Notes on Drama:

Everyman (Historical Context)

Contents:

Introduction
Author Biography
Plot Summary
Characters
Themes
Style
Critical Overview
Criticism
Sources
Further Reading


Historical Context

Cultural Changes in England

The end of the fifteenth century marked the end of the medieval period in England. The sixteenth century brought with it the first of the Tudor kings and a period of relative peace following the civil wars that had plagued England during much of the preceding century. And although it was still present in smaller, yearly outbreaks, the threat of the Black Death (a plague that had killed a large portion of the European population) had finally decreased. England at the beginning of a new century was becoming a good place to live. The first of the Tudors, King Henry VII, formed alliances with neighboring countries and trade flourished in London. The cloth made from the wool of English sheep became an important commodity in Europe trading.

The ascension of commerce, however, changed the face of England. Once a predominantly agrarian culture, the cities of England — especially London — became more densely populated and urban. Farm lands were enclosed, and displaced rural families fled to the larger cities, where crowding, unemployment, and plague were a greater problem. The feudal order was ending, as well as the era of knights on horseback, who became obsolete after Henry V proved that there was a more efficient way to win a battle. Literacy increased, too, as moveable typesetting made books and other printed material more available.

Drama in the Fifteenth Century

The Renaissance began in Italy during the fifteenth century, but it did not begin in England until the early part of the sixteenth century; thus Everyman really represents one of the last medieval plays to be written. For the people of the medieval period, the Catholic church was the center of their lives. Its teaching guided all their actions, and its rules provided people with a pattern upon which to base all behaviors. The teachings of the church and its masses were in Latin, which few except the most learned could understand; the church held a position of authority that could not be challenged by the majority of those under its rule. Its representatives were charged with interpreting the word of God to the people, who trusted blindly in their clergy. The Catholic church still maintained a strong hold on England at the beginning of the sixteenth century. But the first stirrings of the Reformation were being felt in Europe, and by the last year that Everyman was reprinted, 1537, the Catholic church’s rule in England had ceded to Protestantism.

Medieval drama was originally derived from church liturgy. In the ninth century, musical elaboration of the Latin liturgy began to appear as part of certain feasts. The purpose was to heighten and enhance the religious experience of the worshipers, and by the tenth century, brief enactments of biblical episodes were practiced at monasteries and abbeys. The most famous was an Easter morning reenactment of the three Marys asking for Jesus at his grave. Clerics dressed for the parts and sang the piece as dialogue, answering one another.

These “tropes,” as they were called, were not plays exactly, but they contained elements of drama. They had progressive plots, brief development of character, conflict, resolution, and visual spectacle. Over a period of 100 years, tropes became more elaborate and more complicated. The topics were usually biblical and the actors were clerics, monks, and choirboys. But the language was Latin rather than native languages, and the audiences were almost exclusively limited to those living in monastic communities.

Widespread deaths from the plague changed the nature of medieval drama and opened the way for another type of drama. When labor became scarce and expensive, people moved into the cities, which became centers of economic and cultural growth. Cycle or mystery plays evolved in towns and cities and were sanctioned by the church. Vast productions that taught Christian history and values were produced in the towns with lay-people as actors and as a part of feast day celebrations. Each guild was assigned a story, from Creation to Judgment, and each guild produced a pageant that best fit the guild’s purpose. A great many of the townspeople participated as stage crew, actors, managers, and supporting cast. The audiences were large, drawn from everyone within traveling distance. Eventually, morality plays grew from this beginning. However, with the coming of the great Elizabethan theatre (the works of Shakespeare and others), morality plays disappeared as the evolving society demanded more elaborate entertainments.

Compare & Contrast

  • 1495: Henry VII is king of England. Catholicism is still the religion of the country and will remain so for the next thirty years.

    Today: Because of a bloody history of oppression and suppression, anti-Catholic feelings in Great Britain have remained high since the mid- sixteenth century when Mary I had Protestants burned at the stake.

  • 1495: The Black Death (also known as the Plague), continues to claim lives. The death toll has decreased from the fourteenth century, when one-third of Europe’s population died from the disease. Still, thousands will die from the Plague over the next few years.

    Today: The Plague is almost non-existent in England, although it still exists in some areas of the world. Even the American Southwest records deaths from the disease each year.

  • 1495: The Spanish Inquisition continues to persecute all “heretics” (those who disagree with Catholic doctrine) with religious zeal. Many are put to death for questioning the church.

    Today: Religious belief is still a significant cause of warfare and death in many countries. In Ireland, Protestants and Catholics have begun a fragile peace. In the Middle East, religious zealotry continues to fuel terrorist actions.

  • 1495: Exploration of the New World has continued since Christopher Columbus’s voyages in 1492. In the next year, England will send the first of its explorers, John Cabot, to claim land in England’s name.

    Today: Modern explorers are now heading into space. Often dubbed “the final frontier,” space is now the region humankind is examining for possible habitation and resources.

  • 1495: A year earlier, the first English paper mills opened. This, combined, with the new moveable type presses, means that more books can be printed for at a significantly reduced cost. The movement toward literacy in England has begun.

    Today: Although it was earlier prophesied that computers and the Internet would mean the end of printed materials, books, magazines, and newspapers continue to enjoy a huge audience. Many publications are flourishing as both print and electronic media.


 
 
 

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