Fearlessly searching for new conceptions of sound and not caring where he found them, Garbarek joined hands with the classical early-music movement, improvising around the four male voices of the Hilliard Ensemble. Now here was a radical idea guaranteed to infuriate both hardcore jazz buffs and the even more pristine more-authentic-than-thou folk in early music circles. Yet this unlikely fusion works stunningly well -- and even more hearteningly, went over the heads of the purists and became a hit album at a time (1994) when Gregorian chants were a hot item. Chants, early polyphonic music, and Renaissance motets by composers like Morales and Dufay form the basic material, bringing forth a cool yet moving spirituality in Garbarek's work. Recorded in a heavily reverberant Austrian monastery, the voices sometimes develop in overwhelming waves, and Garbarek rides their crest, his soprano sax soaring in the monastery acoustic, or he underscores the voices almost unobtrusively, echoing the voices, finding ample room to move around the modal harmonies yet applying his sound sparingly. Those with nervous metabolisms may become impatient with this undefinable music, but if you give it a chance, it will seduce you, too. ~ Richard S. Ginell, All Music Guide
Jan Garbarek (Flute), Jan Garbarek (Sax (Soprano)), Jan Garbarek (Sax (Tenor)), Jan Garbarek (Main Performer), Manfred Eicher (Producer), Manfred Eicher (Liner Notes), Gordon Jones (Baritone (Vocal)), John Potter (Liner Notes), Jim Bengston (Photography), Peter Laenger (Recording Supervision), Roberto Masotti (Photography), Barbara Wojirsch (Cover Design)
Officium (plural officia) is a Latin word with various meanings in Ancient
Rome, including "service", "(sense of) duty", "courtesy", "ceremony" and the like. It also translates the Greek
kathekon and was used in later Latin to render more modern offices.
However, this article is mainly concerned with the meaning of "an office" (the modern word office derives from it) or
"bureau" in the sense of a dignitary's staff of administrative and other collaborators, each of whom was called an
officialis (hence the modern official).
The Notitia Dignitatum gives us uniquely detailed information, stemming from the
very imperial chanceries, on the composition of the officia of many of the two Roman empires' leading court, provincial,
military and some other officials circa AD 400. While the details vary somewhat according to rank,
from West to East and/or in particular cases, in general the leading staff would be about as follows (the English descriptions
and other modern "equivalents" are approximate):
Princeps officius was the chief of staff, permanent secretary or chef de
cabinet
Cornicularius was a military title, for an administrative deputy of various generals
etc.
Adiutor (literally "helper") seems to have been the chief (general) assistant, or
adjutant
Commentariensis was the keeper of "commentaries", an official diary
Singularius has been called a notary, but the
word can also refer to a bodyguard
Below those "dignities", there were often a few hundred minor officials, often slaves or
freedmen, doing the clerical drudgery, not deemed worthy of any more detailed mention. They are only referred to collectively, by
various terms in the plural, such as cohortalini (apparently the diminutive of
cohortalis, see cohors amicorum).
Search for answers directly from your browser with the FREE Answers.com Toolbar! Click here to download now. Get Answers your way! Check out all our free tools and products.