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(b Barnstaple, bap. 16 Sept 1685; d London, 4 Dec 1732). English poet and dramatist. His The Beggar's Opera (1729, London), put together from popular tunes, was the first important ballad opera; its music and subject matter made it an instant theatrical success. Bass parts for the tunes and an overture were added by Pepusch. Gay's second ballad opera, Polly, was banned; his third, Achilles (1733, London), was unsuccessful. He wrote at least part of the libretto for Handel's Acis and Galatea (1718).



 
 
Biography: John Gay

The English playwright and poet John Gay (1685-1732) is best known for "The Beggar's Opera," a skillful blend of literary, political, social, and musical satire.

John Gay was born on June 30, 1685, in Barnstaple, Devonshire. Orphaned at age 10, he was sent to the local grammar school until, aged about 17, he was apprenticed to a silk dealer in London. Possibly because of illness, he was released from this apprenticeship in 1706 and returned to Barnstaple. In 1708 he became Aaron Hill's secretary, helping especially with Hill's question-and-answer periodical paper, the British Apollo. That year Gay published his first poem, Wine; his first published prose, The Present State of Wit, a critical account of all the current journals, appeared in 1711.

Gay was domestic steward in the household of the Duchess of Monmouth from 1712 to 1714. Something between a secretary and a wit in residence, Gay gained financial security and freedom to write without loss of independence. As a result, 1713 was a most productive year for him, with the publication of six poems, at least two essays, and a play. The play, The Wife of Bath, was a failure; one poem, The Fan, was popular enough to establish a poetic fad.

The Shepherd's Week (1714) is a set of six pastorals in which English rural life is realistically portrayed. Gay's literary burlesque The What D'ye Call It (1715) was moderately successful. His wonderful three-book poem Trivia: or, theArt of Walking the Streets of London, published by subscription in 1716 to much acclaim and to the financial relief of the unemployed Gay, was deservedly praised for its originality, humor, and vivid accuracy.

Another play, Three Hours after Marriage, was produced in 1716 without great success. The next few years were marked by the successful publication of his collection Poems (1720), the libretto for G. F. Handel's Acis and Galatea (1722), and a tragedy, The Captives (1724). Gay's Fables (1727) was long popular with both adults and children.

The Beggar's Opera opened on Jan. 29, 1728, and ran for 62 nights - an unprecedented number - in its first season. This ballad opera, with music by John Pepusch, is a satirical picture of life among London's pickpockets, prostitutes, and highwaymen. Though the sequel, Polly (1729), also with music by Pepusch, was banned from performance, its publication brought Gay £ 1,000. Plagued by ill health, he died on Dec. 4, 1732.

Further Reading

Henry Lee, ed., Gay's Chair (1820), contains some spurious early poems but a genuine memoir by Gay's nephew, Joseph Buller. William E. Schultz, Gay's Beggar's Opera: Its Content, History, and Influence (1923), is the definitive study of that work. The fullest biography is William H. Irving, John Gay, Favorite of the Wits (1962). Patricia M. Spack John Gay (1965), is a convenient and reliable critical study, and Sven Armens, John Gay, Social Critic (1966), has the emphasis its title suggests.

Additional Sources

Melville, Lewis, Life and letters of John Gay (1685-1732), author of "The beggar's opera,", Norwood, Pa.: Norwood Editions, 1975.

Melville, Lewis, Life and letters of John Gay (1685-1732), author of "The beggar's opera", Philadelphia: R. West, 1977.

Nokes, David, John Gay, a profession of friendship, Oxford; New York: Oxford University Press, 1995.

 

John Gay, oil painting by William Aikman; in the Scottish National Portrait Gallery, Edinburgh.
(click to enlarge)
John Gay, oil painting by William Aikman; in the Scottish National Portrait Gallery, Edinburgh. (credit: Courtesy of the Scottish National Portrait Gallery, Edinburgh)
(born , June 30, 1685, Barnstaple, Devon, Eng. — died Dec. 4, 1732, London) British poet and dramatist. From an ancient but impoverished Devonshire family, Gay was apprenticed to a silk mercer in London but was released early. He soon cofounded the journal The British Apollo. His poetry collections included Rural Sports (1713) and Trivia (1716). He is best known for the ballad opera The Beggar's Opera (1728), which ran for 62 performances (the longest run to that date). The play, with music by John C. Pepusch (1667 – 1752), was a cynical tale of thieves and highwaymen intended to mirror the moral degradation of society; its success made it a landmark in music-theatre history. It was adapted by Bertolt Brecht and Kurt Weill as The Threepenny Opera (1928). Gay was buried in Westminster Abbey.

For more information on John Gay, visit Britannica.com.

 
British History: John Gay

Gay, John (1685-1732). One of the leading members of the remarkable group of authors in the early 18th cent., Gay was on close terms with Pope, Swift, and Arbuthnot. Of Devon dissenting stock, he moved to London, soon abandoned the silk trade, and established himself as a minor poet. His enormous success, The Beggar's Opera, was produced at Lincoln's Inn Fields by John Rich in 1728 and was said to have ‘made Gay rich and Rich gay’.

 
1685–1732, English playwright and poet, b. Barnstaple, Devon. Educated at the local grammar school, he was apprenticed to a silk mercer for a brief time before commencing his literary career in London. The first of his writings to have any real merit were the mock pastoral, The Shepherd's Week (1714), and Trivia (1716), an amusing description of London life. He is remembered chiefly today for his ballad opera, The Beggar's Opera (1728), a lighthearted story of highwaymen and thieves, which satirizes both the corruption of contemporary genteel society and the then current fashion for Italian opera. Its sequel, Polly, written the following year, was suppressed by Sir Robert Walpole since it (like The Beggar's Opera) ridiculed his government. Gay was also the author of two books of verse called Fables (1727, 1738), which were very popular in his generation.

Bibliography

See his poetical works edited by G. C. Faber (1926, repr. 1969); study by P. A. Spacks (1965).

 
Quotes By: John Gay

Quotes:

"There is no dependence that can be sure but a dependence upon one's self."

"Can you support the expense of a husband, hussy, in gaming, drinking and whoring? Have you money enough to carry on the daily quarrels of man and wife about who shall squander most?"

"Fools may our scorn, not envy, raise. For envy is a kind of praise."

"We only part to meet again."

"O Polly, you might have toyed and kissed, by keeping men off, you keep them on."

"An open foe may prove a curse, but a pretended friend is worse."

See more famous quotes by John Gay

 
Wikipedia: John Gay
John Gay
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John Gay

John Gay (30 June,1685 - 4 December,1732) was an English poet and dramatist. He is best remembered for The Beggar's Opera (1728), set to music by Johann Christoph Pepusch. The characters, including Captain Macheath and Polly Peachum, became household names.

Biography

Gay was born in Barnstaple, England and was educated at the town's grammar school. On leaving school he was apprenticed to a silk mercer in London, but being weary, according to Samuel Johnson, "of either the restraint or the servility of his occupation," he soon returned to Barnstaple, where he spent some time with his uncle, the Rev. John Hanmer, the Nonconformist minister of the town. He then returned to London.

The dedication of his Rural Sports (1713) to Alexander Pope was the beginning of a lasting friendship. In 1714, Gay wrote The Shepherd's Week, a series of six pastorals drawn from English rustic life. Pope had urged him to undertake this task in order to ridicule the Arcadian pastorals of Ambrose Philips, who had been praised by The Guardian, to the neglect of Pope's claims as the first pastoral writer of the age and the true English Theocritus. Gay's pastorals completely achieved this goal, but his ludicrous pictures of the English country lads and their loves were found to be entertaining on their own account.

Gay had just been appointed secretary to the British ambassador to the court of Hanover through the influence of Jonathan Swift when the death of Queen Anne three months later put an end to all his hopes of official employment.

In 1715, probably with some help from Pope, he produced What d'ye call it?, a dramatic skit on contemporary tragedy, with special reference to Thomas Otway's Venice Preserved. It left the public so ignorant of its real meaning that Lewis Theobald and Benjamin Griffin published a Complete Key to what d'ye call it to explain it. In 1716 appeared his Trivia, or the Art of Walking the Streets of London, a poem in three books, for which he acknowledged having received several hints from Swift. It contains graphic and humorous descriptions of the London of that period. In January 1717 he produced the comedy, Three Hours after Marriage, which was grossly indecent without being amusing, and was a complete failure. He had assistance from Pope and John Arbuthnot, but they allowed it to be assumed that Gay was the sole author.

Gay had numerous patrons, and in 1720 he published Poems on Several Occasions by subscription, taking in £1000 or more. In that year James Craggs, the secretary of state, presented him with some South Sea stock. Gay, disregarding the advice of Pope and others of his friends, invested all his money in South Sea stock, and, holding on to the end of the South Sea Bubble, he lost everything. The shock is said to have made him dangerously ill. His friends did not fail him at this juncture. He had patrons in William Pulteney, afterwards Earl of Bath, in the third Earl of Burlington, who constantly entertained him at Chiswick or at Burlington House, and in the third Duke of Queensberry. He was a frequent visitor with Pope, and received unvarying kindness from William Congreve and Arbuthnot. In 1727 he wrote for Prince William, afterwards Duke of Cumberland, his famous Fifty-one Fables in Verse, for which he naturally hoped to gain some preferment, although he has much to say in them of the servility of courtiers and the vanity of court honours. He was offered the situation of gentleman-usher to the Princess Louisa, who was still a child. He refused this offer, which all his friends seem to have regarded, for no very obvious reason, as an indignity. He had never rendered any special services to the court.

He certainly did nothing to conciliate the favour of the government by his next production, The Beggar's Opera, a lyrical drama produced on the January 29, 1728 by John Rich, in which Sir Robert Walpole was caricatured. This famous piece, which was said to have made "Rich gay and Gay rich," was an innovation in many respects. The satire of the play has a double allegory. The characters of Peachum and Macheath represent the famous highwayman and gangster Jonathan Wild and the cockney housebreaker Jack Sheppard. At the same time, Jonathan Wild was understood to represent Robert Walpole, whose government had been tolerant of Wild's thievery and the South Sea directors' escape from punishment. Under cover of the thieves and highwaymen who figured in it was disguised a satire on society, for Gay made it plain that in describing the moral code of his characters he had in mind the corruptions of the governing class. Part of the success of the Beggar's Opera may have been due to the acting of Lavinia Fenton, afterwards Duchess of Bolton, in the part of Polly Peachum. The play ran for sixty-two nights. Swift is said to have suggested the subject, and Pope and Arbuthnot were constantly consulted while the work was in progress, but Gay must be regarded as the sole author.

He wrote a sequel, Polly, relating the adventures of Polly Peachum in the West Indies; its production was forbidden by the Lord Chamberlain, no doubt through the influence of Walpole. This act of "oppression" caused no loss to Gay. It proved an excellent advertisement for Polly, which was published by subscription in 1729, and brought its author several thousand pounds. The Duchess of Queensberry was dismissed from court for enlisting subscribers in the palace. The Duke of Queensberry gave Gay a home, and the duchess continued her affectionate patronage until Gay's death, which took place on December 4, 1732. He was buried in Westminster Abbey. The epitaph on his tomb is by Pope, and is followed by Gay's own mocking couplet:

Life is a jest, and all things show it,
I thought so once, and now I know it.

Partial list of works

  • The Present State of Wit - 1711
  • The Rural Sports - 1713
  • The Shepherd's Week - 1714
  • The What D'ye Call It - 1715
  • Trivia, or The Art of Walking the Streets of London - 1716
  • Poems on Several Occasions - 1720
  • Fifty-one Fables in Verse - 1727
  • The Beggar's Opera - 1728
  • Polly - 1729
  • Achilles - 1733
  • The Distress'd Wife - 1734
  • Fables - 1738
  • Wine

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Music Encyclopedia. The Concise Grove Dictionary of Music. Copyright © 1994 by Oxford University Press, Inc.. All rights reserved.  Read more
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Britannica Concise Encyclopedia. Britannica Concise Encyclopedia. © 2006 Encyclopædia Britannica, Inc. All rights reserved.  Read more
British History. A Dictionary of British History. Copyright © 2001, 2004 by Oxford University Press. All rights reserved.  Read more
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Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "John Gay" Read more

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