nursery rhyme
n.
A short, rhymed poem or tale for children.
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nursery rhyme, a traditional verse or set of verses chanted to infants by adults as an initiation into rhyme and verbal rhythm. Most are hundreds of years old, and derive from songs, proverbs, riddles, ballads, street cries, and other kinds of composition originally intended for adults, which have become almost meaningless outside their original contexts. Their exact origins are often obscure, although a few more recent examples are by known authors: ‘Mary had a little lamb’ was written by Sarah Josepha Hale in 1830. See also jingle, nonsense verse.
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Traditional rhymes which are passed on to children while they are still of nursery age. The key point here is that the transmission is normally from adult to child, which can be distinguished from children's lore, which is mainly transmitted between children. Most adults have a basic repertoire of nursery rhymes at their disposal—there can be few adults in England who cannot recite Baa Baa Black Sheep, Little Jack Horner, or Jack and Jill—but many buy books of rhymes when they become parents, which have the added advantage of illustrations, from which they read to their children. The rhymes themselves provide a fascinating array of imagery, rhythm, and simple structure, which have pleased generations of children and adults, and, despite their apparent inconsequentiality, far outstrip any other verse form in terms of distribution and popularity, and their place in the national consciousness is proved by the frequency with which advertisers and parodists use them.
.A surprising number of nursery rhyme collections, usually in the form of chapbooks, were published from the mid-18th century onwards, with titles such as Tommy Thumb's Pretty Song Book (c.1744). The Top Book of All, for Little Masters and Mistresses (c.1760), and Gammer Gurton's Garland (1784); but no scholar thought the rhymes worth their notice until James Orchard Halliwell published his two collections of The Nursery Rhymes of England (1842) and Popular Rhymes and Nursery Tales of England (1849), on which virtually all subsequent collections relied for material, until the researches of loan and Peter Opie's seminal work, The Oxford Dictionary of Nursery Rhymes (1951; 2nd edn., 1997).
Nursery rhymes have suffered the indignity of having more nonsense written about them than any other folklore genre. Commentators have sought to explain nursery rhymes in terms of political satire, ancient mythology, Freudian psychology, fertility ritual, sun-worship, and any other intellectual fad of the time, and the game of spotting hidden meanings is likely to continue for the foreseeable future. The truth is that few of the rhymes can shown to be older than the 18th century, many of them have identifiable authors, and are easily understood as nonsense rhymes for children or the flotsam and jetsam of adult songs, poems, customs, plays, and so on. This is not to underestimate the problems of evidence of this field, and the possibility that many rhymes could be much older than their first known printings, but inventing origins from stray internal clues is hardly likely to produce real knowledge.
The normal term for nursery rhymes in the USA is
See also BAA BAA BLACK SHEEP, GOOSEY GOOSEY GANDER, HEY DIDDLE DIDDLE, HICKORY DICKORY DOCK, HUMPTY DUMPTY, JACK AND JILL, LITTLE BO PEEP, LITTLE JACK HORNER, MARY HAD A LITTLE LAMB, OLD KING COLE, OLD MOTHER HUBBARD, ORANGES AND LEMONS.
Bibliography
See Oxford Dictionary of Nursery Rhymes, ed. by I. and P. Opie (1952); studies by L. Eckenstein (1906, repr. 1968) and H. Bett (1924, repr. 1973).
A short poem for children written in rhyming verse and handed down in folklore.
Quotes:
"What is your fortune, my pretty maid? My face is my fortune, Sir, she said."
A nursery rhyme is a traditional song or poem taught to young children, originally in the nursery. Learning such verse assists in the development of vocabulary, and several examples deal with rudimentary counting skills. It also encourages children to enjoy music. In addition, specific actions, motions, or dances are often associated with particular songs.
Many cultures (though not all; see below) feature children's songs and verses that are passed down by oral tradition from one generation to the next (either from parent to child or from older children to younger children). In the English language, the term nursery rhyme generally refers to those of European origin, and the best known examples are English and originated in or since the 17th century. Their origins were possibly a form of oral political cartoon from an era when free speech could get the speaker imprisoned. Nursery rhymes, however, are often violent in nature; for example, in "Jack and Jill", Jack fell down and "broke his crown" i.e., injuring his head so that it bled.
Some nursery rhymes, however, are substantially older. "Sing a Song of Sixpence" exists in written records as far back as the Middle Ages. Some well-known nursery rhymes originated in the United States, such as "Mary had a little lamb".
No doubt the most famous collection of nursery rhymes is that of Mother Goose, a name still "applied in the United States as a generic title for collections of nursery rhymes. In seventeenth-century France, a conte de ma mère l'oie was a familiar phrase for an unlikely countrified yarn; Mother Goose got her real start with Charles Perrault's collection of fairy tales Histoires ou contes du temps passés, avec des moralités,[1] which grew to become better known under its subtitle, Contes de ma mère l'Oye or Tales of Mother Goose. An English translation appeared in 1700, and a version published by John Newbery, ca. 1760-65, was pirated in Massachusetts about 1785.
The nursery rhyme "Ring a Ring o' Roses", also known as "Ring Around The Rosie", is mistakenly referred to as a metaphorical reference to the Great Plague of London. According to this theory, first symptoms of plague were ring-like sores. People didn't understand the illness and would place flowers in the pocket in the belief that illness came from bad smells, so to have something smell sweet would possibly kill the sickness. Also, there is a strong and ancient belief in plants and flowers having spiritual abilities.
A credible interpretation of "Pop Goes the Weasel" is that it is about silk weavers working with their shuttle or bobbin (known as a "weasel"). Another interpretation derives from the need for the poor working class to have to take their coats (weasels and stoats in Cockney Rhyming Slang) to pawnbrokers to obtain money for drinking. It is possible that the "eagle" mentioned in the song's third verse refers to The Eagle freehold pub along Shepherdess Walk in London, which was established as a music hall in 1825 and was rebuilt as a public house in 1901. This public house bears a plaque with this interpretation of the nursery rhyme and the pub's history. Shepherdess Walk is just off the City Road mentioned in the same verse ("Up and down the City Road, in and out The Eagle"). Alternatively, the term weasel might be Cockney rhyming slang for a coat ("weasel and stoat" = "coat"), and the coat itself was pawned.
An amusing rhyme, "Sing a Song of Sixpence", is a song that has obscure origins made even more so by the hoax that it was used by Blackbeard to attract pirates.[2]
It is possible, even likely, that some nursery rhymes have been lost, as nursery rhymes are mainly an oral tradition passed down for hundreds, sometimes thousands of years. Because of the lack of education throughout much of history, no written records of them would have been made.
There have been several movements, across the world, to make nursery rhymes (along with fairy tales and popular songs) "politically correct".[citation needed] Psychoanalysts such as Bruno Bettelheim, strongly criticized this revisionism, on the grounds that it weakened their usefulness to both children and adults as ways of symbolically resolving issues.[3] Such revised versions may not perform the functions of catharsis for children, or allow them to imaginatively deal with violence and danger.[citation needed] Also, a society as a whole may be the poorer for it, because it loses opportunities to discuss obsolete values, even repulsive ones (like racism).[citation needed] A recent Garfield cartoon shows the characters trying to impress a pig with Mother Goose nursey rhymes, but all were dropped down by the pig because they were thought to be "too unwholesome".
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