* Genre: Classical There are arguments concerning the proper use of the term "Gregorian" in reference to chants. Generally the term refers to any chants written in the church modes, often employing texts from the psalms or the gospels. They developed during the papacy of Gregory the Great (d.604) but generally refer to the Church music of the 11th through 13th centuries. There is a distinction between Roman and Gregorian chants that obfuscates the origin and characterizes true Gregorian chant (that which developed with Gregory I and Gregory II), and Roman chants. There certainly are distinctions that scholars have drawn; however, the distinctions most accurately refer to different styles than to two different types of chants. The Gregorian chant contained phrases that are aesthetically pleasing to the eye often in the form of arches. Musical strains were often related to the text in the context of the contours of the musical line and what the text is addressing. Clearly there was also a balance between melisma and syllabic writing without an over abundance of the former. Though there were exceptions to the eight Church modes, most Gregorian chants were written in that vein. http://www.answers.com/topic/gregorian-chant
Gregorian chants are monophonic. Gergorian chants are no longer written as they were long ago.
Gregorian chants were used as a means of group meditation and prayer by monks who sang them together in monasteries.
The following are characteristics of Gregorio chants except:
This type of call and response singing came from the Middle Ages era. They started with Gregorian chants or plainchants which was only a single melody and based on these chants, polytextual music was formed, meaning that more than one melody was sung at a time. Call and response singing was called responsarial singing
polyphony.
Benedictine monks who are famed for their Gregorian Chants.
Pope Gregory I the Great is the pope you are referring to. He did not write Gregorian Chants. He compiled and cataloged the plain songs that were used in liturgies at the time. Later they became known as Gregorian Chants.
Gregorian chants are monophonic. Gergorian chants are no longer written as they were long ago.
Pope St. Gregory I, 'The Great,' and cataloged the Gregorian Chants.
Edmund Gregory Hurley has written: 'Gregorian chant for the teacher, the choir, and the school' -- subject(s): Instruction and study, Chants (Plain, Gregorian, etc.), Gregorian chants
Norman Holly has written: 'Elementary grammar of Gregorian chant' -- subject(s): Gregorian chants
Gregorian chants were used as a means of group meditation and prayer by monks who sang them together in monasteries.
David Nicholson has written: 'A dictionary of plainsong' -- subject(s): Dictionaries, Gregorian chants 'Singing in God's ear' -- subject(s): Gregorian chants, Instruction and study 'Vernacular and music in the missions'
Gregorian chants are a form of plainchant, named after Pope Gregory I. However, it is believed that these chants were actually composed by multiple anonymous authors over the centuries, rather than solely by Pope Gregory I. They are an important part of the early Christian liturgical music tradition.
The following are characteristics of Gregorio chants except:
Joseph Schrembs has written: 'The Gregorian chant manual of the Catholic music hour' -- subject(s): Gregorian chants
This type of call and response singing came from the Middle Ages era. They started with Gregorian chants or plainchants which was only a single melody and based on these chants, polytextual music was formed, meaning that more than one melody was sung at a time. Call and response singing was called responsarial singing