malgudi is in small village insouth India.

malgudi is in small village insouth india.

A Tiger for Malgudi was created in 1983.

The World of Malgudi was created in 2000.

The duration of Malgudi Days is 1320.0 seconds.

Malgudi Days - book - was created in 1943.

The ISBN of Malgudi Days - book - is 8185986177.

The Man-Eater of Malgudi was created in 1961.

The ISBN of The Man-Eater of Malgudi is 9788185986081.

"Malgudi Days" is a collection of short stories by R.K. Narayan, set in the fictional town of Malgudi in South India. The stories feature various characters such as Swami, a mischievous young boy; Raju, a tour guide; and Margayya, a financial advisor, among others. Each story explores the lives, experiences, and eccentricities of the residents of Malgudi.

"Malgudi Days" is a collection of short stories by R.K. Narayan set in the fictional town of Malgudi in India. The book portrays various aspects of Indian life through the experiences of its diverse characters, capturing the essence of everyday situations with humor and insight. Each story offers a glimpse into the human condition, exploring themes such as tradition, family, and social change.

swami

Malgudi Days is an Indian television series. The main characters are Swami, his parents, his grandmother, Muni, Muni's wife, a shopkeeper, and an American tourist.

There are a total of thirty-two stories in R.K. Narayan's "Malgudi Days." Each story offers a glimpse into the fictional town of Malgudi and its diverse cast of characters, capturing the essence of small-town life in India.

Leela's mother is referred to as "Leela's mother" in R.K. Narayan's book "Malgudi Days." Her name is not specifically mentioned in the stories.

Summer in Malgudi brought intense heat, affecting daily life by making it uncomfortable for residents to work outdoors. The increase in temperature also impacted agricultural activities and water availability, causing hardships for the villagers. Overall, summer in Malgudi was a challenging time for the community.

Sanchit and shyam

just a fictitious place. The stories are from books, A Horse and Two Goats, Malgudi Days, Swami and Friends and the Vendor of Sweets. The series was filmed near Agumbe

In "Malgudi Days," Sir Samuel is depicted as a respected and wealthy British resident of Malgudi. He is portrayed as a nostalgic figure, often reminiscing about the old British colonial days in India. Sir Samuel's character reflects the complexities of the colonial legacy and the nostalgia felt by some for that bygone era in the changing landscape of post-independence India.

using charka!

"Swami and Friends" was written by Indian author R.K. Narayan. It was first published in 1935 and is the first novel in Narayan's "Malgudi" series, which is set in the fictional town of Malgudi.

There is a tiger,the director(Madan),the cameraman,the school staff,and the captain.

Rasipuran Krishnaswamy Narayan has written:

'The man-eater of Malgudi'

He wrote and translated many great Indian works into English .He wrote about reality, about truth .Malgudi Days is one of his best works written in English.It deals with the fictional town of South India - Malgudi and about the lives of the people living there.

I enjoyed "Malgudi Days" for its simple yet profound storytelling, rich characters, and authentic portrayal of Indian culture and society. The series beautifully captured the essence of human relationships, everyday life experiences, and moral dilemmas in a relatable and engaging manner.

The cast of Malgudi Days - 1987 includes: Deven Bhojani as Nitya (1987) Kanti Madia as Muniya a.k.a. Muni (1987) Master Manjunath as Swami Arundathi Nag as (1987) Shankar Nag as (1987) Anant Nag as (1987)

Malgudi, India, a fictional city about which Narayan often writes about.

1. Swaminathan (Swami) - the main character and protagonist, a young schoolboy in Malgudi
2. Mani - Swami's close friend, known for his physical strength and daring nature
3. Rajam - another close friend of Swami and the son of Malgudi's Police Superintendent
4. Somu - a classmate of Swami and his friends, known for his academic excellence and strict nature

The Old Man of the Temple by R K Narayan takes place in the fictional South Indian town of Malgudi in the 1930s. The story follows the journey of a young man, Shankar, who is sent to Malgudi to stay with his uncle, the titular old man of the temple. Shankar's experiences in Malgudi, a small town where the mundane and the extraordinary coexist, help him gain a better understanding of the world and his place in it.

The novel is set in the 1930s, a period of great cultural and political upheaval in India. It is also during this time that the country is beginning to feel the effects of the British Raj and its subsequent decline. The story follows Shankar as he adjusts to life in Malgudi and learns about the town's customs and traditions. He meets interesting characters from all walks of life and even gets involved in a love affair. Through it all, Shankar learns to appreciate the beauty of the town and its inhabitants.

Malgudi Days is a collection of short stories by R. K. Narayan published in 1943, "The Blind Dog": A story about a blind beggar who catches a dog to guide him.

R.K. Narayan's stories are centered around the fictional town of Malgudi in South India. This imaginary town serves as a backdrop for many of his novels and short stories, capturing the essence of everyday life in India with wit and humor.

Hi,

You have to get down at Electronic City Bus Stop. Just Walk towards Hosur. Take 2nd Left from the bus stop where you will find Malgudi Restaurant. Just walk few meters forward, u will find Semicon Park.

Thanks,

Sarath.M

"The Deccan Star" was written by the Indian author and journalist, R. K. Narayan. The novel, published in 1960, explores themes of love, ambition, and the complexities of life in a small Indian town. Narayan is renowned for his engaging storytelling and vivid characterizations, often set in the fictional town of Malgudi.

Thanappa is a pivotal character from R.K. Narayan's short story "A Horse and Two Goats." He is depicted as a simple, honest, and hardworking village man living in the fictional town of Malgudi. Thanappa's primary concern is his livelihood, and he embodies the traits of resilience and humility. His interactions reflect themes of communication barriers and cultural differences, showcasing his innocence and the charm of rural life.

In R. K. Narayan's "The Doctor's Word," the story revolves around a doctor in a fictional town named Malgudi who gains influence and authority due to his medical skills. He becomes entangled in the lives of his patients, offering advice and direction that impact their decisions and relationships. The story explores themes of trust, power dynamics, and the complexities of human interactions.

R.K. Narayan (1906-2001) was an Indian author and journalist. He is widely considered to be one of India's greatest English language novelists. He is known for his simple and unpretentious writing style.

R.K. Narayan (Rasipuram Krishnaswami Iyer Narayanaswami) was a prominent Indian author known for his novels and short stories set in the fictional South Indian town of Malgudi. Born on October 10, 1906, he is celebrated for his simple yet profound storytelling style, capturing the essence of Indian life and culture. Some of his notable works include "Swami and Friends," "The Bachelor of Arts," and "The Guide." Narayan received several prestigious awards, including the Sahitya Akademi Award and the Padma Bhushan.

"Blind Dog" by R.K. Narayan tells the story of a blind dog who wanders through the streets of Malgudi, trying to navigate the world without sight. The dog, despite its disability, exhibits resilience and determination as it encounters various challenges and characters in the town. The narrative explores themes of survival, companionship, and the bond between humans and animals, ultimately highlighting the dog's unwavering spirit in the face of adversity. Through this simple yet poignant tale, Narayan reflects on the nature of life and the struggles of those who are often overlooked.

Swaminathan is a young boy less than 10 years old. This novel narrates his experiences with his parents, grandmother, friends, residents of Malgudi, and even his new-born brother when he is in second class. However, Swami and his friends are the prime focus of this novel.

Deven Bhojani has performed the following roles:

Played Nitya (1987) in "Malgudi Days" in 1987.

Performed in "Jo Jeeta Wohi Sikandar" in 1992.

Performed in "Sunday" in 1993.

Played Petha in "Tara" in 1993.

Played Kareema (1993) in "Dekh Bhai Dekh" in 1993.

Performed in "Kranti Kshetra" in 1994.

Performed in "Naaraaz" in 1994.

Performed in "Sarhad: The Border of Crime" in 1995.

Played Akshay in "Chalo America" in 1999.

Played Patel (2000) in "Office Office" in 2000.

Played Dushyant in "Sarabhai vs Sarabhai" in 2004.

Played Hemraj - Hospital Patient in "Khichdi: The Movie" in 2010.

Played Patel in "Chala Mussaddi - Office Office" in 2011.

Played Narrator in "Padduram" in 2011.

Played Azhar Lala in "Agneepath" in 2012.

Played Kanoj Kumar aka Aatish Buland in "Namastey LA" in 2015.

Books written by satyajit ray is very very interesting both for young and adults , specially the feluda series. secret seven series by enid blyton are also quute interesting. chronicles of Narnia are also good series. RK Narayans malgudi day are best for both children and adults. Indian writers are preferable for limited reading adults.

Answer

Improving reading skills is mostly a matter of practice. Short, non-fiction books are often a good pick, if there is something that the person is interested in. Shorter books, like the Wayside stories, Amelia Bedelia, Charlotte's Web and others are often very manageable. I enjoyed fairy tales as an early reader, also. Make sure that the print is somewhat large, that there are pictures and white space on the pages. Don't forget magazines, comic books and other casual, interesting reading for practice.

Total 18.1. Aadi Parv. 2. Sabhaa Parv..... 3. Van Parv or Aranya parv..... 4. Viraat Parv...... 5. Udyog Parv... 6. Bheeshm Parv..... 7. Drone Parv..... 8. Karn Parv...... 9. Shalya Parv..... 10. Sauptikaa Parv...... 11. Stree Parv........ 12. Shaanti Parv........... 13. Anushaasan Parv.... 14. Ashwamedh Parv........... 15. Aashramvaasik Parv......... 16. Mausal Parv......... 17. Mahaaprasthaanik Parv............. 18. Swargaarohanik Parv.............

Margayya has a flair for minor financial transactions which are an integral part of Indian life. We first meet him sitting in the shade of a banyan tree, advising the people of Malgudi how to extract loans from the Co-operative Bank. A brush with the secretary of the bank, and an accident in which his spoilt son Balu throws his account book down a drain, cut short his career as a financier.Then his fairy Godmother comes in the form of Dr. Pal who gives him a manuscript of the book 'Bed Life' concerning marriage and sex. This on publication becomes an instant success and with the money Margayya starts a money lending business which makes him rich.But Balu again proves a nuisance. He doesn't pass his matriculation and once he even runs away to Mysore. So as all the parents do, he fixes Balu's marriage with Brinda to make him straight-headed. After the birth of his child, he demands his share; Margayya finds Dr. Pal working behind all this, and in anger beats him with his sandal. Now Pal is pissed off and he works against him. As a result of the rumours Margayya's depositors demand their money back, which makes him poor overnight.His family home is saved with the help of his brother. Margayya asks his son to sit under the banyan tree and start his former business but Balu is too dignified to do such a thing. So Margayya himself goes to his profession with the determination to continue it until his death.

I remember My First Serial On Doordarsh to be Dada-Dadi Ki Kahaniyaan (Lucknow TV Station) The Others are as follows:

Aa Bail Mujhe Maar

Ados Padose

Alif Laila

Apna Apna Aasmaan

Bharat ek khoj

BodyLine

Buniyaad

Byomkesh Bakshi

Chanakya

Chandrakanta

Chitrahaar

Chunauti

Circus Doosara Keval

Ek Do Teen Char

Ek Ghar Aas Pass

Ek se Baadhkar Ek

Farmaan

Fauji,

Gul Gulshan Gulfam

Honee Anhonee

Hum Log

Hum panchchi ek chaal ke

Humraahi

Indradhanush

Intezaar

Kab tak pukaroon

Kacchi Dhoop

Karamchand

Kashish

Katha saagar

Khandaan

Lifeline

Lohit Kinarey

Lucy

Mahabarath

Malgudi Days

Mirza Ghalib

Mongeri Lal Ki Haseen Sapne

Mr. Yogi.

Mrignayani

Mujarim Hazir

Neem ka ped

Nukkad

Nupur

Potli Baba Ki Phir wahi Talaash

Rajani

Ramayan

Reporter

sansaar

Shanti

Sherlock Holmes

Show Theme

Shrikaant,

Space City Sigma

Star Trek

Superhit Muqabala

Swabhimaan

Talaash

Tehkikaat

That's Cricket- with Ravi Shastri

The Sword of Tipu Sultan

Trishna

Udaan

Vikram.. Betaal

Wagle Ki Duniya

Wah Janaab

Yatra

Yeh Jo Hai Zindagi

Yugantaar

Zaban Sambhal Ke

Zindagi

Raju is a railway guide who becomes obsessed with Rosie, a neglected wife of an archeologist Marco. Rosie has a passion for dancing which Marco doesn't approve of. Rosie, encouraged by Raju, decides to follow her dreams and walks out on her husband. Raju becomes her stage manager and soon with the help of Raju's marketing tactics, Rosie becomes a successful dancer. By giving Rosie the opportunity to dance, Raju is also giving her freedom, freedom which Marco has suppressed by refusing to let her dance. Raju, however, develops an inflated sense of self-importance and tries to control Rosie. But a man should not live off a woman. On the other hand, what if she is successful only because of that man? The relationship between Raju and Rosie is strained. Marco reappears and Raju inadvertently gets involved in a case of forgery and gets a two year sentence. After completing the sentence, Raju is passing through a village when he is mistaken for a sadhu (a spiritual guru). Being reluctant to return in disgrace to Malgudi, he decides to play the part of the swami and makes the village temple his home. There is a famine in the village and Swami Raju, like the sadhu in one of his stories that he used to narrate to the villagers, is expected to keep a fast to get the rains. And he does go on a fast. Despite grave danger to his health, he continues to fast until he collapses. 'Can there be any connection between one man's hunger and the rains?' 'Is there someone up there and does he listen to you?' He is undergoing a spiritual transformation and the place has become a shrine. 'Will it rain?' Well, the villagers have faith in him and he has faith in their faith. Despite grave danger to his health, he continues to fast until he collapses. His legs sag down as he feels that the rain is falling in the hills. The ending of the novel leaves unanswered the question of whether he dies, or whether the drought has really ended.

The story belongs to the imaginary town of Malgudi where lives Ramanujam, a senior clerk in Revenue Department, and lives Thanappa , the postman of the town who is a very caring and compassionate person. He is the most awaited guy for everyone because he is the man, who brings them their letters with the news of various moods and reads them aloud if needed. Thanappa takes sincere and genuine interest in the welfare of every resident of Malgudi and always tends to deliver them their letters with the coating of his own views, comments and advice of which nobody seems to feel otherwise. Thanappa too is quite free and comfortable with everyone and spends substantial time while he stops at their doorstep to deliver the post and that is why he takes nearly six hours to finish the round of his small beat which covers Vinayak Mudali Street and its four parallel roads.

Ramanujam is worried about his daughter Kamakshi's marriage. His father in law doubles his trouble by showing his displeasure on this matter through the constant shower of letters that he is not applying full force to find out a suitable match for Kamakshi. He has promised Ramanujam to give five thousand rupees for the purpose to lend him financial support. But despite his sincere efforts he has been unable to find a good match. Thanappa is well associated with the family of Ramanujam from the time when Kamakshi was born in her Grand father's village and at that time it was Thanappa only who had brought the good news to Ramanujam. Thanappa is like a family member and he too is equally concerned for Kamakshi. He feels sorry for Kamakshi that people reject her on petty pretexts like the horoscope doesn't match, the looks of the girl are not good and other times their demand for dowry is too high. Thanappa consoles frustrated Ramanujam and promises him to bring the horoscope of a Delhi based boy from Makunda of Temple Street whose daughter's matrimonial proposal was dropped due to money matters with this party. The efforts of Thanappa are realized and the groom's parents ask Ramanujam to bring Kamakshi to Madras for their approval. Ramanujam's wife and mother disagree with Ramanujam who wants to take Kamakshi to Madras to meet the boy's family. Thanappa counsels them wisely that what one cannot achieve by a year's correspondence one can do in an hour's meeting.

With God's grace the marriage is settled and Ramanujam is nervous as the boy's family is insisting to perform the function on coming 20th May which is the nearest and last auspicious date for the purpose. If the date is missed the marriage will have to be postponed for three years as the boy has to go away for some training. Thanappa boosts the morale of Ramanujam. He reminds him that Kamakshi"s grandfather has sent him five thousand rupees as had promised so his biggest problem is solved. Thanappa cuts short his habit of gossiping while distributing the post and devotes rest of his time to help Ramanujam in full swing to make arrangements for the marriage of Kamakshi. Ramanujam is still nervous that some hindrance might come his way on the last moment and if so happens he would be ruined forever as 20th May is the last auspicious date for the marriage. Thanappa cheers him up and infuses confidence in him.

The wedding is solemnized decently on the fixed date. Everyone is happy .Thanappa meets and admires the groom with folded hands and gives him a bundle of greetings from his well wishers. After ten days Thanappa comes again and hands over a letter to Kamakshi from her husband. She is happy and shies away at his jokes.

On a holiday, when he is sure that Ramanujam would be at home Thanappa hands him a card carrying the news of serious illness of Ramanujam's uncle. Ramanujam is upset and wants to go to Salem immediately to attend his uncle. Thanappa now hands over a telegram to him with the sad news of his uncle's death. The telegram bears the date of 20th May, the date when the marriage of Kamakshi was being held in Ramanujam's house.

Ramanujam is infuriated but Thanappa confesses his guilt and asks Ramanujam to make a complaint against him for which he might be dismissed as well. Ramanujam restrains himself and forgives him although he feels that Thanappa has done something grossly wrong.

The story 'The Missing Mail' is a mirror of the society of that era. It belongs to the first half of the last century. It tells us vividly about the life and psyche of the people of small town for whom the human relationship is always of top priority. The postman is concerned for the marriage of Kamakshi as she is his own daughter. He takes the unpardonable liberty to hide the telegram of the death of Ramanujam's uncle so that the wedding ceremony of Kamakshi is solemnized peacefully. This gives a human touch to the story. The simplicity of the characters of the story touches the hearts of the readers. It presents a sharp contrast of those times from the modern times.

Velan was a poor village boy. He belonged to a village named 'Koopal'. One day an astrologer predicted that Velan would live in a three-storeyed building surrounded by a big garden. The villagers found it a joke and made fun of him. However the prediction came true about thirty or forty years later. When Velan was about eighteen years old he left his native village as his father had slapped on his face in front of others for bringing his mid-day meal late. Velan felt hurt and left his village for good. He walked for days and reached the town of Malgudi.

There an old man took him took him to assist him in laying out a garden. Velan was asked to clear a few acres of land which was covered by weeds and plants. For days he worked at his task with rare determination. Soon after this the old gardener with the help of Velan started laying the foundation of a big garden. Unfortunately the old gardener fell ill and died. Velan was therefore made the chief gardener. Velan put his heart and soul into the work and created in no time a beautiful garden. Meanwhile the work of the master's house had been completed. Since the plants were small Velan asked his beloved plants to grow faster and quicker. Nature responded to his call. The flower plants and the numerous trees he had planted grew up in size and beauty. The garden gave a beautiful appearance to the mansion. The mansion came to be known as 'Kumar Baugh'. Numerous varieties of plants grew up in Velan's garden. Velan was particularly fond of the Margosa tree which he had planted. The tree was like his own child. He showered upon it his best attention and care.

Velan lived in a thatched hut, happy and contended. Years quickly rolled by. Velan was becoming old. So too his master. The beautiful mansion by now had lost its glitter and charm. The master was ill and bed-ridden. After few years of suffering the master died. When Velan heard about the news of his master's death, he was greatly perturbed for he knew that his master's son wouldn't care for his garden. Soon the sons quarreled amongst themselves and went to live in another house. Thereafter, a few tenants came to stay in a big house but none of them stayed long in the house. Hence the house came to be known as a 'Ghost House'. Velan continued to live in his thatched hut. After some years the master's sons entrusted the key of the mansion to Velan. Hence, when Velan's hut began to leak, he began to live in the verandah of the big mansion. Thus the prophecy about Velan living in a three-storeyed building came true.

Source: http://www.shvoong.com/books/classic-literature/2100588-abstract-axe-narayan/#ixzz2CLV83fo9

Shankar Nag has: Played Sanjay in "Geetha" in 1973. Performed in "Sarvasakshi" in 1978. Performed in "I Love You" in 1979. Performed in "Madhuchandra" in 1979. Performed in "Setta Ramudaithe" in 1979. Played Gandugali in "Ondanondu Kaladalli" in 1979. Performed in "Haddina Kannu" in 1980. Played Shivu in "Janma Janmada Anubandha" in 1980. Performed in "Mugana Sedu" in 1980. Performed in "Preeti Madu Tamashe Nodu" in 1980. Performed in "Ondu Hennu Aaru Kannu" in 1980. Performed in "Rustom Jodi" in 1980. Performed in "Arada Gaya" in 1980. Performed in "Bhari Bharjari Bete" in 1981. Performed in "Karinaga" in 1981. Performed in "Devara Aata" in 1981. Performed in "Jivakke Jiva" in 1981. Performed in "Kulaputra" in 1981. Played Sanju in "Geetha" in 1981. Performed in "Muniyana Madari" in 1981. Performed in "Hana Balavo Jana Balavo" in 1981. Performed in "Maha Prachandaru" in 1981. Played Katte in "Minchina Oata" in 1981. Performed in "Thayiya Madilalli" in 1981. Performed in "Karmika Kallanalla" in 1982. Performed in "Dharma Dari Tappitu" in 1982. Performed in "Archana" in 1982. Performed in "Auto Raja" in 1982. Performed in "Benki Chendu" in 1982. Performed in "Nyaya Gedditu" in 1983. Performed in "Nagabekamma Nagabeku" in 1983. Performed in "Gedda Maga" in 1983. Performed in "Rakta Tilaka" in 1983. Performed in "Akrosha" in 1983. Performed in "Keralida Hennu" in 1983. Performed in "Nodi Swamy Navirodu Hige" in 1983. Performed in "Chandi Chamundi" in 1983. Performed in "Asha Kirana" in 1984. Performed in "Apoorva Sangama" in 1984. Performed in "Thaliya Bhagya" in 1984. Performed in "Shapatha" in 1984. Performed in "Benki Birugali" in 1984. Played Sajjal in "Utsav" in 1984. Performed in "Indina Bharatha" in 1984. Performed in "Bedaru Bombe" in 1984. Performed in "Kalinga Sarpa" in 1984. Performed in "Ganda Bherunda" in 1984. Performed in "Pavitra Prema" in 1984. Performed in "Makkaliralavva Mane Thumba" in 1984. Performed in "Manava Danava" in 1985. Performed in "Vajra Mushti" in 1985. Performed in "Thayiye Nanna Devaru" in 1985. Performed in "Thayi Kanasu" in 1985. Performed in "Parameshi Prema Prasanga" in 1985. Performed in "Kiladi Aliya" in 1985. Played Ravi- journalist in "Accident" in 1985. Performed in "Na Ninna Preetisuve" in 1986. Performed in "Raste Raja" in 1986. Performed in "Samsarada Guttu" in 1986. Performed in "Bettada Thayi" in 1986. Played (1987) in "Malgudi Days" in 1987. Performed in "Lorry Driver" in 1987. Performed in "Huli Hebbuli" in 1987. Performed in "Antima Ghatta" in 1987. Performed in "Thayi" in 1987. Performed in "Ee Bandha Anubandha" in 1987. Performed in "Digvijaya" in 1987. Performed in "Navabharata" in 1988. Performed in "Thayi Karula" in 1988. Performed in "Dharmatma" in 1988. Played Sangliana in "S.P.Sangliana" in 1988. Performed in "Shakti" in 1988. Performed in "Antinta Gandu Naanalla" in 1989. Performed in "Maha Yuddha" in 1989. Performed in "Rajasimha" in 1989. Played Director in "Idu Saadhya" in 1989. Performed in "C.I.D. Shankar" in 1989. Performed in "Ramrajyadalli Rakshasaru" in 1990. Performed in "Aata Bombatta" in 1990. Performed in "S.P. Sangliana II" in 1990. Performed in "Maheshwara" in 1990. Performed in "Bhale Chatura" in 1990. Performed in "Hosa Jeevana" in 1990. Performed in "Nighooda Rahasya" in 1990. Performed in "Pundara Ganda" in 1990. Performed in "Punda Prachanda" in 1991. Performed in "Sundara Kanda" in 1991. Performed in "Nagini" in 1991. Performed in "Prana Snehitha" in 1993.

A book which effectively deals with realistic issues and perfect embodiment of simplicity and values is found in Bachelor of Arts. R.K Narayan has this uncanny knack of portraying Indian values in the most authentic way. He handles it in a way that no author can do the same justice to the Indian conditions. Many foreign authors have tried and faltered to come to terms with the living conditions here. But, R.K. Narayan has repeatedly come up with books that essays deeply into the emotions of the common man, picking out little things from daily lives that makes a big difference to the reader when reading the book. Be it the masterpiece Swami and friends, where any reader can be attributed to have lead a life similar to that of Swami, The Financial Expert which brilliantly deals about the relationship between father and son or The English Teacher, which explores the intricate association between a husband and wife, and the subsequent agony of the husband after his wife’s departed soul, R.K. Narayan comes up with touching themes that leaves the reader in deep introspection. Bachelor of Arts is a walkthrough of a generation revolving around the main protagonist of the story, Chandran. Chandran is so ominously present in us that it doesn’t become difficult to get into his groove. There are times when the reader has to stir himself up with the feeling Oh!! Is this happening to me?!! A story starting from college days of a B.A, History graduate, progressing into that difficult phase where every student faces a huge roadblock in his life - whether to continue studies or not or rather What do I do next?, and then, falling unsuccessfully in love with the girl next door only to think that solitude is the best company before realising that family means a lot more than that of a girl’s love, and chalking out a career after the worn-out days of love is the walkthrough of this brilliant piece of literature by the greatest Indian writer of all times. Chandran’s college days are a gentle reminder of our days. Planning out a study schedule for the exams brings memories where we have planned more than we studied. The household of Chandran brimming with life, with his mother, father and brother is like any typical Indian family. The college activities of Chandran are superbly written. The debates of whether historians have to be slaughtered or not, is brilliantly depicted. His friendship with Ramu and their mutual admiration for each other is well handled. R.K. Narayan has also beautifully brought out the fact how college friends do not end up as friends for life. When Ramu loses all touch from him after a few years, R.K. Narayan through Chandran says People pretended that they are friends, but the fact is they are brought together by forces of circumstances. How true!!! His life changes when he sees a girl, Malathi in the town. He constantly ponders about her at home. His parents become distressed seeing his situation at home. They, to fulfill their son’s wish try their best to strike the alliance, but due to the conventional concepts of horoscope matching, ill luck has its claim on the alliance. Chandran is shattered with the developments, and all the more, when he sees his hearthrob getting married. He feels that running away from home is the best thing for him to do. He does run away to Madras, where he carefully eludes staying at his cousin’s house, and slips away to obscurity. There, he comes to face with circumstances that makes him realise how foolish it was of him to slip away from loved ones at home. He comes back to Malgudi to a relieved reception from his parents. He realises that he has to take up some responsibilities and chalks out a career, until he really falls in love with a girl and gets married. This forms the gist of Bachelor of Arts. The reader is constantly in a trance while reading this book not because he is elevated to fictitious situations, but because he is take to stunning reality that places him so close to this cherubic Chandan. I have read this book more than a couple of times and everytime it is a new message that gets embedded in my mind. A masterly book by a masterly writer