The Moche civilization (alternately, the Mochica culture, Early Chimu, Pre-Chimu, Proto-Chimu, etc.) flourished in
northern Peru from about 100 CE to 800
CE. Today it is understood that they were not politically the same people as the Chimú or
the Lambayeque culture. Scholars have proved that the Moche were not politically
organized as monolithic empire or state but rather as a group of autonomous polities that shared a common culture expressed
mainly in the iconography. Pre-Columbian years as
expansive as 300 BCE to 1000 CE are sometimes described as the era of
the Moche. They are noted for the elaborate painted ceramics and pottery, gold work, and irrigation systems. Moche history is broadly
categorized into five periods based on the increasing complexity of pottery decoration. Many Moche ceramic pieces, including
their highly detailed erotic pottery, can be found at the Museo de la Nacion and the
Museo Larco Herrera, both in Lima.
The Moche primarily were farmers, who diverted rivers into a network of irrigation canals. Their culture was sophisticated,
although they had no written language. Yet, their artifacts document their lives with detailed scenes of hunting, fishing,
combat, punishment, sexual encounters and elaborate ceremonies and harmony was a huge part of their celebrations.
The Moche lived in many valleys in the north coast of Peru: Lambayeque, Jequetepeque, Chicama,
Moche, Viru, Chao, Santa,
Nepena. There are several Moche ruins not far from the city of Trujillo, Peru. The
Huaca del Sol, a pyramidal structure on the Rio Moche,
had been the largest pre-Columbian structure in Peru but was largely destroyed when Spanish
Conquistadors mined its graves for gold. Fortunately the nearby Huaca de la Luna
seems to have been more important to the Moche and has remained largely intact. It contains many colorful murals with complex
iconography and has been under excavation since the early 90's. Other major Moche sites include Sipan, Pampa Grande, Dos Cabezas, Pacatnamu, San Jose de Moro, El Brujo complex, Mocollope, Cerro Mayal, Galindo,
Huancaco, and Panamarca.
Pottery
Moche pottery is some of the most varied in the world. They used molds in order to mass produce huge quantities of it. But
despite this, they had a large variation in shape and theme. Virtually all vegetables and important activities are documented in
their pottery, including war, sex, metal work, and weaving. They would apply figures onto pottery before it dried, which is
seldom done today because of the risk of explosion in the kiln if air gets into the joints.
A map of Moche cultural influence
They also seemed to be obsessed with individuality. Many of the later of the
143,000,000 bricks in the Huaca del Sol had a maker's
mark. Important persons would have vases made to resemble their heads. The portrait vases also show the personality of the
subject: some are shown laughing, others in deep thought, others angry, etc. Some Moche art is erotic in nature, showing various
acts including oral and anal sex.
The coloration of Moche pottery is not very varied, yellowish cream and Indian red are used almost exclusively on elite
pieces, with a white color or black in only a few pieces. Their adobe buildings have mostly been
destroyed by looters and the elements over the last 1300 years, but the two huacas that remain show that the coloring of their murals was much more varied, with every color of the rainbow
represented. Not much is known about their clothing since most of it has disintegrated; the Moche lived in the north of
Peru, which may get flooded in El Niño
years.
Lima's Museo Larco holds
a large collection of Mochica ceramics and artifacts, including a gallery of erotic pottery.
Moche erotic pottery is fascinating, not only due to the vast number of sexual activities represented, but also because
procreative coitus was only depicted in a limited number of circumstances. While anal intercourse, fellatio, masturbation and
cunnilingus were commonly depicted on Moche pottery, vaginal intercourse was only depicted when the male involved wore ceremonial
garb, the female had two braids which ended in snake's heads, and the copulation occurred under an elaborate roof of a ceremonial
building. In these scenes of procreative sex, additional figures are always depicted watching the couple in the building and
holding their hands as though in supplication. The precise meaning of this has never been established.
Religion
Moche worship featured a figure called the Decapitator, mostly depicted as a spider, but also depicted as a winged creature or
a sea monster all three features symbolizing land, water and air. When the body is included, it is usually shown with one arm
holding a knife and another holding a severed head by the hair. It is thought to figure in the ritual human sacrifice of foreign soldiers or tribal citizens. This human sacrifice may also have included the
consumption of human blood by the Lord of Sipán, who was a Moche spiritual, military and civil
leader. This act is believed to have been done to appease the Decapitator. While some scholars, such as Christopher Donnan and
Izumi Shimada, argue that the sacrificial victims were the losers of ritual battles among
local elites, others, like John Verano and Richard Sutter, suggest that the sacrificial
victims were warriors captured in territorial battles between the Moche and other nearby societies. Burials in plazas near Moche
pyramids have found groups of people sacrificed together and skeletons of young men deliberately excarnated, perhaps for temple displays.[1] The sacrifices are believed to have been to ensure the coming of the yearly rains.
Demise
There are several theories as to what caused the demise of the Moche political organization. To understand this process of
political collapse, we need to consider it as separate historical events in the different valleys where these Moche polities
developed. Studies of ice cores drilled from glaciers in the Andes reveal climatic catastophes
between 536 to 594 CE, possibly a super El Niño, that resulted in 30 years
of unrelenting rain and flooding followed by 30 years of drought, part of the aftermath of the climate changes of 535–536.[2]
These catastrophes would have disrupted the Moche way of life and shattered their faith in their religion, which had promised
stable weather through sacrifices. However, these catastrophic events did not cause the final Moche demise. Recent evidence
uncovered by diverse archaeologists has shown that the Moche polities survived beyond 650 CE in the Jequetepeque Valley and the
Moche Valleys.
For instance, in the Jequetepeque Valley, later settlements are characterized by fortifications and defensive works. In any
case, there is no evidence of a foreign invasion, as many scholars have suggested in the past (i.e. a Huari invasion). Evidence of a period of social unrest followed the climatic changes, as the Moche
civilization tore itself apart and fought over the remaining resources.[3]
Other
The Moche was an Early Intermediate culture that co-existed with the
Ica-Nazca culture. They were preceded by the Chavín
horizon and succeeded by the Huari and Chimú. They are thought to have had some limited contact with the Ica-Nazca culture because they mined
Guano for fertilizer in Ica-Nazca territory. Moche pottery has been found near Ica, but no
Ica-Nasca pottery has been found in Moche territory.
Note: Mochica was the Chimuan language
spoken in the area when the Conquistadors arrived, but there is no indication that this was
the language spoken by the Moche, so scientists still call them the Moche after the location of the primary archaeological site.
There is some evidence they were the same people as the later culture known as Chimú.
Recent discoveries
In 2005, a mummified Moche woman was discovered at the Huaca Cao Viejo, part of the
El Brujo archeological site on the outskirts of Trujillo, Peru. It is the best preserved Moche
mummy found to date and the tomb that housed her had unprecedented elaborateness. The archaeologists on the site believe that the
tomb had been undisturbed since approximately 450 CE. The tomb also contained various military and ornamental artifacts,
including war clubs and spear throwers. A garroted young girl, probably a servant, was found in the tomb with her. News of the
discovery was announced by Peruvian and U.S. archaeologists in collaboration with National Geographic in May, 2006.[4]
In 2006 perhaps the most lavish (certainly the most valuable, pound-for-pound) Moche artifact
ever discovered turned up in a Londoner's office — a magnificent gold mask depicting a sea goddess with beautiful spirals
radiating from her stone-inlaid face. It is thought that the artifact was looted from a nobleman's tomb in the late 1980s (La
Mina); it has now been returned to Peru.[5]
See also
References
- ^ Grim Rites of the Moche , Archaeology magazine, Volume 55 Number 2, March/April 2002,
accessed March 2, 2006
- ^ Keys, David, Catastrophe: A
Quest for the Origins of the Modern World, Ballantine Books, New York, 1999.
- ^ Lost society tore itself apart, Davidson N, BBC Website, BBC Horizon, 2 March 2005,
accessed 4 March 2005
- ^ "Mummy of Tattooed Woman Discovered in Peru Pyramid", Norris S, National Geographic
News, 16 May 2006, accessed 16 May 2006
- ^ http://www.jpost.com/servlet/Satellite?cid=1154525895211&pagename=JPost%2FJPArticle%2FShowFull
External links
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