Mesoamerican architecture

Mesoamerican architecture is the set of architectural traditions produced by pre-Columbian cultures and civilizations of Mesoamerica, traditions which are best known in the form of public, ceremonial and urban monumental buildings and structures. The distinctive features of Mesoamerican architecture encompass a number of different regional and historical styles, which however are significantly interrelated. These styles developed throughout the different phases of Mesoamerican history as a result of the intensive cultural exchange between the different cultures of the Mesoamerican culture area through thousands of years. Mesoamerican architecture is mostly noted for its pyramids which are the largest such structures (outside of Ancient Egypt and the Chola Empire).

One interesting and widely researched topic is the relation between cosmovision, religion, geography, and architecture in Mesoamerica. Much seems to suggest that many traits of Mesoamerican architecture were governed by religious and mythological ideas. For example, the layout of most Mesoamerican cities seem to be influenced by the cardinal directions and their mytholgical and symbolic meanings in Mesoamerican culture.

Another striking part of Mesoamerican architecture is its iconography. The monumental architecture of Mesoamerica was decorated with images of religious and cultural significance, and also in many cases with writing in some of the Mesoamerican writing systems. Iconographic decorations and texts on buildings are important contributors to the overall current knowledge of Precolumbian Mesoamerican society, history and religion.

Overview of the central plaza of the Mayan city of Palenque(Chiapas, Mexico), a fine example of Classic period Mesoamerican Architecture

Chronology

Main article: Mesoamerican chronology

The following tables shows the different phases of Mesoamerican Architecture and archeology and correlates them with the cultures, cities, styles and specific building that are notable from each period.

Urban Planning and Cosmovision

Cosmos and its replication

The lay out of the city of Teotihuacan, showing that the entire city is laid out following a north/south axis aligned 15 degrees off, and which is marked by the "Street of the dead" The pyramid of the sun is in the center, built on a natural cave. The southern part is residential quarters, and the northern part is the ceremonial center used for among other things human sacrifice.

An important part of the Mesoamerican religious system was replicating their beliefs in concrete tangible forms, in effect making the world an embodiment of their beliefs ^[1]. This meant that the Mesoamerican city was constructed to be a minicosmos manifesting the same division that existed in the religious, mythical geography. Important was the division between the underworld and the human world because of the Mesoamerican cyclic principle of birth, death and rebirth. The underworld was represented by the direction north and in the mesoamerican cities structures and buildings related somehow to the underworld, such as tombs, are often found in the city's northern half. The southern part represented life, sustenance and rebirth and often contained structures related to the continuity and daily function of the city state such as monuments depicting the noble lineages and also residential quarters, markets etc. Between the two halves of the north/south axis was the plaza, often containing stelae resembling the world tree, axis mundi and a ball court which served as a crossing point between the two worlds.

Some Mesoamericanists argue that in religious symbolism the Mesoamerican monumental architecture pyramids were mountains, stelae were trees, and wells, ballcourts and cenotes were caves that provided acces to the underworld. ^[2].

Another important factor in architecture was the celestial bodies and often Mesoamerican pyramids and other monumental structures that were aligned in special angles in relation to certain celestial bodies at certain times. Sometimes they were built in order to achieve special lighting effects on the equinoxes or on other days important in the Mesoamerican cosmovision, in order to observe particular alignments of planets or stars. Famous examples of this are the pyramid known as "El Castillo" at Chichen Itza whose stairway catches the light in a special way at the soslstice making the serpent decorations on the sides of the stairs seem to be writhing. Also the "observatory" temple of Xochicalco has a special relation to the equinox when the sun enters through a small hole in the roof of the building.

Vincent H Malmstrom has argued ^[3] that most Mesoamerican cities are aligned not due north but rather slightly skewed (15 degrees west), and that this is because of a general wish to align the pyramids to face the sunset on August 13, which was the beginning date of the Mayan Long Count.

The Plaza

At the heart of the Mesoamerican city were large plazas surrounded by the most important governmental and religious buildings, such as the royal acropolis, great pyramid temples and occasionally ball-courts.

The Main Pyramids

Often the most important religious temples sat atop the towering pyramids, presumably as the closest place to the heavens. While recent discoveries point toward the extensive use of pyramids as tombs, the temples themselves seem to rarely, if ever, contain burials. Residing atop the pyramids, some of over two-hundred feet, such as that at El Mirador, the temples were impressive and decorated structures themselves. Commonly topped with a roof comb, or superficial grandiose wall, these temples might have served as a type of propaganda.

The Ballcourt

I-shaped ballcourt of the major Oaxaca region site of Monte Albán.

Close up view of mortar decorated with small stones at Teotihuacán.

Main article: Mesoamerican ballgame

The Ballgame ritual was a symbolic journey between the the underworld and the world of the living, and many ball courts are found in the mid part of the city functioning as a connection between the northern and southern halves of the city.^[4]" There are different style ballcourts the most common of which is the I-shaped ballcourt, but some of these have flatly sloping sidewalls like in Copán and other have vertical walls on the sides like in Chichén Itzà. Many ballcourts had stone rings set into the walls and also many were decorated with symbolic iconography.

Residential Quarters and Palaces

Large and often highly decorated, the palaces usually sat close to the center of a city and housed the population's elite. Any exceedingly large royal palace, or one consisting of many chambers on different levels might be referred to as an acropolis. However, often these were one-story and consisted of many small chambers and typically at least one interior courtyard; these structures appear to take into account the needed functionality required of a residence, as well as the decoration required for their inhabitants stature. Archaeologists seem to agree that many palaces are home to various tombs. At Copán, beneath over four-hundred years of later remodeling, a tomb for one of the ancient rulers has been discovered and the North Acropolis at Tikal appears to have been the site of numerous burials during the Terminal Pre-classic and Early Classic periods.

Building materials

A surprising aspect of the great Mesoamerican structures is their lack of many advanced technologies that would seem to be necessary for such constructions. Lacking metal tools, pulleys and maybe even the wheel, Mesoamerican architecture required one thing in abundance: manpower. Yet, beyond this enormous requirement, the remaining materials seem to have been readily available. They most often utilized limestone, which remained pliable enough to be worked with stone tools while being quarried, and only hardened once removed from its bed. In addition to the structural use of limestone, much of their mortar consisted of crushed, burnt, and mixed limestone that mimicked the properties of cement and was used just as widely for stucco finishing as it was for mortar. However, later improvements in quarrying techniques reduced the necessity for this limestone-stucco as their stones began to fit quite perfectly, yet it remained a crucial element in some post and lintel roofs. In the case of the common houses, wooden poles, adobe, and thatch were the primary materials; however, instances of what appear to be common houses of limestone have been discovered as well.

Styles

Megalithic

An architectural construction technique that employs large dry-laid limestone blocks (ca. 1 m x 50 cm x 30 cm) covered with a thick layer of stucco. This style was common in the northern Maya lowlands from the Preclassic until the early parts of the Early Classic.

Talud-tablero

The talud-tablero style used in many Mesoamerican pyramids and a prominent stylistic feature of Teotihuacano architecture

Main article: Talud-tablero

Pyramids in Mesoamerican were platformed pyramids and many used a style called talud-tablero, which first became common in Teotihuacan. This style consists of a platform structure, or the "tablero," on top of a sloped "talud". Many different variants on the talud-tablero style arose throughout Mesoamerica, developing and manifesting itself differently among the various cultures.

Classic Period Maya styles

Main article: Maya architecture

Palenque, Tikal, Copan, Tonina, the corbeled arch

"Toltec" Style

Chichén Itzá, Tula Hidalgo, chacmools, atlantean columns, Quetzalcoatl designs

Puuc

Main article: Puuc

So named after the Puuc hills in which this style developed and flourished during the latter portion of the Late Classic and throughout the Terminal Classic in the northern Maya lowlands, Puuc architecture consists of veneer facing stones applied to a concrete core. Two façades were typically built, partitioned by a ridge of stone. The blank lower façade is formed by flat cut stones and punctuated by doorways. The upper partition is richly decorated with repeating geometric patterns and iconographic elements, especially the distinctive curved-nosed Chaac masks. Carved columnettes are also common.

Puuc-style Geometric design on a wall of the ´great temple of Uxmal

Rio Bec

roof combs,

Technology

aqueducts, causeways, plumbing and sewage

Stone Masonry

Corbelled Arch

the principle of the "false" or corbelled arch is to build it without a keystone, but just with overlapping tiers of blocks

A fine example of a corbelled arch from the mayan site of Uxmal, Yucatán

Mesoamerican cultures never invented the keystone, and so were unable to build true arches, but instead all of their architecture made use of the "false" or Corbelled arch. These arches are built without centering and can be built without support, by corbelling regularly the horizontal courses of the wall masonry. This type of arch supports much less weight than a a true arch.

UNESCO world heritage sites

A number of important archeological sites representing Mesoamerican Architecture have been categorized as "world heritage sites" by the UNESCO^[5].

• El Salvador
• Maya site of Joya de Ceren
• Honduras
• Maya Site of Copan
• Guatemala
• Tikal National Park
• Archaeological Park and Ruins of Quirigua
• Mexico
• Pre-Hispanic City and National Park of Palenque
• Prehispanic Town of Uxmal
• Pre-Hispanic City of Teotihuacan
• Historic Centre of Oaxaca and Archaeological Site of Monte Alban
• Pre-Hispanic City of Chichen Itza
• Archaeological Monuments Zone of Xochicalco, Morelos
• El Tajin, Pre-Hispanic City of Vera Cruz
• Ancient Maya City of Calakmul, Campeche

See also

• Maya architecture

Notes

1. ^ Mary Miller and Karl Taube, introduction to "The Gods and Symbols of Ancient Mexico and the Maya" pp. 30.
2. ^ Mary Miller and Karl Taube write about this in their introduction to "The Gods and Symbols of Ancient Mexico and the Maya" pp. 31, they attribute this interpretation to Epigrapher David Stuart. American archeologist James E. Brady have done extensive research on importance of Caves in Mesoamerican culture. The title of the famous book "Forest of Kings" by Mayanist Linda Schele also allude to the maya belief that stelae represent trees, especially the world tree, axis mundi of the mayan cosmos.
3. ^ In Chapter 22 of Archaeoastronomy in the Americas, edited by Ray A. Williamson, Ballena Press/Center for Archaeoastronomy, 1981, pp.249-261, which can also be found at his website. See also John Q Jacobs article for more information on the alignments of Mesoamerican Cities
4. ^ Muriel Porter Weaver describes this on page 226-228 of the third edition of "The Aztecs, Maya and their Predecessors.
5. ^ The entire list of UNESCO world Heritage Sites can be found at their website

References

• Weaver, Muriel Porter (1993). The Aztecs, Maya, and Their Predecessors: Archaeology of Mesoamerica, 3rd ed., San Diego: Academic Press. ISBN 0-01-263999-0. 

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