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Oliver Goldsmith

The British poet, dramatist, novelist, and essayist Oliver Goldsmith (1730-1774) wrote, translated, or compiled more than 40 volumes. The works for which he is remembered are marked by good sense, moderation, balance, order, and intellectual honesty.

The fifth child of a country rector in Ireland, Oliver Goldsmith entered Trinity College, Dublin, in 1745 and earned a bachelor of arts degree in 1749. He studied medicine at the University of Edinburgh in 1752-1753 but did not take a degree. After further medical training at the University of Leiden, he traveled on the Continent, not to return to London until 1756, when he attempted to establish a medical practice.

Goldsmith soon began to supplement his meager income from medicine by contributing reviews and essays to such popular journals as the Monthly and the Critical. His first book, An Enquiry into the Present State of Polite Learning in Europe (1759), included an important essay on the English stage. By the mid-1760s Goldsmith, or "Goldy" as Dr. Johnson fondly nicknamed him, had established a steady income as a compiler. An original member of the famous "Club" founded by Dr. Johnson in 1764, Goldsmith enjoyed the friendship of such 18th century notables as Edmund Burke and Sir Joshua Reynolds, who later wrote a brief biographical sketch of him. Goldsmith's inability to handle his money, his extravagance, his generosity, and his habit of borrowing money from his friends kept the stocky, pockmarked author in debt until the end of his life. Indeed, he is said to have left debts amounting to £2,000.

Goldsmith made his early literary reputation as an essayist. The eight weekly numbers of the Bee (1759), which contain some excellent small poems, dramatic criticism, moral tales, and serious and fanciful discourses, exhibit his preoccupation with vivid and rich human detail and his felicitous style. Perhaps his finest sustained work as an essayist, however, was The Citizen of the World (1762), which had appeared serially in the Public Ledger in 1760-1761. Goldsmith employed the popular 18th-century device of a foreign traveler commenting in letters to his home country upon the strange customs of the lands through which he passed. These "Chinese Letters" exhibit Goldsmith at his relaxed, playful, and graceful best.

Poetry and Fiction

The Traveller (1764), Goldsmith's first major poem, expresses such conventional ideas of his age as the vanity of human wishes and despair in the search for happiness. Best described as a philosophic-descriptive lyric, the poem is a panoramic, imaginative tour through Italy, Switzerland, and France. His poetic masterpiece, The Deserted Village (1770), has often and erroneously been mistaken as a wholly autobiographical poem. Picturing the economic difficulties of rural life, the dangers of luxury, and "trade's unfeeling train," the poem expresses current 18th-century ideas in so personal, moving, and aphoristic a fashion that it remains one of the most frequently quoted poems in the English language. Both poems exhibit Goldsmith's mastery of the heroic couplet, the major poetic form of the period. He left a third long poem entitled Retaliation unfinished at his death.

Goldsmith's one novel, The Vicar of Wakefield, was received indifferently upon its publication in 1766 but soon became popular and remained the most widely read of all the 18th-century novels for the next 100 years. According to James Boswell, Dr. Johnson saved the distraught Goldsmith from a debtors' prison by selling this manuscript, the only one he could find in Goldsmith's lodgings, for £60.

The brief novel, which leads Dr. Primrose and his family from disaster to fresh disaster, has greater structural and thematic unity than most critics have acknowledged. Its greatest appeal, however, lies in its gentle and tolerant humor, the attractiveness of Dr. Primrose's character, the combined pathos and irony of the narrative, and Goldsmith's graceful prose style.

Plays and Other Works

Goldsmith's first play, The Good Natur'd Man, found little favor when it was finally produced in 1768. While it has important historical interest because it marks a major turn away from the sentimental comedy that had dominated the 18th-century stage, it preaches a prudent benevolence throughout which has little appeal for the modern reader.

The second of his plays, She Stoops to Conquer (1773), is by far the more impressive of the two. Despite a farcical plot and the patent absurdities of Young Marlowe's mistaken assumption that the Hardcastle mansion is an inn and of Mrs. Hardcastle's delusion that her husband is a highwayman, the play's wit, good humor, and lively characterizations made it an immediate success and have given it continuing popularity. In their search for marriage and social position, the characters have a warmth and charm quite atypical of most plays of the period.

As compiler, author, and translator, Goldsmith participated in a host of commercial publishing ventures during his lifetime. He was involved, for example, in the publication of a five-volume abridgment of Plutarch's Lives (1762), a two-volume History of England (1764) followed by a four-volume continuation (1771), two volumes of The Beauties of English Poesy (1767), two volumes of Roman History (1769), two volumes of Grecian History (1774), and eight volumes of An History of the Earth and Animated Nature (1774).

Further Reading

The authoritative biographical study of Goldsmith is Ralph Wardle, Oliver Goldsmith (1957; rev. ed. 1969). Other studies include Ricardo Quintana, Oliver Goldsmith: A Georgian Study (1967), a scholarly though sometimes uneven work, and Robert H. Hopkins, The True Genius of Oliver Goldsmith (1969), an excellent critical commentary on Goldsmith's writings. Useful discussions of Goldsmith's work are in Alan D. McKillop, The Early Masters of English Fiction (1956), and in Ian Watt, The Rise of the Novel: Studies in Defoe, Richardson and Fielding (1957). Recommended for general historical and social background are J. H. Plumb, England in the Eighteenth Century (1951; rev. ed. 1966); A. R. Humphreys, The Augustan World: Society, Thought, and Letters in Eighteenth Century England (1954; rev. ed. 1963); Ian Watt, The Augustan Age (1968); and R. J. White, The Age of George III (1968).

Additional Sources

Freeman, William, Oliver Goldsmith, Philadelphia: R. West, 1977 c1952.

Gamble, William, Two Irish poets: Goldsmith and Moore, Philadelphia: R. West, 1977.

Ginger, John, The notable man: the life and times of Oliver Goldsmith, London: Hamilton, 1977.

Goldsmith: interviews and recollections, Houndmills, Basingstoke, Hampshire: Macmillan Press; New York: St. Martin's Press, 1993.

MacLennan, Munro, The secret of Oliver Goldsmith, New York: Vantage Press, 1975.

Sells, A. Lytton (Arthur Lytton), Oliver Goldsmith: his life and works, New York: Barnes & Noble Books, 1974.

Wibberley, Leonard, The good-natured man: a portrait of Oliver Goldsmith, New York: Morrow, 1979.

 
 

Oliver Goldsmith, oil painting from the studio of Sir Joshua Reynolds, 1770; in the National …
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Oliver Goldsmith, oil painting from the studio of Sir Joshua Reynolds, 1770; in the National … (credit: Courtesy of The National Portrait Gallery, London)
(born Nov. 10, 1730, Kilkenny West, County Westmeath, Ire. — died April 4, 1774, London, Eng.) Irish-born British essayist, poet, novelist, and dramatist. Goldsmith attended Trinity College in Dublin before studying medicine in Edinburgh. Settling in London, he began writing essays, some of which were collected in The Citizen of the World (1762). In 1764 he became an original member of Samuel Johnson's famous Club. He won a reputation as a poet with The Traveller (1764), confirmed by his famous pastoral elegy The Deserted Village (1770). The Vicar of Wakefield (1766) revealed his skill as a novelist. The charming farce She Stoops to Conquer (1773) was his most effective play. Noted for his exceptionally graceful, lively style, Goldsmith was a friend of many literary lights of his day, who agreed that he was one of the oddest personalities of his time.

For more information on Oliver Goldsmith, visit Britannica.com.

 
British History: Oliver Goldsmith

Goldsmith, Oliver (1728-74). Man of letters. Born in Ireland, Goldsmith attended Trinity College, Dublin, before briefly studying medicine in Edinburgh and Leiden. On settling in London from 1756, he supported himself partly as a physician, partly as a hack-writer, and partly by borrowing from friends. But he gradually pulled himself out of Grub Street. His poem The Traveller (1764) was well received; a novel The Vicar of Wakefield (1766) has remained a minor classic; The Good-Natured Man, a comedy (1768), had a respectable stage run; The Deserted Village (1770) touched the chord of nostalgia and was much admired; She Stoops to Conquer (1773) was a great success. Goldsmith was a strange man, feckless, naïve, unworldly, generous. He died heavily in debt, and Horace Walpole wrote of him that ‘he had sometimes parts, though never common sense’.

 
Irish Literature Companion: Oliver Goldsmith

Goldsmith, Oliver (1728-1774) man of letters; born in Pallas, Co. Longford, though the family moved to Lissoy, near Ballymahon, Co. Westmeath. His college career at TCD involved painful humiliations and he was frequently in disciplinary trouble. In 1752 he studied medicine at Edinburgh, visited the Highlands the year after, and then set off on a Continental tour, making his way by flute-playing and singing. Returning destitute to London in 1756, he acted, practised medicine, and corrected proofs. He met Ralph Griffiths, editor of the Monthly Review, and began contributing to his journal. His An Inquiry into Present State of Polite Learning (1759) called for an unaffected style and temper. He became editor of a weekly journal, The Bee, writing most of the eight numbers himself. In 1760-1 the series of Chinese letters later published as The Citizen of the World (1762) appeared in John Newbery's Public Ledger. About this time he met Samuel Johnson, and in 1763 he was a founding member of the Club that met in the Turk's Head in Soho. A History of England (1764) in the form of a letterseries from a nobleman to his son was a popular success. The Traveller, or a Prospect of Society (1764), begun during his European wanderings, shows Goldsmith praising the ‘sympathetic mind’ which tries to see the good in all. In 1764 Johnson, intervening to save Goldsmith from arrest over debt, sold the manuscript of The Vicar of Wakefield (1766). Its mixture of sentiment and irony won Goldsmith many admirers. In 1767 Goldsmith's The Good-Natur'd Man was produced. In this comedy Goldsmith turned back towards the humour of Farquhar, whom he greatly admired. His Roman History (1769) was followed by a History of England (1771), and from around 1767 he laboured at a History of the Earth and Animated Nature (1774). In 1770 The Deserted Village appeared. The poem mixes memories of childhood around Ballymahon with criticism of the enclosures taking place in the English countryside. The second of his plays, She Stoops to Conquer (1773), is a freewheeling comedy consummately realizing the preference for ‘laughing’ over ‘weeping’ comedy outlined in his essay in the London Magazine for the same year. Retaliation (1774) light-heartedly takes revenge on friends, including Edmund Burke, who had teased him. From letters to his friend Bob Bryanston, it is evident that Ireland was close to Goldsmith's heart. His standpoint on the country finds its most direct expression in ‘A Description of the Manner and Customs of the Native Irish’ (1759), and in his ‘History of Carolan, the Last Irish Bard’ (1760), both of which are deficient in accurate information about Gaelic language and culture. Goldsmith's Irishness is ultimately conveyed in the calm but ironic perspective he offers on English life and manners.

Bibliography

A. Lytton Sells, Oliver Goldsmith (1974).

 
Columbia Encyclopedia: Goldsmith, Oliver,
1730?–1774, Anglo-Irish author. The son of an Irish clergyman, he was graduated from Trinity College, Dublin, in 1749. He studied medicine at Edinburgh and Leiden, but his career as a physician was quite unsuccessful. In 1756 he settled in London, where he achieved some success as a miscellaneous contributor to periodicals and as the author of Enquiry into the Present State of Polite Learning in Europe (1759). But it was not until The Citizen of the World (1762), a series of whimsical and satirical essays, that he was recognized as an able man of letters. His fame grew with The Traveler (1764), a philosophic poem, and the nostalgic pastoral The Deserted Village (1770). However, his literary reputation rests on his two comedies, The Good-natur'd Man (1768) and She Stoops to Conquer (1773), and his only novel, The Vicar of Wakefield (1766). His comedies injected a much-needed sense of realism into the dull, sentimental plays of the period. They are lively, witty, and imbued with an endearing humanity. The Vicar of Wakefield is the warm, humorous, if somewhat melodramatic, story of a country parson and his family. Although he earned a great deal of money in his lifetime, Goldsmith's improvidence kept him poor. Boswell depicted him as a ridiculous, blundering, but tenderhearted and generous creature. He had the friendship of many of the literary and artistic great of his day, the most notable being that of Samuel Johnson.

Bibliography

See biography by R. M. Wardle (1957, repr. 1969); R. Quintana (1967), R. H. Hopkins (1969), R. L. Harp (1976), and J. Giner (1978).

 
Quotes By: Oliver Goldsmith

Quotes:

"People seek within a short span of life to satisfy a thousand desires, each of which is insatiable."

"For he that fights and runs away, may live to fight another day, but he, who is in battle slain, can never rise and fight again."

"The doctor found, when she was dead, her last disorder mortal."

"A modest woman, dressed out in all her finery, is the most tremendous object of the whole creation."

"Thou source of all my bliss and all my woe, that found me poor at first, and keep me so."

"But in his duty prompt at every call, he watched and wept, he prayed and felt for all."

See more famous quotes by Oliver Goldsmith

 
Wikipedia: Oliver Goldsmith
Oliver Goldsmith
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Oliver Goldsmith

Oliver Goldsmith (November 10, 1730 or 1728April 4, 1774) was an Anglo-Irish writer, poet, and physician known for his novel The Vicar of Wakefield (1766), his pastoral poem The Deserted Village (1770) (written in memory of his brother), and his plays The Good-natur'd Man (1768) and She Stoops to Conquer (1771, first performed in 1773). (He is also thought to have written the classic children's tale, The History of Little Goody Two Shoes, giving the world that familiar phrase.)

Biography

He was either born in the townland of Pallas, near Ballymahon, County Longford, Ireland where his father was Anglican curate of the parish of Forgney, or at the residence of his maternal grandparents, Smith Hill House in the diocese of Elphin, County Roscommon where his Grandfather Oliver Jones was a clergyman and master of the Elphin diocesan school. When he was aged two, Goldsmith's father was appointed rector of the parish of Kilkenny West in County Westmeath. The family moved to the parsonage at Lissoy, between Athlone and Ballymahon, and continued to live there until his father's death in 1747.

Goldsmith earned his Bachelor of Arts in 1749 at Trinity College, Dublin, studying theology and law but never getting as far as ordination. Nevertheless, his name has been given to a new lecture theatre and student accommodation on the Trinity College campus, Goldsmith Hall. He later studied medicine at the University of Edinburgh and the University of Leiden, then toured Europe, living on his wits. He also studied at the University of Padua in 1755 and 1757.

On his return, he settled in London, where he worked as an apothecary's assistant. Perennially in debt and addicted to gambling, Goldsmith had a massive output as a hack writer for the publishers of London, but his few painstaking works earned him the company of Samuel Johnson, along with whom he was a founding member of "The Club". The combination of his literary work and his dissolute lifestyle led Horace Walpole to giving him the much quoted epithet of Inspired Idiot. During this period he used the pseudonym "James Willington" (the name of a fellow student at Trinity) to publish his 1758 translation of the autobiography of the Huguenot Jean Marteilhe.

Goldsmith is recorded as being a highly jealous man, a likeable but disorganised character who once failed to emigrate to America because he missed the ferry.

He was buried in Temple Church; his death in 1774 may have been partly caused by his own misdiagnosis of his kidney infection. His inscription reads; "HERE LIES/OLIVER GOLDSMITH". There is a monument to him in the centre of Ballymahon, also in Westminster Abbey with an epitaph written by Samuel Johnson.[1]

Goldsmith's birth date is not known for certain. According to the Library of Congress authority file, he told a biographer that he was born on November 29, 1731 or perhaps 1730. Other sources have indicated November 10, on any year from 1727 to 1731. November 10, 1730 is now the most commonly accepted birth date.

Works

The Deserted Village

In poem "The Deserted Village", (1770), Goldsmith revisits Auburn, a village of which he had fond memories, and marks the depopulation brought about through the emigration of its peasant community and the influx of monopolising riches. He mourns over the state of a society where "wealth accumulates and men decay". Using images pertaining to the land in his poem, he gives to his readers a sense of what it was like to live in the countryside during modernization and how it has destroyed the land the former inhabitants worked so hard to maintain.

At the time in which this poem was written, it was true that the labouring class was in a dire situation. Changes in land ownership led to shortages in labour, and poverty became a common problem. Small farmers were forced out of the countryside. Alongside this problem came the new zest for luxuries and possessions. Poets became enamoured by each situation, and accordingly much poetry of the time uses the labouring class and the growth of the luxury as a key theme. Thus, it is equally possible that Oliver Goldsmith’s Deserted Village is a critique of luxury, or alternatively, an engagement with the realities of labouring-class poverty.

In the book's dedication to Joshua Reynolds, Goldsmith attempts to convey his reasons for writing a poem about the depopulation of the countryside. He is sure that the poetic community will disagree with his picture of the countryside as a poor place of misfortune, desolation and poverty and thus justifies it here. He writes:

"I know you will object (and indeed several of our best and wisest friend concur in the opinion) that the depopulation it deplores is no where to be seen, and the disorders it laments are only to be found in the poet’s own imagination. To this I can scarce make any other answer than that I sincerely believe what I have written; that I have taken all possible pains, in my country excursions, for these four or five years past, to be certain of what I alledge, and that all my views and enquiries have led me to believe those miseries real, which I here attempt to display."[2]

This assertion indicates Goldsmith’s attachment to the people of the countryside; he believes it is vital that their lives are portrayed truthfully and lucidly, perhaps without the typical frills of pastoral poetry. However, in the same letter, Goldsmith goes on to write,

"In regretting the depopulation of the country, I inveigh against the increase of our luxuries.. For twenty of thirty years past, it has been the fashion to consider luxury as one of the greatest national advantages… Still however, I…continue to think those luxuries prejudicial to states, by which so many vices are introduced, and so many kingdoms have been undone."

This second and perhaps, more strongly worded argument indicates that Goldsmith is further angered by the effect of the luxury on Britain at this time. He finishes the letter on this note, and does not return to the situation of the labouring class, and this emphasises his strength of feeling on this matter.

According to James Boswell it was Dr. Johnson who wrote the last four lines of the poem.[3]

Goldsmith's grand-nephew, also named Oliver, wrote a response to his uncle's poem entitled The Rising Village, in which he details the rise of communities in Acadia (now Nova Scotia and New Brunswick, Canada). The response to his uncle seems to suggest that the peasants who couldn't survive in The Deserted Village would have found opportunities in the new world. The Rising Village was published in 1825. It has become a staple of the Canadian literary canon and has been heavily anthologized. (See, for example, Canadian Poetry: From the Beginnings Through the First World War, edited by Carole Gerson and Gwendolyn Davies. Toronto: McClelland and Stewart, 1994.)

The Hermit

Goldsmith wrote this romantic ballad of precisely 160 lines in 1765. The hero and heroine are Edwin, a youth without wealth or power, and Angelina, the daughter of a lord "beside the Tyne." Angelina spurns many wooers, but refuses to make plain her love for young Edwin. "Quite dejected with my scorn," Edwin disappears and becomes a hermit. One day, Angelina turns up at his cell in boy's clothes and, not recognizing him, tells him her story. Edwin then reveals his true identity, and the lovers never part again. The poem is notable for its interesting portrayal of a hermit, who is fond of the natural world and his wilderness solitude but maintains a gentle, sympathetic demeanor toward other people. In keeping with eremitical tradition, however, Edwin the Hermit claims to "spurn the [opposite] sex." This poem appears under the title of "A Ballad" sung by the character of Mr. Burchell in Chapter 8 of Goldsmith's novel, The Vicar of Wakefield.

Trivia

There is a school named after him in London called Oliver Goldsmith Primary School.

References

  1. ^ "Oliver Goldsmith: A Poet, Naturalist, and Historian, who left scarcely any style of writing untouched, and touched nothing that he did not adorn. Of all the passions, whether smiles were to move or tears, a powerful yet gentle master. In genius, vivid, versatile, sublime. In style, clear, elevated, elegant." Epitaph written by Dr. Johnson, translated from the original Latin.
  2. ^ "The Deserted Village", with dedication to Sir Joshua Reynolds.[1]
  3. ^ ""Deserted Village", The Oxford Companion to English literature, 2nd Edition 1937.
  • The Vicar of Wakefield, ISBN 0-19-283940-3
  • She Stoops to Conquer, ISBN 0-486-26867-5
  • Life of Oliver Goldsmith, by Washington Irving, ISBN 1-58963-236-2
  • The Complete Poetical Works of Oliver Goldsmith by Austin Dobson (Editor), ISBN 1-58827-277-X
  • Oliver Goldsmith (Everyman's Poetry Series) edited by Gordon Campbell, ISBN 0-460-87827-1
  • George Rousseau (1974), Goldsmith: The Critical Heritage (London: Routledge and Kegan Paul, 1974). ISBN 0710077203
  • Oliver Goldsmith of Elphin, by J. A. Connellan, Published for the Goldsmith Society (1935)

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Biography. © 2006 through a partnership of Answers Corporation. All rights reserved.  Read more
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Irish Literature Companion. The Concise Oxford Companion to Irish Literature. Copyright © 1996, 2000, 2003 by Oxford University Press. All rights reserved.  Read more
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Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Oliver Goldsmith" Read more

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