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Steve Martin

, Comedian / Writer
Steve Martin
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  • Born: 14 August 1945
  • Birthplace: Waco, Texas
  • Best Known As: Comic star of The Jerk and Saturday Night Live

Steve Martin got started as a zany and absurdist stand-up comedian in the 1970s, when his comedy albums like Let's Get Small (1977) were big hits; his punch line "Excuuuuse me" became a pop culture catch-phrase. He was also a favorite recurring guest host on Saturday Night Live for many years. In the 1980s he began starring in mainstream movie comedies like Parenthood (1989) and Father of the Bride (1991, co-starring Diane Keaton, with a sequel in 1995). He proved himself an able writer/director, with successes like Roxanne (1987, with Daryl Hannah), LA Story, (1991, with Sarah Jessica Parker) and Bowfinger (1999, with Eddie Murphy). Martin is known for his brainy versatility and continues to work in films, write plays (Picasso at the Lapin Agile), publish humorous essays in the New Yorker magazine, and write books like Shopgirl (2000, made into a 2005 movie starring Martin and Claire Danes). His other films have included the family comedy Cheaper by the Dozen (2003, and a sequel in 2005) and the slapstick remake The Pink Panther (2006, with Martin in the Inspector Clouseau role made famous by Peter Sellers). He published a memoir, Born Standing Up: A Comic's Life, in 2007.

Martin has appeared in four films directed by Carl Reiner, including The Jerk (1979) and Dead Men Don't Wear Plaid (1982)... Martin hosted the annual Academy Award ceremonies in 2001 and 2003.

 
 
Artist: Steve Martin
Born:
1945

Representative Songs:

"King Tut," "Grandmother's Song," "Let's Get Small"

Representative Albums:

A Wild and Crazy Guy, Let's Get Small, Comedy Is Not Pretty!

Similar Artists:

Influences:

Followers:

  • Genre: Comedy
  • Active: '70s, '80s, '90s
  • Instruments: Vocals, Banjo

Biography

During the 1970s, Steve Martin was the most successful stand-up comedian in America, earning the level of commercial success -- sell-out arena performances, platinum records, hit singles and delirous fan adulatation -- usually reserved for rock stars. Although his career went on to encompass stints as an acclaimed dramatic actor and playwright, for many supporters the "Wild and Crazy Guy" persona defined on his comedy records remains Martin's true artistic legacy.

Although born August 14, 1945 in Waco, Texas, Martin spent the majority of his childhood in California, eventually working a concession booth at Disneyland as a teen. There he learned a variety of performing skills ranging from magic and juggling to playing the banjo and sculpting balloon animals. After graduating college, Martin began writing, and occasionally performing, comic material for television programs including The Smothers Brothers Comedy Hour, The Glen Campbell Hour and The Sonny and Cher Show. At the tail end of the 1960s he moved to Canada, where, in addition to appearing as a semi-regular on the syndicated series Half the George Kirby Comedy Hour, he also began working as a stand-up.

Soon, Martin graduated to opening for rock performers, where his long hair, scraggly beard and hippie wardrobe aligned him firmly with the counterculture movement of the era. However, while in his twenties his hair began to go white; gradually, Martin began adapting his onstage persona to fit the change, re-emerging as a clean-cut, immaculately dressed conservative. The contrast with his increasingly high-concept comic idenity was sharp: superficially silly and daft, Martin's act contemptuously mocked the inherent stupidity of the stand-up form, mining catch-phrases, props and schtick to create a unique brand of scathing anti-comedy.

After earning a following on the stand-up circuit, Martin rose to national prominence thanks to a series of guest appearances on the NBC network's sketch-comedy phenomenon Saturday Night Live, as well as a number of performances on The Tonight Show. With the release of his 1977 album debut Let's Get Small, Martin's career exploded; the record reached the Top Ten, his concerts became immediate sell-outs, and one-liners like "I am...one wild and crazy guy!" and "Well excuuuse me!" became hip catch phrases. After a cameo in the musical Sgt. Pepper's Lonely Hearts Club Band, he made his proper film debut with 1978's The Jerk, which he also scripted; additionally, he wrote a best-selling book, Cruel Shoes.

1978 also marked the release of A Wild and Crazy Guy, Martin's most successful LP. Another platinum seller, it reached the number two slot on the charts on the strength of the hilarious hit single "King Tut," a pseudo-disco record mocking the then-current national obsession with the legendary Egyptian ruler. Nonetheless, Martin was clearly losing interest in the narrow parameters of the stand-up form; after his final two albums, 1979's Comedy Is Not Pretty and the following year's Steve Martin Brothers, he made the film musical Pennies From Heaven, a significant move away from his idiotic Jerk persona, and eventually retired from stand-up performance altogether.

After several underappreciated comedies in tandem with director Carl Reiner (including the clever Dead Men Don't Wear Plaid), Martin won acclaim for his superb slapstick performance in 1984's All of Me. With his sweet performance and stellar screenplay for 1987's Roxanne, a delicate comic spin on Cyrano de Bergerac, he won the critical success which long eluded him, and soon graduated into dramatic roles in films like Lawrence Kasdan's Grand Canyon and the Silas Marner update A Simple Twist of Fate. Still, by the 1990s Martin seemed largely disenchanted with Hollywood filmmaking, virtually sleepwalking through bland, mainstream comedies like Father of the Bride and Sgt. Bilko; instead, he focused his energies on the stage, writing the acclaimed theatrical production Picasso at the Lapin Agile. ~ Jason Ankeny, All Music Guide
 
Actor:

Steve Martin

  • Born: Aug 14, 1945 in Waco, Texas
  • Occupation: Actor, Writer
  • Active: '70s-2000s
  • Major Genres: Comedy
  • Career Highlights: Planes, Trains and Automobiles, Little Shop of Horrors, Bowfinger
  • First Major Screen Credit: The Funnier Side of Eastern Canada with Steve Martin (1974)

Biography

Working as a Disneyland concessionaire in his teens, comedian Steve Martin's first experiences in entertainment were of the party performer variety -- he picked up skills in juggling, tap-dancing, sleight of hand, and balloon sculpting, among other things. He later attended U.C.L.A., where he majored in philosophy and theater before moving on to staff-writer stints for such TV performers as Glen Campbell, the Smothers Brothers, Dick Van Dyke, John Denver, and Sonny & Cher.

Occasionally allowed to perform as well as write, Martin didn't go into standup comedy full-time until the late '60s, when he moved to Canada and appeared as a semi-regular on the syndicated TV variety series Half the George Kirby Comedy Hour. As the opening act for rock stars in the early '70s, Martin emulated the fashion of the era with a full beard, shaggy hair, colorful costumes, and drug jokes. Comedians of such ilk were common in this market, however, so Martin carefully developed a brand-new persona: the well-groomed, immaculately dressed young man who goes against his appearance by behaving like a lunatic. By 1975, he was the "Comic of the Hour," convulsing audiences with his feigned enthusiasm over the weakest of jokes and the most obvious of comedy props. His entire act a devastating parody of second-rate comedians who rely on preconditioning to get laughs, Martin became internationally famous for such catch phrases as "Excu-u-use me!," "Happy feet!," and "I am...one wild and crazy guy!" It was fun for a while to hear audiences shout them out even before he'd uttered them, but it wasn't long before Martin was tired of live standup and anxious to get into films.

Though Martin had roles in Sgt. Pepper's Lonely Hearts Club Band (1977) and The Muppet Movie, Martin's true screen bow was The Jerk (1979), in which, with the seriousness of Olivier, he portrayed a bumbling, self-described poor black child-turned accidental millionaire. Had he been a lesser performer, Martin could have played variations on The Jerk for the remainder of his life, but he preferred to seek out new challenges. It took nerve to go against the sensibilities of his fans with an on-edge portrayal of a habitual loser in Pennies From Heaven (1981), but Martin was successful, even if the film wasn't. And few other actors could convincingly pull off a project like Dead Men Don't Wear Plaid (1983), wherein, and with utter conviction, he acted opposite film clips of dead movie stars.

After a first-rate turn in All of Me (1984), in which he played a man whose body is inhabited by the soul of a woman, Martin's film work began to fluctuate in quality, only to emerge on top again with Roxanne (1987), a potentially silly but ultimately compelling update of Cyrano de Bergerac. Though he participated in a fair amount of misses in the '80s and '90s (Mixed Nuts (1994), Housesitter (1992), Leap of Faith (1992), and Sgt. Bilko (1996), to name a few), Martin was unarguably full of surprises, as witnessed in his unsympathetic portrayal in Planes, Trains and Automobiles (1989), his hilariously evil dentist in Little Shop of Horrors (1986), his angst-ridden father in Parenthood (1989), his smooth-talking Italian in My Blue Heaven, and his callow film producer in Grand Canyon (1991) -- though the public still seemed to prefer his standard comic performances in The Three Amigos (1986), Father of the Bride (1991), and L.A. Story (1991). Martin then went out on yet another artistic limb with A Simple Twist of Fate (1994) -- a film update of that high-school English-class perennial Silas Marner.

After starring in a very dark role in David Mamet's The Spanish Prisoner (1997) and an unsuccessful return to comedy in The Out-of-Towners (1999), Martin again won acclaim for Bowfinger, a 1999 comedy-satire that cast him as its titular hero, an unsuccessful movie director trying to make a film without the aid of a real script or real star. Martin -- who also wrote the film's screenplay -- played the straight man against Eddie Murphy, once again impressing critics with his versatility. According to rumor, Martin based Heather Graham's character on former flame Ann Heche.

In addition to his Hollywood activities, Martin is well-known for his intellectual pursuits. His play Picasso at the Lapin Agile was produced successfully off-Broadway, and he has contributed numerous humor pieces to The New Yorker magazine, and penned the bestselling novella Shopgirl. Martin was also a featured artist in the PBS documentary series Art 21: Art in the 21st Century and discussed the visual arts as an integral form of self-expression.

The 2000's found Martin in a slew of smaller roles, including a cameo as a heckler in Remember the Titans (2000), and a supporting role in director Stanely Tucci's historical comedy drama Joe Gould's Secret (2000). In 2001's Novacaine, Martin found himself playing dentist for the second time in his life, though this dentist would be decidedly less sadistic than the one he had played in camp favorite Little Shop of Horrors (1986). Despite an all-star cast (besides Martin, Novacaine featured Oscar-winner Helena Bonham Carter and Laura Dern) the black comedy was dismally received. Luckily, 2003's odd-couple comedy Bringing Down the House with Queen Latifah, rapper and surprising Oscar nominee for her role in Chicago, fared relatively well in theaters. Martin teamed up with the likes of Brendan Fraser, Jenna Elfman, and Bugs Bunny in Looney Tunes: Back in Action (2003), in which he plays the evil Mr. Chairman, head of the monolithic Acme Corporation. A film version of Shopgirl starring Martin and Claire Danes is currently slated for a 2005 release. ~ Hal Erickson, All Movie Guide

 

(born Aug. 14, 1945, Waco, Texas, U.S.) U.S. comedian and writer. He began writing for the Smothers Brothers in 1967. In the 1970s he wrote for and performed on shows such as Saturday Night Live. His slapstick and absurdist humour were showcased in The Jerk (1979), which he both wrote and starred in. His other film comedies include All of Me (1984), Roxanne (1987), Little Shop of Horrors (1986), Dirty Rotten Scoundrels (1988), Parenthood (1989), L.A. Story (1991), Bowfinger (1999), and Bringing Down the House (2003). He wrote the stage play Picasso at the Lapin Agile (1995).

For more information on Steve Martin, visit Britannica.com.

 
Spotlight: Steve Martin

From our Archives: Today's Highlights, August 14, 2005

Well, excuuuuuse me!!!! Wild and crazy guy Steve Martin turns 60 today! The world-famous funnyman started out writing for TV shows like The Smothers Brothers Show, turned to stand-up, and became a hit on Saturday Night Live, which he guest-hosted so often that people thought he was one of the original "Not Ready For Prime Time Players." Martin's made such film hits as Dead Men Don't Wear Plaid, Roxanne, Parenthood, and L.A. Story, and he's written a play, two novellas, and several pieces for New Yorker magazine.
 
Columbia Encyclopedia: Martin, Steve,
1945–, American comedian, actor, and writer, b. Waco, Tex. An Emmy-winning television comedy writer in the late 1960s, he began performing stand-up in the early 70s, achieving acclaim as a regular on Saturday Night Live in the late 70s. His catchphrases, e.g., “I'm a wild and crazy guy,” became instant clichés, and his characters, e.g., a hopelessly gauche Eastern European swinger, instant classics. He recorded several comedy albums, two of them Grammy winners, and starred in TV specials. Turning to films, Martin starred in and wrote The Jerk (1979), Dead Men Don't Wear Plaid (1982), The Man with Two Brains (1983), and Bowfinger (1999). He also starred in the comedies All of Me (1984), Little Shop of Horrors (1986), and Roxanne (1987) as well as in the despairing Pennies from Heaven (1981), the drama Grand Canyon (1991), David Mamet's dark The Spanish Prisoner (1998), and the black thriller Novocaine (2001). Martin also has written humorous pieces; several plays, notably Picasso at the Lapin Agile (1993); and two novellas, Shopgirl (2000; he wrote the screenplay and starred in the 2005 film version) and The Pleasure of My Company (2003).
 
Works: Works by Steve Martin
(b. 1945)

1993Picasso at the Lapin Agile. Pablo Picasso and Albert Einstein meet in a Paris bar in this witty comedy by the popular comedian and actor. The play has little plot, but critics find it provocative for its treatment of both men as young geniuses and for its depiction of life in the early twentieth century, full of optimism and a sense of being on the verge of great discoveries.

 
Quotes By: Steve Martin

Quotes:

"I believe entertainment can aspire to be art, and can become art, but if you set out to make art you're an idiot."

"Chaos in the midst of chaos isn't funny, but chaos in the midst of order is."

"Comedy may be big business but it isn't pretty."

"Well, excuuuuuse me!!!!"

"I think I did pretty well, considering I started out with nothing but a bunch of blank paper."

 
Wikipedia: Steve Martin

For other uses, see Steve Martin (disambiguation).

Steve Martin
Steve_Martin.jpg
Steve Martin
Birth name Stephen Glenn Martin
Born August 14 1945 (1945--) (age 62)
Flag of the United States Waco, Texas, U.S.
Spouse(s) Victoria Tennant (1986-1994)
Anne Stringfield (2007-Present)
Influences British television, Red Skelton, Jerry Lewis, Jack Benny, Laurel and Hardy
Influenced Eddie Izzard, Chris Rock, Patton Oswalt, Brian Posehn, Will Forte, David Walliams, Bowling for Soup
Official site www.stevemartin.com/

Stephen Glenn "Steve" Martin (born August 14, 1945) is an American comedian, actor, writer, producer, musician and composer.

Biography

Early years

Martin was born in Waco, Texas, to Glenn Vernon Martin, a real estate salesman and aspiring actor and Mary Lee Stewart, a housewife. Martin was raised in Garden Grove, California, and is of English, Scottish and Irish descent.[1] Much of Steve Martin's comedy styling would be influenced by the actor, comedian, magician Carl Ballantine. Carl performed at the opening of Disneyland and young Steve Martin would watch his performances closely. As a teenager, Martin started out working at the Magic Shop at Disneyland, where he developed his talents for magic, juggling, playing the banjo and creating balloon animals. He teamed up with friend and Garden Grove High School classmate Kathy Westmoreland to do a musical comedy routine, performing at local coffee houses and at the Bird Cage Theater in Knott's Berry Farm. One of Martin's acts during this time was a character he called "The Great Flydini". This magician would produce eggs and light candles from his open zipper found on his dress slacks. Even an opera singing hand puppet would make an appearance.

Martin majored in philosophy at California State University at Long Beach, and for a while, considered becoming a philosophy professor instead of an actor-comedian. In 1967, he transferred to UCLA and switched his major to theater. Martin soon began working local clubs at night, to mixed notices. At the age of twenty-one, he dropped out of college for good.[2] Martin periodically spoofed his philosophy studies in his 1970s stand-up act, comparing philosophy with studying geology. "If you're studying geology, which is all facts, as soon as you get out of school you forget it all, but philosophy you remember just enough to screw you up for the rest of your life."[3]

While attending college, he appeared in an episode of The Dating Game. His time there changed his life: "It changed what I believe and what I think about everything. I majored in philosophy. Something about non sequiturs appealed to me. In philosophy, I started studying logic, and they were talking about cause and effect, and you start to realize, 'Hey, there is no cause and effect! There is no logic! There is no anything!' Then it gets real easy to write this stuff, because all you have to do is twist everything hard—you twist the punch line, you twist the non sequitur so hard away from the things that set it up, that it's easy... and it's thrilling."[4] Martin's girlfriend in 1967 was a dancer on The Smothers Brothers Comedy Hour. She helped Martin land a writing job with the show by submitting his work to head writer Mason Williams. Williams initially paid Martin out of his own pocket. Along with the other writers for the show, Martin won an Emmy Award in 1969. Martin also wrote for John Denver (a neighbor of his in Aspen, Colorado at one point), The Glen Campbell Goodtime Hour, and The Sonny and Cher Comedy Hour. He also appeared on these shows and several others, in various comedy skits.

Martin also performed his own material, sometimes as an opening act for groups such as The Nitty Gritty Dirt Band and The Carpenters. He appeared at San Francisco's The Boarding House, among other venues. He continued to write, earning an Emmy nomination for his work on Van Dyke and Company in 1976. In the early seventies, Martin embarked on an ill advised comedy tour where he was often booked into seedy venues in the Midwest as either a solo act or an opener for down and out musical groups. His father compiled an account of these awful bookings and frequently alluded to his son's difficulties in his monthly letter to his real estate clients. Occasionally Steve would be booked with other comedians, most of them very bad with ineffectual gimmicks such as ventriloquism dummies, balloons, chaotic animal acts, and musical instruments. Martin borrowed heavily from these unpleasant experiences in many of his future routines.

But he states that his biggest influence has been British Television, its mostly the comedies that have inspired him, but he was also inspired by its science fiction and its dramas.

Fame

In the mid-1970s, Martin made frequent appearances as a stand-up comedian on The Tonight Show Starring Johnny Carson. That exposure, together with appearances on HBO's On Location and NBC's Saturday Night Live (SNL) (on which, despite a common misconception, he was never a cast member) led to his first of three comedy albums, Let's Get Small. The album was a huge success; one of its tracks, "Excuse Me", helped establish a national catch phrase. His next album, A Wild and Crazy Guy, was an even bigger success, reaching the #2 spot on the sales chart in the U.S. and featured another catch phrase (the album's title), this time based on a Saturday Night Live sketch in which Martin and Dan Aykroyd played a couple of bumbling Czechoslovakian would-be playboys, the Festrunk Brothers. The album ended with a song "King Tut", sung and written by Martin and released as a 45 RPM single during the King Tut craze that accompanied the extremely popular travelling exhibit of the Egyptian king's tomb artifacts; the single reached the top 20 (# 17) in 1978. The song was backed by the "Toot Uncommons" (they were actually members of the Nitty Gritty Dirt Band). The album was a million seller. Both albums won Grammys for Best Comedy Recording in 1977 and 1978, respectively. In his comedy albums, Martin's stand-up comedy was clearly self-referential and sometimes self-mocking. It mixes philosophical riffs with sudden spurts of "happy feet", banjo playing with balloon depictions of concepts like venereal disease. His style is off-kilter and ironic, and sometimes pokes fun at stand-up comedy traditions. A typical gag might be interrupted for a sip from a glass of water and just as he is about to speak again, he forcefully spits the water onto the floor.

Movie career

By the end of the 1970s, Martin had acquired the kind of following normally reserved for rock stars, with his tour appearances typically occurring at sold-out arenas filled with tens of thousands of screaming fans. But unknown to his audience, stand-up comedy was "just an accident" for him. His real goal was to get into film.[4] Martin's first film was a short, The Absent-Minded Waiter (1977). The seven-minute long film, also featuring Buck Henry and Teri Garr, was written by and starred Martin. The film was nominated for an Academy Award as Best Short Film, Live Action. His first feature film appearance was in the musical Sgt. Pepper's Lonely Hearts Club Band, where he sang The Beatles' "Maxwell's Silver Hammer". In 1979, Martin wrote and starred in his first full-length movie, The Jerk, directed by Carl Reiner. The movie was a huge success, grossing over $73 million on a budget of far less than that amount.[5]

The success of The Jerk opened more doors for Martin. Stanley Kubrick met with him to discuss the possibility of Martin starring in a screwball comedy version of Traumnovelle (Kubrick later changed his approach to the material, the result of which was 1999's Eyes Wide Shut). Martin was executive producer for Domestic Life, a prime-time television series starring Martin Mull, and a late-night series called Twilight Theater. It emboldened Martin to try his hand at his first serious film, Pennies From Heaven, a movie he was anxious to do because of the desire to avoid being typecast. To prepare for that film, Martin took acting lessons from director Herbert Ross, and spent months learning how to tap dance. The film was a financial failure; Martin's comment at the time was "I don't know what to blame, other than it's me and not a comedy."

Martin was in three more Reiner-directed comedies after The Jerk: Dead Men Don't Wear Plaid in 1982, The Man with Two Brains in 1983 and All of Me in 1984. In 1986, Martin joined fellow Saturday Night Live veterans Martin Short and Chevy Chase in ¡Three Amigos!, directed by John Landis, and written by Martin, Lorne Michaels, and Randy Newman. It was originally entitled The Three Caballeros and Martin was to be teamed with Dan Aykroyd and John Belushi. In 1986, Martin was in the musical film version of the hit off-Broadway play Little Shop of Horrors (based on a famous B-movie), as a sadistic dentist, Orin Scrivello. The film also marked the first of three films teaming Martin with actor Rick Moranis. In 1987, Martin joined comedian John Candy in the John Hughes movie Planes, Trains & Automobiles. That same year, the Cyrano de Bergerac adaptation Roxanne, a film Martin co-wrote, won him a Writers Guild of America award and more importantly, the recognition from Hollywood and the public that he was more than a comedian. In 1988, he performed in the Frank Oz comedy Dirty Rotten Scoundrels alongside Michael Caine.

Martin starred in the Ron Howard film Parenthood, with Moranis in 1989. He later met with Moranis to make the Mafia comedy My Blue Heaven in 1990. In 1991, Martin starred in and wrote L.A. Story and was a member of the ensemble existentialist tragedy Grand Canyon that were both about life in Los Angeles. In a serious role, Martin played a tightly wound Hollywood film producer trying to recover from a traumatic robbery that left him injured. In contrast to the serious tone of Grand Canyon, Martin also appeared in a remake of the comedy Father of the Bride in 1991 (followed by a sequel in 1995).

In David Mamet's 1997 thriller, The Spanish Prisoner, Martin played a darker role as a wealthy stranger who takes a suspicious interest in the work of a young businessman (Campbell Scott). In 1999, Martin and Goldie Hawn starred in a remake of the 1970 Neil Simon comedy, The Out-of-Towners. By 2003, Martin ranked 4th on the box office stars list, after co-starring in Bringing Down The House and starring in Cheaper By The Dozen, each of which earned over $130 million at U.S. theaters. Both were family comedies.

In 2005, Martin wrote and starred in Shopgirl, based on his own novella. Martin played a wealthy businessman who strikes up a romance with a Saks 5th Avenue counter girl (Claire Danes). He also starred in Cheaper by the Dozen 2 that year. Martin's last work to date was the 2006 installment of The Pink Panther, standing in Peter Sellers shoes as the bumbling Inspector Clouseau. In 2007, he announced on his website that he would likely be starting work on the sequel later in the year.

Other work

Throughout the 1990s, after Tina Brown took over The New Yorker, Martin wrote various pieces for the magazine. They later appeared in the collection Pure Drivel. He appeared in a version of Waiting for Godot as Vladimir (with Robin Williams as Estragon). In 1993, Martin wrote the play Picasso at the Lapin Agile, which had a successful run in several American cities. In 1998, Martin guest starred with U2 in the 200th episode of The Simpsons titled Trash of the Titans. Martin provided the voice for sanitation commissioner Ray Patterson. In 2001, Martin hosted the 73rd Annual Academy Awards. Also in 2001, he played banjo on Earl Scruggs' remake of "Foggy Mountain Breakdown". Martin called fellow comedian and banjo player Billy Connolly to tell him, prompting the cry of "you lucky bugger!!" Connolly's wife thought he was referring to Martin being chosen as the Oscar's host. The recording was the winner of the Best Country Instrumental Performance category at the following year's Grammys. In 2002, Martin adapted the Carl Sternheim play The Underpants, which ran Off-Broadway at Classic Stage Company. In 2003, Martin hosted the Academy Awards for the second time.

In 2005, Martin hosted a film along with Donald Duck, Disneyland: The First 50 Magical Years, which was intended to show at Disneyland until the end of Disneyland's 50th anniversary celebration in September 2006, but it is continuing to run indefinitely. Martin was also honoured in 2005 with a Disney Legend award, acknowledging Martin's early career at Disneyland and connections with The Walt Disney Company throughout his career. Martin has guest-hosted Saturday Night Live 14 times, as of his February 2006 hosting (musical guest: Prince featuring Tamar), breaking his previous record of 13 (now held by fellow frequent host Alec Baldwin) and retaining his title as SNL's most frequent host. Coincidentally, Steve Martin was supposed to host with Prince as the musical guest on the first episode of SNL's 30th season, but both he and Prince backed out at the last minute and were replaced by Ben Affleck and Nelly.

Martin has also written two novellas, Shopgirl and The Pleasure of My Company. Shopgirl was later turned into a film (see above).

In a 2005 poll to find The Comedian's Comedian, Martin was voted one of the top 15 greatest comedy acts ever by fellow comedians and comedy insiders. On October 23, 2005, Martin was presented with the Mark Twain Prize for American Humor.

Art collection

Martin is an avid art collector, particularly modern American art, and a trustee of the Los Angeles County Museum of Art. Martin's personal collection has at one time included the art of Georgia O'Keeffe, John Henry Twachtman, Richard Diebenkorn, Po Shun Leong, Willem de Kooning, Franz Kline, Cy Twombly, Helen Frankenthaler, Edward Hopper, David Hockney, Roy Lichtenstein and Pablo Picasso. In 2005, The Huntington Library in San Marino, California announced that Martin had pledged US$1 million over five years for the museum's American art collection.[6] Three-quarters of the gift will be used for exhibitions, with the remainder being used for acquisitions. Before he made his pledge, Martin loaned paintings to the museum, helped it acquire a sculpture by John Gregory, and sponsored an exhibition of "sugar paintings" by 19th century American artist Eastman Johnson. Jessica Todd Smith, the museum's American art curator, said Martin became an "enthusiastic" supporter of The Huntington after he visited the museum in 2002 while filming a movie nearby.

Marriages

On July 28, 2007, Steve married his girlfriend, Anne Stringfield, 34, at his Los Angeles home. Former Nebraska Senator Bob Kerrey presided over the ceremony. Lorne Michaels, creator of Saturday Night Live, was his best man. Several of the guests, including close friends Tom Hanks, Eugene Levy, comedian Carl Reiner, and magician/actor Ricky Jay were not informed that a wedding ceremony would take place. Instead, they were told they were invited to a party.[7] Robin Williams was invited, but he felt he was too busy at the time to go to just a regular party. Steve has previously been involved with artist Allyson Hollingsw