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French Literature Companion:

Georges Rodenbach

Rodenbach, Georges (1855-98). ‘C'est très beau et très Poe, cela’, said Mallarmé of Le Règne du silence (1891), in whose poems Rodenbach expressed in melodious, intimist, and melancholy tones the mysterious analogies between poet and world which made him one of the leading figures of Belgian Symbolism. In 1881 he co-founded La Jeune Belgique, in which he helped to open Belgian literature to the influences of the French Decadents and Symbolists. He achieved greatest success with his novel Bruges-la-morte (1892), in which he brought together the theme of love for the deceased spouse with descriptions of the city's canals, rains, and mists and their links to the subconscious. Bachelard described the novel as an illustration of the ‘Ophelia complex’, and this ‘ophélisation d'une ville entière’ made Bruges one of the privileged sites of fin-de-siècle sensibility.

[James Kearns]

 
 
Columbia Encyclopedia: Rodenbach, Georges
(zhôrzh rôdĕnbäk') , 1855–98, Belgian symbolist poet and novelist. Living in Paris from 1887, he wrote about Flemish life. His works include the poems Le Foyer et les champs (1877), La Jeunesse blanche (1886), and Les Vies encloses (1896) and a novel, Bruges-la-morte (1892).
 
Wikipedia: Georges Rodenbach
Rodenbach's gravesite in Paris.
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Rodenbach's gravesite in Paris.

Georges Raymond Constantin Rodenbach (born July 16, 1855 in Tournai, Belgium; died December 25, 1898 in Paris) was a Belgian Symbolist poet and novelist. He was born in Tournai and went to school in Ghent, where he became friends with the poet Emile Verhaeren. Rodenbach worked as a lawyer and journalist. He spent the last ten years of his life in Paris as the correspondent of the Journal de Bruxelles, and was an intimate of Edmond de Goncourt. He published eight collections of verse and four novels, as well as short stories, stage works and criticism. He produced some Parisian and purely imitative work; but a major part of his production is the outcome of a passionate idealism of the quiet Flemish towns in which he had passed his childhood and early youth. In his best known work, Bruges-la-Morte (1892), he explains that his aim is to evoke the town as a living being, associated with the moods of the spirit, counselling, dissuading from and prompting action.

Works

  • Le Foyer et les Champs (1877), poetry
  • Les Tristesses (1879), poetry
  • La Belgique 1830-1880 (1880), historic poem
  • La Mer élégante (1881), poetry
  • L'Hiver mondain (1884)
  • Vers d'amour (1884)
  • La Jeunesse blanche (1886), poetry
  • Du Silence (1888)
  • L'Art en exil (1889)
  • Bruges-la-Morte (1892)
  • Le Voyage dans les yeux (1893)
  • Le Voile, drama
  • L'Agonie du soleil (1894)
  • Musée de béguines (1894)
  • Le Tombeau de Baudelaire (1894)
  • La Vocation (1895)
  • A propos de "Manette Salomon". L'Œuvre des Goncourt (1896)
  • Les Tombeaux (1896)
  • Les Vierges (1896)
  • Les Vies encloses (1896), poem
  • Le Carillonneur (1897)
  • Agonies de villes (1897)
  • Le Miroir du ciel natal (1898)
  • Le Mirage (1900)

External links

This article incorporates text from the Encyclopædia Britannica Eleventh Edition, a publication now in the public domain.


 
 

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Copyrights:

French Literature Companion. The New Oxford Companion to Literature in French. Copyright © 1995, 2005 by Oxford University Press. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Georges Rodenbach" Read more

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