituals to ensure a bountiful harvest. Work in the fields also followed the changes in season. The methods used in wet agriculture are similar to what is being done in the rural areas today.Other crops being raised aside from rice were millet, bananas, sweet potato or camote, areca nuts, oil, cotton, wine and vinegar and coconuts. Abaca was raised and its fibers were gathered and made into ropes or fabrics.SOCIAL ORGANIZATIONThe family was, as it still is today, the smallest but the most significant unit of ancient society. The father and mother were accorded complete obedience and respect by the children. The father was the head of the family while the mother managed household affairs. The early Filipinos had close family ties.There were four social classes in ancient Filipino society: the chiefs, nobles, freemen and the slaves. The datu or the chief headed a barangay or community. His family, relatives and elders belonged to the maginoo class group of nobles. The freemen or middle class belong to the timawa or maharlika group. Men who were born free or were freed from slavery composed the lowest social class because they had no property and were under control of their master.A Filipino could become a slave through birth, inability to pay debts, purchase, punishment for crimes or by being held captive in war. Slaves were of two kinds: aliping namamahay and aliping saguiguilid. The aliping namamahay enjoyed certain privileges such as the right to own property, and the right to work for any master. the aliping saguiguilid did not enjoy any right and freedom at all.Women occupied a high position in early society. They were regarded as equals of men and were given the same respect conffered upon the men. The mother of the family had the honor of naming the children.POLITICAL ORGANIZATIONThe unit of government was the barangay. the barangay varied in population from 30-100 families. The early barangays were independent of each other. The head was called datu and was the chief executive, legislator, judge and military commander. He made laws, enforced them and judged all cases and trials brought by the villagers. However, he had a council of elders who assisted him in his administration. A person could become a datu through inheritance, wealth, wisdom and bravery.The Philippines was divided into hundreds of independent barrangays. For mutual protection and cooperation, several barangays formed a confederation. The confederation of Madya-as under Datu Sumakwel was formed in Panay during the 13th centure.The barangay had both oral and written laws. Oral laws were the customs and traditions which were handed down through generations. The early Filipino named Lubluban, the great granddaughter of the first Filipino man and woman, was the legendary law-giver.The written laws were promulgated by the datu and council of elders. A town crier called umalohokan announced the laws to the people. The contents of ancient laws involved family relations, property rights, domestic affairs, inheritance, marriage conflicts, murder and business problems. Punishment for serious crimes was death, slavery or heavy fines. Minor crimes were punished through with exposure to ants, long hours of swimming, whipping or fines.JUDICIAL SYSTEMThe datu acted as the judge in the barangay. He conducted the trial in full view of his constituents. He conferred judgment on crimes conducted within his barangay.In a civil case, the chief tried to have the case settled amicably. When no amicable settlement was reached by parties concerned, the parties involved were sworn to obey the judgment of the chief.The parties concerned presented as many witnesses as they could in order to bolster their defense. When a witness was called to the witness stand, he took an oath that he would tell the truth by repeating the following words:"May lightning strike me if I am telling a lie. May the heavens or the sun fall upon me if I will tell a lie."The early Filipinos considered swearing as a sacred act. If an accused person refused to accept the verdict of guilt uppon him, the chief could use force to make him obey the law. If one was accused of committing a serious crime, the accused was subjected to trial by ordeal. It was assumed that if a person was guilty, he would not be able to pass the ordeal that would have be given to him. If some persons were suspected of stealing, they were brought to the deepest part of the river and required to jump. Whoever came out first was considered the guilty one.The elders believed that the gods punished those who were guilty and absolved the innocent ones.RELIGIONReligion played an important part in the daily life of early Filipinos. They believed in a Supreme Being which was called Bathala by the Tagalogs; Abba by the Cebuanos; Kabunyian by the Ifugaos; and Laon by the Visayans. The tagalogs believed Bathala was the creater of heaven, Earth and man. They also worshipped lesser gods such as Idianale, goddess of agriculture; Sidapa, Visayan god of death; Apolaki, war god to the Pangasinense; Dallang, Ilocano goddess of beauty; Malyari, Zambal god of strength; Sisiburannen, god of evil among the Visayans; Hayo, god of the sea; and Dian Masalanta, god of love of the Tagalogs.The early Filipinos were believers of spirits called anitos by the Tagalogs and diwatas by the Visayans. They worshiped objects of nature such as rivers, mountains, the sun, moon and animals because they believed that the spirits of their dead ancestors might be in them.Part of the elderly Filipinos' religious life was the mag-anito. This was a ceremony or act of sacrifice which they held in honor of their gods. This ritual was led by priests and priestesses called katalonan among the Tagalogs and babaylan among Visayans. They did not have a definite place of worship. Ceremonies were usually done inside the house and activities involved dancing and singing. Fattened pigs were usually the main animals being offered.BURIAL AND MOURNING CUSTOMSThe early Filipinos observed certain customs connected with burial and mourning. The dead man's body was first cleaned thoroughly, sprayed with perfume and dressed properly. The dead body was preserved inside the house, in a cave or in a place facing the sea. Among the Visayans, they used hardwood in making coffins for their dead. They called these caskets "longon". William Henry Scott, in his book Barangay described these longon as "...hewn from a single tree trunk with a lid cute from the same piece, fitted, pegged and caulked airtight with resins." The longon of a datu or a prominent person usually bore intricate decorations which were done by the future occupant himself. Jars were also used as the resting place of early Filipinos.During the burial, clothes, food, jewelry, household articles, weapons and even slaves were buried with the dead man to accompany him on his journey to the other world. Among the Visayans, this was very important in order to gain acceptance by the relatives who had already preceded them in the land of the dead. The Visayans believed that these relatives await the kalag (soul) on the other side of the land of the dead, which they call Sulad or Saad. During the mourning period, relatives of the dead wore white clothing.The datu was accorded special mourning rites. It was called larao. The barangays went into a period of mourning upon the death of a datu. All wars and activities stopped temporarily. Singing was prohibited especially on boats returning from the sea. All spears were carried with their heads pointed downward.MODE OF DRESSINGFilipinos, even in ancient times were very particular about their manner of dressing. Their clothes were made of cotton, silk and plant fibers. The men's clothing consisted of a collarless, short-sleeved jacket called cangan and a strip of cloth wrapped around the waist and between the legs called bahag. Women's clothing consisted of a blouse with big sleeves called baro and a loost skirt called saya or patadyong. A tapis or a piece of colored cloth was wrapped around the waist.The men also wore a headdress called putong or turban while the women knottedtheir hair at the back of their heads. They usually wore a salakot or a wide-brimmed hat when walking under the sun or rain.To further enhance their personal appearance, women adorned themselves with various types of jewelry such as rings, earrings, bracelets, armlets and necklaces made of gold, silver, agates, pearls, beads and other precious stones.Tattooing the body was popular among the Filipino men. To them, it was a symbol of beauty and bravery. A tattoo is a painting on the human body. A man who killed an enemy tattooed his body to show his bravery. The more men he killed in battle, the more tattoos he had on his body. the tattoos were different shapes and colors. They could be geometric or circular or be of various objects such as birds, flowers, trees, animals or fruits.FOODThe early Filipinos had simple taste in food. Their staple food was rice cooked in clay pots, bamboo tubes or banana leaves. Rice was eaten with fish, shrimp, vegetables, fruits, meat of poultry, hogs, cows, ducks, goats, birds, turtles and carabaos; clams, mussels, seaweeds, sugar, root crops and spices. Food was placed on clean banana leaves. Filipinos ate their hands or with wooden spoons and forks. Cleaned coconut shells served as drinking glasses of water and wine.Drinking wine was a favorite past time of the Filipinos. Tuba, a coconut palm extract was a popular drink. Basi, an Ilocano wine was distilled form sugarcane; pangasi, a Visayang wine extracted from rice; lambanog, a tagalog wine, came from the sap of a young coconut flower while tapuy, an Igorot wine was made from rice.ARTSThe early Filipinos were artistic people. Nipa hut is an example of Filipino architecture. Filipinos also showed artistry in the building of various types of boats. Tattooing was a form of painting.Sculpture was a favorite art form. Clay, wood and gold statues have been unearthed by archaeologists. Handles of weapons and tools showed beautiful carvings.MUSICThe early Filipinos were music lovers. They had their own musical instruments. These were the kudyapi or Tagalog guitar, the kalaleng or Tingguan nose flute, the gangsa or Igorot gong, the silbay or Ilocano reed flute, the tultogan or Visayan bamboo drum and the kulintang or Muslim xylophone.The Visayans of Panay had a pasiyak which looked like a pipe and sounds were produced when air was blown inside the pipe.The tambuli was another popular instrument in ancient Philippines. It was made out of carabao horns. A hole was made on the smaller end of the horn. Sounds were heard when air was blown into the small hole.The early Filipinos had songs for various occassions. Theey had lvoe songs, songs for planting, sailing and lullabies. An example of a love song is the kundiman among the Tagalogs. Folk songs were also popular among the early Filipinos.The sentiments of the early Filipinos were expressed in their dances. Dances like tinikling, maglalatik, iitik-itik, singkil or sagayan, kumintang, dandansoy or binalyan depicted various household and occupational activities.